\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"368f4b42546c13a17dbc58318b7de986",title:"經典法文音樂劇《羅密歐與茱麗葉》"}],related:[],title:" Roméo & Juliette, les enfants de Vérone",cover:"654da136f83be5c68aa9615c8813a99f",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
© YouTube(udn x瘋活動)
\n\n\n\n
Roméo et Juliette: de la Haine à l'Amour is a French musical based on William Shakespeare's play Romeo and Juliet, with music and lyrics by Gérard Presgurvic. It premiered in Paris on January 19, 2001. The production was directed and choreographed by Redha, with costumes by Dominique Borg and settings by Petrika Ionesco. The producers were Gérard Louvin, GLEM, and Universal Music. ! Since then, the musical has been performed in Verona, Rome, Canada, Antwerp, London, Amsterdam, Budapest, Szeged, Moscow, Vienna, Bucharest, Seoul, Pusan (South Korea), Taipei, Monterrey, Japan, Hong Kong, Shanghai and Portugal and has been translated into several languages, including Dutch, Italian, Hungarian, Russian, English, German, Spanish, Romanian, Japanese, Korean, Portuguese, and Slovak.
\n\n\n\n
Creative and Production Team
\n\nComposer:Gérard Presgurvic
\n\nRomeo:Damien Sargue
\n\n\n\n
\n',team:""},createdAt:1664506329,updatedAt:1671417586,updatedBy:"林蔚行",host:!1},{_id:"634526dd26fa100008a248fb",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1676788200,discrete:[{time:1676788200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[200,300,500],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N25WWJDI"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"026d2072b649ee028104e04279492967",title:"《琴動心弦》音樂會"}],related:[],title:"《琴動心弦》音樂會",cover:"9675567eff579c54ec7e7618c20e6cf5",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
高雄明華國中弦樂團成立於2011年10月,秉持多元適性的教育理念,提供一個優質的學習機會與展現音樂藝術才能的舞台,延續年輕學子對音樂藝術的熱情與愛好,並藉由精緻藝術陶冶性情,豐富生命內涵,提升生活品質。明華國中弦樂團是高雄市最優質的國中學生弦樂團。今年特別擴大舉辦音樂會,邀請傑出校友回團參與演出,誠摯邀請您的蒞臨與我們共享這場綺麗的音樂饗宴。
\n\n\n\n
演出曲目
\n\n葛利格: 霍爾堡組曲第一樂章
\n\n尼諾・羅塔: 弦樂協奏曲第四樂章
\n\n李哲藝: 弦舞
\n\n蕭士塔高維契: 第三號弦樂四重奏第三樂章
\n\n愛德華•艾爾加: 弦樂小夜曲第一樂章
\n\n蕭士塔高維契: 第八號C 小調弦樂四重奏第二樂章
\n\n甜蜜蜜
\n\n淚光閃閃
\n\n鼓聲若響
\n\n阮若打開心內的門窗
\n\n夜來香
\n\n茉莉花
\n\n\n\n
演出暨製作團隊
\n\n指揮|周安瑞
\n\n演出團隊|高雄明華國中弦樂團
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"026d2072b649ee028104e04279492967",title:"《琴動心弦》音樂會"}],related:[],title:"Strings of the Heart",cover:"9675567eff579c54ec7e7618c20e6cf5",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
To uphold the philosophy of diverse and adaptive education, and to extend students' passion and love towards music, Ming Hua Junior High School String Orchestra was founded in October, 2011. We provide students with learning opportunities and create a stage to showcase their musical talents. We aim to cultivate students' minds and enrich their lives through music. Ming Hua Junior High School String Orchestra is the best junior high school student orchestra in Kaohsiung. This year, we plan to produce a big concert by inviting outstanding alumni to participate in the performance. We sincerely invite you to join this enchanting music feast.
\n\n\n\n
Program
\n\nEdvard Grieg: Holbergs Suite for Strings, Op.40, Prelude
\n\nNino Rota: Concerto for String Orchestra, Finale
\n\nChe-Yi Lee: Dancing Strings
\n\nD. Shostakovich: String Quartet No.3 in F major, Op. 73, Allegro non troppo
\n\nE. Elgar: Serenade for Strings in E minor, Op. 20, Allegro Piacevole
\n\nD. Shostakovich: String Quartet No. 8 in C minor, Op. 110, Allegro molto
\n\nSweet as Honey
\n\nShining Tears (Nada Sōsō)
\n\nThe Drumbeat
\n\nOpen the Window to Our Hearts
\n\nTelosma
\n\nJasmine
\n\n\n\n
Creative and Production Team
\n\nConductor|An-Jui Chou
\n\nMing Hua Junior High School String Orchestra
\n\n\n\n
\n\n
\n\n
\n',team:""},createdAt:1665476317,updatedAt:1666176194,updatedBy:"林蔚行",host:!1},{_id:"634667b912f38c00082e5d12",catalogs:["5fe2bffdde1961000737545c","63631a36cf05170008b40bba","5aec4184b01ea6000520f633"],dateTime:{first:1677067200,discrete:[{time:1677067200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1584480819331411971"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1667444400,end:4823164799},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8d9785d94807b7222987a8045058fecc",title:"【衛武營小時光】那那大師《那那大事!》"}],related:[],title:"【衛武營小時光】那那大師《那那大事!》",cover:"4ea663907f67e190ad2502eca673dfa3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\n
每一件被認真對待的事情都是大事
\n\n那式不插電編曲翻玩經典唱聊青春
\n\n\n\n
音樂在那那大師面前,就是那那大事!填滿青春回憶的重要經典總是不斷浮現在腦海中,那一首給了眼淚、那一首帶來瘋狂,以及那一首讓未來充滿想像。音樂乘載好多好多故事,動人的旋律與音符在腦海裡佔好了位置,偶爾的一聲招呼,就掉進時光漩渦!
\n\n這一晚,那那大師精選感動自己的旋律,並與多位新銳音樂家合作,攜手以精巧編制呈現,將各式金曲改編帶來全新聆聽感受,希望牽動每位聽者的心情,一起安放思緒,激發熱情,走進一場那式不插電之夜,翻玩經典,陪伴唱聊青春。
\n\n\n\n
演出者介紹
\n\n那那大師
\n\n那那大師為音樂YouTuber,精通華語金曲,帶觀眾自由穿梭華語金曲年代,細數每一首歌曲故事。透過招牌節目《那那大歌廳》、《你最近好嗎?》、《超級那卡西》專訪藝人歌手超過五十位以上並深獲好評,其中包含李玟、韋禮安、蔡健雅、周興哲、莫文蔚、盧廣仲、A-Lin、小宇、徐佳瑩、動力火車、楊丞琳、光良、王心凌等人氣歌手,為目前深受歡迎的網路音樂節目。另一單元《音樂唱聊室》更帶領觀眾坐上音樂時光機,精彩盤點音樂娛樂大小事,網友高度熱愛,YouTube累積觀看次數朝向20,000,000次邁進。
\n\n除了享受主持,那那大師也熱衷演唱,目前擁有兩首線上單曲,為翻唱阿密特(張惠妹)的〈好膽你就來〉以及自身填詞的原創歌曲〈到家了〉,兩首演唱展現招牌高音也讓觀眾沈浸在輕柔聲線當中,聲音跨度以及獨特嗓色均獲得專業音樂人讚賞。那那大師也在2022年7月9日於Legacy Taipei舉辦個人生平首場大型演唱會,首次正式登台即完售,活力四射演出獲得觀眾全面喝采。
\n\n\n\n
\n\t\t |
\n\n
\n',team:""},english:{onShelfRange:{start:1667444400,end:4823164799},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8d9785d94807b7222987a8045058fecc",title:"【衛武營小時光】那那大師《那那大事!》"}],related:[],title:"【Weiwuying Showtime】NaNa Master - NaThing Acoustic Live!",cover:"4ea663907f67e190ad2502eca673dfa3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Available starting 11/16(Wed)12:00 !
\n\t\n\n
\n\n
A small thing taken seriously becomes a big thing
\n\nThis Na-style unplugged arrangement adapts classic songs about youth
\n\n\n\n
\n\n
For the NaNa Master, music is that big thing! Momentous classic songs filled with memories of youth always pop up in his mind: this one brings him to tears, that one drives him mad, the other one fills him with dreams of the future. Music is a vehicle for storytelling. With a poignant melody and notes that come alive in his mind, even an occasional hello from a song can make him fall into his own time vortex.
\n\nTonight, the NaNa Master has handpicked melodies that he finds touching and collaborated with several up-and-coming musicians to jointly present ingeniously rearranged classics and bring forth brand new sounds and sensations. He hopes to tug at the heartstrings of every listener — whether to calm our thoughts and feelings or stir up our passions — and take us on a journey through a night of unplugged NaNa-style adaptations of the classics, singing and chatting about the songs of our youth.
\n\n\n\n
Artist Introduction
\n\nNaNa Master
\n\nThe NaNa Master is a music YouTuber well versed in Chinese pop classics, who takes his viewers on journeys through the golden age of Chinese pop by recounting the stories behind the greatest hits of the era. In his highly acclaimed popular signature programs NaNa Grand Music Hall, How Have You Been?, and Super Nakasi, he has held exclusive interviews with over 50 music artists, including popular singers CoCo LEE, WeiBird, Tanya CHUA, Eric CHOU, Karen MOK, Crowd LU, A-Lin, Xiao Yu, LaLa HSU, Power Station, Rainie YANG, Michael WONG, and Cyndi WANG. His other widely acclaimed show, Music Sing & Chat Room, takes his viewers along on a musical time machine with fascinating accounts of the great and small things in the world of music entertainment. The accumulated view count on his YouTube channel is currently nearing 20 million.
\n\nApart from hosting talk shows, NaNa Master is also passionate about singing. As of now he has two online singles: a cover of 'Bold For My Love' by Amit (A-Mei), and 'Finally Home,' an original song whose lyrics he penned. In both songs, he not only displays his signature high notes, but also immerses viewers in his soft and gentle vocals. NaNa Master's vocal range and unique tone of voice have both received praise from music professionals. Furthermore, the debut performance of his first ever large-scale solo concert on July 9, 2022 at the Legacy Taipei venue was sold out, and ended with a standing ovation given by an audience over 1000 for his lively performance.
\n\n\n\n
\n\t\t |
\n\n
\n',team:""},createdAt:1665558457,updatedAt:1667873581,updatedBy:"林蔚行",host:!0},{_id:"634fc815dcc78d0009ca4b53",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1676286e3,discrete:[{time:1676286e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,1e3,1500],link:"https://www.opentix.life/event/1580040842492620802"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"280fa00de4d8d3322082fbdccb36f709",title:"《2023臺灣、克羅埃西亞協奏曲之夜》"}],related:[],title:"《2023臺灣、克羅埃西亞協奏曲之夜》",cover:"714d4e6ffd7a03dd3e19761e2df83557",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
1)長榮交響樂團演奏林榮德及克國作曲家作品
\n\n2)全球首演林榮德歌劇三大協奏曲
\n\n3)王喬怡、林健吉 主唱林榮德歌劇選曲
\n\n4)臺克名家演奏林榮德及克國名協奏曲
\n\n\n\n
演出暨製作團隊
\n\n作曲家:林榮德
\n\n指揮:莊文貞
\n\n樂團:長榮交響樂團
\n\n小提琴:安德爾科‧克里潘、蕭道圓
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"280fa00de4d8d3322082fbdccb36f709",title:"《2023臺灣、克羅埃西亞協奏曲之夜》"}],related:[],title:"2023 Music Night for Taiwan & Croatia",cover:"714d4e6ffd7a03dd3e19761e2df83557",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
2023 Music Night for Taiwan & Croatia
\n\nThis is a historic music communication between Taiwan and Croatia , hopefully to bridge both countries in the music, culture, tourism and diplomatic relation.
\n\n\n\n
Creative and Production Team
\n\nCOMPOSER|LIN Jong-teh
\n\nConducter|CHUANG Wen-Chen
\n\nOrchesera|Evergreen Symphoy Orchesera
\n\nViolin|A.krpan B.Papandopulo, HSIAO Tao-yuan
\n\n\n\n
\n',team:""},createdAt:1666172949,updatedAt:1669263391,updatedBy:"林蔚行",host:!1},{_id:"6358d601afce7d0007842f9f",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1677929400,discrete:[{time:1677929400},{time:1677997800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,900,1400,1700,2e3,2300,2600],link:"https://tixfun.com/UTK0201_?PRODUCT_ID=N18ITTNC"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2c048177d81c7e6e9dc30c38572ddfca",title:"舞台劇《最後14堂星期二的課》"}],related:[],title:"舞台劇《最後14堂星期二的課》",cover:"24562f1dbb507e0629261f6c5ba5468a",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
壹戲劇大賞評語:「一個脆弱的病人成為了精神的巨人。他的表演返璞歸真、動情觀照、感人至深,是勵志,是解藥,也是對人性的堅決肯定,他引領我們穿越黑暗與死亡的幽谷,重見世界的美好與光明。 」
\n\n白玉蘭獎評語:「他的表演不賣弄技巧,細節拿捏十分準確,人物塑造唯妙唯肖。」
\n\n一本美妙的書,一個作者以靈魂訴說,關於心靈的故事—【洛杉磯時報】
\n\n生動捕捉到複雜生命背後的簡單純粹,既清晰又富有智慧的美麗故事。——【美國暢銷心靈作家史考特‧派克(M. Scott Peck,M.D.)】
\n\n\n\n
改編自美國著名作家米奇‧艾爾邦的同名暢銷小說《最後14堂星期二的課》。米奇(卜學亮飾)大學畢業16年後一直處於埋頭工作的狀態。在追求理想、事業和物質享受的生活中迷失了自我。一天,他偶然在電視上看見大學時期的恩師莫利(金士傑飾)不幸罹患了肌萎性脊髓側索硬化症(簡稱ALS),決定抽空去見這位導師。莫利雖然患了不治之症,卻拒絕讓自己即將步入死亡的事實影響情緒。在他剩下的日子裡,他以自己的生命經驗當作活教材,與他的學生相約在每週的星期二,展開為期14場既幽默又觸動人心的生命對談。
\n\n\n\n
演出暨製作團隊
\n\n製作統籌|果陀劇場
\n\n藝術總監|梁志民
\n\n演出人員|金士傑、卜學亮
\n\n導演/劇本翻譯|楊世彭
\n\n小說原著|米奇 · 艾爾邦
\n\n原著劇本|傑佛瑞 · 海其爾、米奇 · 艾爾邦
\n\n服裝造型設計|王怡美
\n\n舞台設計|劉達倫
\n\n燈光設計|曹安徽
\n\n音樂暨音效設計|傑夫 · 馬克思
\n\n影像設計|王奕盛
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2c048177d81c7e6e9dc30c38572ddfca",title:"舞台劇《最後14堂星期二的課》"}],related:[],title:"Mitch Albom's TUESDAYS WITH MORRIE ",cover:"24562f1dbb507e0629261f6c5ba5468a",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
One of the world's top-selling memoirs of all time, Tuesdays with Morrie is a moving rumination about life and death, based on author Mitch Albom's interviews with his college Professor Morrie Schwartz. Albom is a newspaper sports reporter who becomes so absorbed in his work and materialistic pursuits that it consumed his life. When he learnt from a television interview that his favourite professor, Schwartz, was afflicted with the terminal amyotrophic lateral sclerosis (ALS) or Lou Gehrig's disease, he was moved to reconnect with his old mentor. The story chronicles Schwartz's thoughts about living a meaningful life over a series of meetings—always on Tuesdays— that Schwartz had with Albom before his passing.
\n\n\n\n
Creative and Production Team
\n\nProduced by|Godot Theatre Company
\n\nArtistic Director by|James Chi-Ming Liang
\n\nActed by|Shih-Chieh Chin 、 Hsueh-liang Pu
\n\nDirected & Script Translated|Daniel S.P. Yang
\n\nBased on the Novel by|Mitch Albom
\n\nOriginal Screenplay by|Jeffrey Hatcher、Mitch Albom
\n\nCostume Designed by|Yimeei Wang
\n\nSet Designed by|Dar-Lurn Liu
\n\nLighting Designed by|An-Huei Tsao
\n\nSound Designed by|Jeff Mockus
\n\nVisual Designed by|Ethan Wang
\n\n\n\n
\n',team:""},createdAt:1666766337,updatedAt:1667378358,updatedBy:"林蔚行",host:!1},{_id:"6364b843cf05170008b55f32",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1675683e3,discrete:[{time:1675683e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[200],link:"https://www.opentix.life/event/1580795374696771589"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f28a921a742f0e7d0e071d2b65baeaca",title:"《2023 李宜蓁小提琴獨奏會》"}],related:[],title:"《2023 李宜蓁小提琴獨奏會》",cover:"27338c97a9b7e1b8b19e06df4584bb88",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
臺灣南區108學年度高級中學甄選入學聯合術科測驗弦樂榜首
\n\n臺灣111學年度大學術科考試主修小提琴成績全國榜首
\n\n\n\n
演出曲目
\n\n巴哈:第一號小提琴奏鳴曲 ,BWV1001
\n\n貝多芬:D大調第一號小提琴奏鳴曲 ,作品十二
\n\n佛瑞:A大調第一號小提琴奏鳴曲 ,作品十三
\n\n拉威爾:吉普賽人
\n\n\n\n
演出暨製作團隊
\n\n主辦|台灣愛樂室內樂團
\n\n協辦|優樂提琴有限公司
\n\n指導教授|李宜錦老師
\n\n舞台監督|鄭育欣老師
\n\n小提琴|李宜蓁
\n\n鋼琴合作| 蔡佳曄
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f28a921a742f0e7d0e071d2b65baeaca",title:"《2023 李宜蓁小提琴獨奏會》"}],related:[],title:"2023 Yi Chen Li Violin Recital",cover:"27338c97a9b7e1b8b19e06df4584bb88",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
String Music Champion of the Music Techniques Examinations for High School Admission, 2019Academic Year, Southern Taiwan
\n\nTop Place of Violin Major of the University Techniques Examination in 2022 Academic Year in Taiwan
\n\n\n\n
Program
\n\nJ.S. Bach: Violin Sonata No.1, BWV1001
\n\nL.V. Beethoven: Violin Sonata No.1 in D Major Op. 12
\n\nG.Fauré: Violin Sonata No.1 in A major, Op.13
\n\nM.Ravel:Tzigane, M.76
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Creative and Production Team
\n\nPresenter|Taiwan Philharmonic Chamber Orchestra
\n\nCo-presenter|YO-YUEN STRING INSTRUMENT CO.,LTD.
\n\nMentor|LI Yi-jin
\n\nStage manager|ZHENG Yu-xin
\n\nViolin|LI Yi-chen
\n\nPiano|CHAI Jia-ye
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\n',team:""},createdAt:1667545155,updatedAt:1669195936,updatedBy:"林蔚行",host:!1},{_id:"63686682cf05170008b918e0",catalogs:["5fe2bffdde1961000737545c","5aec418cb01ea6000520f635"],dateTime:{first:1677306600,discrete:[{time:1677306600},{time:1677393e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1200,1500],link:"https://www.opentix.life/event/1590673160767041539"}},attachment:{key:"fd56c36821577629213d204116268e2d",name:"臺灣國樂團《魔幻時空大稻埕》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1669699800,end:4825411199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"93b4130ff304a5893e5766c90e0d97b7",title:"臺灣國樂團《魔幻時空大稻埕》"}],related:[],title:"臺灣國樂團《魔幻時空大稻埕》",cover:"206d3e83705a999d12dc0c88ffd322e2",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\t\t\t\n\t\t\t | \n\t\t
\n\n\n\n\n\n
\n\n
臺灣國樂團創新跨域演出
\n\n展開時空跨域旅程
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臺灣國樂團的演出,融合戲劇、舞蹈、美術、詩歌、文學等各類元素,兼具創新與傳統。此次特擇定從具有豐富文化資產的「大稻埕」出發,由詩人之稱─黎煥雄進行文本創作及執導,並由前太陽馬戲團表演者陳星合集結臺灣馬戲各路技藝高超的英雄好漢,將與臺灣國樂團創新跨域演出,攜手創造不同凡響的化學效應,展開魔幻時空旅程,以輕鬆的筆調描繪繁華的大稻埕並呈獻與眾不同的全新國樂面貌。新馬戲的表演形式與物件運用,結合當時的常民生活(菜市場叫賣)、祭祀儀典(繞境陣頭)與茶葉文化。活動主軸規劃為老少咸宜的音樂會主題,由中生代作曲家王乙聿、巨彥博、櫻井弘二共同進行全新創作,三位作曲家以豐富多元的音樂風格,融入各年代場景的生活聲響,帶領觀眾進行一場時空旅行。
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淡水河碼頭、 市街、 商行……在波紋之中隱約可見過往的記憶、幻影一般模糊著存在的記憶。
\n\n故事的入口在那座碼頭不遠處一個存在並不長久的車站—在現今長安西路底、大稻埕市街南側的大稻埕乘降場,亞洲少見的歐洲式棚式車站。
\n\n時空列車將要通往未來人們的想像。火車長出風帆,像是神話裡的超現實生物,當它向天際爬升,你不知道軌道是天上的銀河還是大稻埕碼頭外的時光之河。
\n\n在夢裡驛站站長讓魔法真實發生,時空穿越回到過去。
\n\n一個北臺灣的拓墾青年為了躲避來自海上的一些動盪侵擾,遷徙至淡水河的內陸區域,他是林藍田, 他選擇落腳的大稻埕漸漸開始成形新的商業聚落,藍田的夢是繁華而安居的家園。
\n\n接著是茶的夢, 茶商是街道繁榮的起點。少年是茶樹,少女是茶樹花。少年與少女隔世的愛情,就發生在熱鬧的大稻埕市街。
\n\n然後登場了北管喧鬧的城隍廟埕、南街殷賑、江山樓裡寂寞的藝旦、東西方文化匯流的洋樓與咖啡店…。現在還在時空的河流上漂浮的車站傳來即將遠行的時空列車鳴笛,記憶與想像盤旋著。
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演前導聆
\n\n2023/2/25(六)14:00 戲劇院二樓大廳
\n\n2023/2/26(日)14:00 戲劇院二樓大廳
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曲目
\n\n《魔幻時空大稻埕》王乙聿、巨彥博、櫻井弘二 曲
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延伸閱讀
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文章閱讀
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周邊活動
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演出暨製作團隊
\n\n監製|陳悅宜
\n\n副監製|鄒求強、賴銘仁
\n\n製作|劉麗貞
\n\n音樂總監、指揮|江靖波
\n\n導演、文本創作|黎煥雄
\n\n音樂設計|王乙聿、巨彥博、櫻井弘二
\n\n文化指導|林承緯
\n\n馬戲指導|陳星合
\n\n執行導演|吳子敬
\n\n舞臺設計|陳瓊珠
\n\n燈光設計|車克謙
\n\n服裝設計|謝贏瑩
\n\n新媒體設計|張博智
\n\n動作設計|林祐如
\n\n音場設計|陳鐸夫
\n\n文本創作協力|張加欣
\n\n馬戲統籌|江侑倫
\n\n馬戲表演者|孫正學、夏鈴、楊世豪、梅芷菱、崔哲仁、杜偉誠
\n\n演出|臺灣國樂團、合作社
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團隊介紹
\n\n臺灣國樂團
\n\n臺灣國樂團隸屬於國立傳統藝術中心,是文化部轄下的國家級國樂團。係由國內國樂界菁英組成,矢志探索傳統、立足本土、擁抱當代,藉由創作為臺灣傳統音樂扎根,用演出傳遞臺灣美學品味,以提昇臺灣傳統及當代音樂為目標,以國際為舞臺,用醇厚的音樂深化臺灣之美。
\n\n近年來逐步推動「用國樂訴說臺灣最美的故事」、「在地取材、取才」、「以音樂連結世界和臺灣」等理念,建立臺灣國樂團的品牌精神。臺灣國樂團的演出 融合戲劇、舞蹈、美術、詩歌、文學等各類元素,兼具創新與傳統,多年來亦出版多張音樂 專輯,均獲佳評,成果斐然。
\n\n全團亦致力於傳統音樂之推廣,長年擔任國家文化外交的大使,演奏行跡遍及歐洲、美洲及亞洲各大城市,傳遞動人的樂章。
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指導單位:文化部
\n\n主辦單位:衛武營國家藝術文化中心、國立傳統藝術中心
\n\n演出單位:臺灣國樂團、合作社
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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\n',team:""},english:{onShelfRange:{start:1669699800,end:4825411199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"93b4130ff304a5893e5766c90e0d97b7",title:"臺灣國樂團《魔幻時空大稻埕》"}],related:[],title:"National Chinese Orchestra Taiwan - Journey into Lost Time of TWATUTIA",cover:"206d3e83705a999d12dc0c88ffd322e2",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
The pier of Tamsui River, the high street, merchant houses … distant memories in flux with the ripples, like an illusion of blurry images.
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The entrance of this story is at the Twatutia platform in a short-lived pier side railway station- near the south of Twatutia city streets (at the end of Chang' an West Road now). The station is rare in Asia for its European style shed covering.
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The time-travelling train will be departing towards an imagined future. Wind sails sprout from the train, like supernatural beings from mythology, as it rises towards the sky, you can't tell if the rail track is the galaxy or the lights emanating from the river of time, just outside the wharf of Twatutia.
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In the dream, the station master uses magic, to travel freely back and forth in time.
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A pathfinding young man of northern Taiwan, Lin Lan-tian migrated further inland along Tamsui River to get away from the disturbance of a turbulent oceanfront. His decision to settle in Twatutia resulted in the congregation of a commercial hub taking form. Lin's dream was for a peaceful and prosperous place to call home.
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Dreams were built upon tea. Tea merchants were the initiators behind the high street prosperity. Boy and girl – plant and flower, formed a time transcending love story happening in the middle of Twatutia' s busy streets.
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The City God Temple plaza, infused with Beiguan music, South Street in festivity mode, the lonely geishas of Kang San Lau, the cafés and Western-style buildings, where the confluence of East and West happened … A loud horn from the station that's floating on the stream of time, signaling the departing time-travelling train, invoked memories swirling with imaginations.
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Pre-talk
\n\n2023/2/25(Sat)14:00 Playhouse 2nd Floor
\n\n2023/2/26(Sun)14:00 Playhouse 2nd Floor
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Creative and Production Team
\n\nProduction Supervisor|CHEN Yue-yi
\n\nDeputy Supervisor|TSOU Chiu-chiang, LAI Ming-jen
\n\nProducer|LIU Li-chen
\n\nMusic Director, Conductor|CHIANG Ching-po
\n\nDirector/Playwright|LI Huan-hsiung
\n\nComposer|WANG I-yu, CHU Yen-pPo, Koji SAKURAI (in surname stroke order)
\n\nCultural Advisor|LIN Cheng-wei
\n\nCircus Consultant|CHEN Hsing-ho
\n\nExecutive Director|WU Tzu-ching
\n\nStage Designer|CHEN Chiung-chu
\n\nLighting Designer|CHE Ko-chien
\n\nCostume Designer|XIE Ying-ying
\n\nNew Media Designer|CHANG Po-chih
\n\nChoreographer|LIN Yu-ju
\n\nSound Designer|CHEN To-fu
\n\nAssociate Playwright|CHEUNG Ka-yan
\n\nCircus Coordinator|CHIANG Yu-lun
\n\nCircus Performer|SUN Cheng-hsueh, HSIA Ling, YANG Shih-hao, MEI Chih-ling, James Neil TROY, U Wei-cheng
\n\nPerformer|National Chinese Orchestra Taiwan, HoooH
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\n',team:""},createdAt:1667786370,updatedAt:1676888684,updatedBy:"林蔚行",host:!0},{_id:"636882ea76d389000912b640",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1675510200,discrete:[{time:1675510200},{time:1675578600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1600,2200,2800,3600,4200],link:"https://www.opentix.life/event/1590188327246786564"}},attachment:{key:"302321be8aa0a4d33c193350025ae07f",name:"大玩樂家2_電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1669699800,end:4825411199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d919c1fa9e3b046b1f9e6e233d8edeb3",title:"大玩樂家2-《洪一峰×簡文彬×許富凱 跨樂衛武營音樂會》"}],related:[],title:"大玩樂家2-《洪一峰×簡文彬×許富凱 跨樂衛武營音樂會》",cover:"c71d00a7a525ecefcee7e9035f83a1ad",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
從淡水到愛河,從街市到港邊,從照耀40年代橫跨21世紀至今,他的歌刻劃了臺灣人生活與情懷。
\n\n跨越音樂也跨歲月,洪一峰在走唱人生中的創作將臺灣人的風土民情,歷練遭遇與情愛糾結一一描繪。許多作品跟好友葉俊麟一起搭配合作,膾炙人口而流傳不輟。 他是臺灣創作音樂史中即為早期的真正歌曲唱作人代表,也是公認的臺灣歌王。
\n\n繼2022年大玩樂家─《羅大佑×簡文彬×彭佳慧跨樂衛武營音樂會》完美結合正統古典音樂編制與華語流行音樂的製作,引起古典音樂與華語流行音樂的愛好者們及跨越樂評圈的激賞,並提振市民大眾關注踏入院廳聆賞的吸引力,甚至結合唱片公司而推出了現場錄音專輯線上錄音版本與黑膠的實體合作,無論在藝術文化、流行文化有所連動發展,也有商業與藝術的實體影響,讓這個製作計畫充滿更多的可能性與廣面。
\n\n2023年大玩樂家2─《洪一峰×簡文彬×許富凱 跨樂衛武營音樂會》,再度邀約原製作團隊劉慕堯老師領軍的「相當藝術」團隊規畫製作,也邀請長榮交響樂團再度合作演出;這一次在文化性、歷史性、商業性與藝術性,以及民眾關注未來可能性的多方考量下,決定慎重邀約洪一峰生前精彩作品以純正古典音樂編制,邀請最受長輩疼惜,最被年輕樂迷歡迎的新科金曲歌王許富凱演繹,國際大師簡文彬擔任指揮,將大玩樂家系列的跨樂創意繼續發展並推出《洪一峰×簡文彬×許富凱 跨樂衛武營音樂會》。預計自2023年2月4至5日精彩的音樂盛會即將造就更深遠的影響,並揮繪交織出感動國境之南的絢麗風景,與天空與海洋共鳴的完美島唄。
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演後座談
\n\n2023/2/4(六)21:10 歌劇院觀眾席
\n\n2023/2/5(日)16:10 歌劇院觀眾席
\n\n對談人:簡文彬、許富凱、洪敬堯、劉慕堯
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演出曲目
\n\n《序曲》
\n作(編)曲:洪敬堯
《寶島曼波》
\n作曲:洪一峰、作詞:葉俊麟、編曲/和聲:吳柏翰
《愛河月夜》
\n作曲:洪一峰、作詞:葉俊麟、編曲/和聲:江俊典
《淡水暮色》
\n作曲:洪一峰、作詞:葉俊麟、編曲/和聲:吳柏翰
《快樂的牧場》
\n作曲:洪一峰、作詞:葉俊麟、編曲/和聲:曹銘倉
《舊情綿綿》
\n作曲:洪一峰、作詞:葉俊麟、編曲/和聲:劉聖賢
《蝶戀花》
\n作曲:洪一峰、作詞:洪一峰、編曲/和聲:曹銘倉
《空思戀》
\n作曲:洪一峰、作詞:徐養民、編曲/和聲:劉聖賢
《思慕的人》
\n作曲:洪一峰、作詞:葉俊麟、編曲/和聲:江俊典
《男兒哀歌》
\n作曲:洪一峰、作詞:葉俊麟、編曲/和聲:周宣宏
《孤兒淚》
\n作曲:洪一峰、作詞:羅 平、編曲/和聲:周宣宏
《放浪人生》
\n作曲:洪一峰、作詞:葉俊麟、編曲/和聲:洪敬堯
《山頂的黑狗兄》(原曲:Fine Alpine Milkman)
\n作詞/作曲:Leslie SARONY
\n改編詞:高金福、編曲/和聲:江俊典
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文章閱讀
\n\n►做【大玩樂家2】希望不只要夠創新,還能感動聽眾:專訪歌手許富凱、音樂總監洪敬堯
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周邊活動
\n\n►大玩樂家2-《洪一峰×簡文彬×許富凱 跨樂衛武營音樂會》期間限定主題餐食
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演出暨製作團隊
\n\n製作人|劉慕堯
\n\n指揮|簡文彬
\n\n歌曲原創作者|洪一峰
\n\n歌手|許富凱
\n\n音樂總監|洪敬堯
\n\n長榮交響樂團
\n\n世紀合唱團
\n\n大鍵琴|呂聖斐
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藝術家介紹
\n\n指揮|簡文彬
\n\n衛武營國家藝術文化中心藝術總監。1967年生,國立藝專(今國立臺灣藝術大學)鍵盤組畢業,維也納音樂暨表演藝術大學指揮碩士學位。1996年起擔任德國萊茵歌劇院(Deutsche Oper am Rhein)駐院指揮長達22年;1998-2004年為日本太平洋音樂節(Pacific Music Festival)駐節指揮;2001-2007年為國家交響樂團(NSO)音樂總監,在其任內推動「定期音樂會系列」、國人作品委託創作及錄製、「歌劇系列」等創舉,並在2006年樂團20週年時推出華語地區首次自製之華格納《尼貝龍指環》四部曲;2014-2016年擔任國立臺灣交響樂團藝術顧問,並於2014年9月獲頒第18屆國家文藝獎。
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寶島歌王 洪一峰
\n\n自1940年代出道直到21世紀。洪一峰的歌唱與創作生涯始終未曾停息。留下的許多作品包含了自己的創作外,也翻唱許多日本歌曲,讓歌迷津樂道與之傳唱。他的音樂美學不僅來自於本身的繪畫才能。他的音樂故事來自於民間各種深刻的故事。他的舞台還包括了臺灣電影的演出。
\n\n被稱為寶島歌王,在音樂上的地位已是無可取代。2010年獲得總統褒揚令更提到其多首作品傳唱人間,不僅彰顯其獨立創作精神,亦開創演藝先河,為臺灣音樂界最具重量的恆久之星。
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許富凱
\n\n自2004年參加電視歌唱比賽開始,由於演唱能力與感情的高度演出,許富凱不僅以演唱功力獲樂迷支持,至今仍是全臺所有婆婆媽媽最愛的寶貝男孩。人氣居高不下,同輩歌手無人可勝出。
\n\n至今推出十一張個人臺語專輯,在2021年獲得金曲獎最佳臺語男歌手肯定。音樂魅力與個人魅力亦收納了年輕國語音樂世代,不僅能歌,還跨界主持多個節目以及電影、電視劇的演出。也是多個公益團體與活動的演出義工。
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贊助單位
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企業夥伴
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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\n',team:""},english:{onShelfRange:{start:1669699800,end:4825411199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d919c1fa9e3b046b1f9e6e233d8edeb3",title:"Masters Play II - Beyond the Music Boundary @WEIWUYING"}],related:[],title:"Masters Play II - Beyond the Music Boundary @WEIWUYING",cover:"c71d00a7a525ecefcee7e9035f83a1ad",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'From the Tamsui River in Taipei to the Love River in Kaohsiung, from downtown to seaside harbors, from shining brilliantly in the 1940s all the way to the 21st century, his songs have portrayed the life and nostalgia of the people of Taiwan.
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Throughout his career as a singer-songwriter, ANG It-hong depicted the traditions and customs, trials and tribulations, and romantic entanglements of the people of Taiwan in creations that have won musical acclaim and withstood the test of time. He collaborated with his good friend YEH Chun-lin on many timeless classics that have won universal praise. As the undisputed King of Formosan Music, ANG and his music stood at the pinnacle of early Taiwanese musical creation.
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For 2023 Masters Play II – ANG It-hong x CHIEN Wen-pin x Henry HSU Beyond the Music Boundary @WEIWUYING we have once again given careful consideration to our selection of music and artists. The wonderful works of the late ANG It-hong will be reinterpreted with pure classical music arrangements and sung by Henry HSU (the latest Golden Melody Award winner who has both endeared himself to older listeners and gained popularity with younger fans) in a performance coordinated, and conducted by international maestro CHIEN Wen-pin. Through music, they will depict the gorgeous and emotive scenery of Southern Taiwan and weave a tale of this exquisite island gem that shimmers between sea and sky.
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Post-talk
\n\n2023/2/4(Sat)21:10 Opera House Auditorium
\n\n2023/2/5(Sun)16:10 Opera House Auditorium
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Program
\n\nOverture
\nSongwriter & Arranger | Eric HUNG
Formosa Mambo
\nSongwriter | HUNG Yi-feng, Lyrics | YEH Chun-lin, Arranger & Chorus Arrangement | WU Po-han
Moonrise over the Love River
\nSongwriter | HUNG Yi-feng, Lyrics | YEH Chun-lin, Arranger & Chorus Arrangement | CHIANG Chun-tien
Dusk in Tamsui
\nSongwriter | HUNG Yi-feng, Lyrics | YEH Chun-lin, Arranger & Chorus Arrangement | WU Po-han
Happy Farm
\nSongwriter | HUNG Yi-feng, Lyrics | YEH Chun-lin, Arranger & Chorus Arrangement | TSAO Ming-tsang
Love Never Ceases
\nSongwriter | HUNG Yi-feng, Lyrics | YEH Chun-lin, Arranger & Chorus Arrangement | LIU Shen-hsien
Butterfly in Love with a Flower
\nSongwriter | HUNG Yi-feng, Lyrics | HUNG Yi-feng, Arranger & Chorus Arrangement | TSAO Ming-tsang
Still Pining for You
\nSongwriter | HUNG Yi-feng, Lyrics | XU Yang-min , Arranger & Chorus Arrangement | LIU Shen-hsien
The One I Adore
\nSongwriter | HUNG Yi-feng, Lyrics | YEH Chun-lin, Arranger & Chorus Arrangement | CHIANG Chun-tien
Elegy for Love Lost
\nSongwriter | HUNG Yi-feng, Lyrics | YEH Chun-lin, Arranger & Chorus Arrangement | CHOU Hsuan-hung
Orphan's Tears
\nSongwriter | HUNG Yi-feng, Lyrics | LUO Ping , Arranger & Chorus Arrangement | CHOU Hsuan-hung
Life of a Prodigal Lover
\nSongwriter | HUNG Yi-feng, Lyrics | YEH Chun-lin, Arranger & Chorus Arrangement | Eric HUNG
A Handsome Young Man on a Hilltop (Original song: Fine Alpine Milkman)
\nLyrics & Songwriter | Leslie SARONY
\nLyrics Arranger | KAO Chin-fu
\nArranger & Chorus Arrangement | CHIANG Chun-tien
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Creative and Production Team
\n\nProducer|LIU Mu-yao
\n\nConductor|CHIEN Wen-pin
\n\nSongwriter|HUNG Yi-feng
\n\nSinger|Henry HSU
\n\nMusic Director|Eric HUNG
\n\nEvergreen Symphony Orchestra
\n\nCentury Voice Choir
\n\nHarpsichord|LU Sheng-fei
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Artists Introduction
\n\nConductor|CHIEN Wen-pin
\n\nCHIEN Wen-pin, General and Artistic Director of the National Kaohsiung Center for the Arts (Weiwuying), was born in 1967, graduated from the National Taiwan Academy of Arts and awarded with Master degree at the National University for Music and Performing Arts Vienna. CHIEN joined the Deutsche Oper am Rhein (Dusseldorf/Duisburg, Germany) in 1996 and served as "Kapellmeister" for 22 years. 1998-2004 he was Resident Conductor of the Pacific Music Festival (Sapporo, Japan), 2001-2007 he was Music Director of National Symphony Orchestra (Taiwan Philharmonic), during his tenure the orchestra has achieved several milestones such as creating Subscription series, commissioning Taiwanese composers, introducing an opera series which coroneted with the first production of the complete Der Ring des Nibelungen by Richard WAGNER in Chinese speaking areas, upon orchestra's 20th anniversary in 2006. 2014-2016 CHIEN was Artistic Advisor of the National Taiwan Symphony Orchestra. In addition, CHIEN was the winner of the National Award for Arts in 2014.
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"King of Formosan Music" HUNG Yi-feng (ANG It-hong)
\n\nANG It-hong's career as a singer-songwriter was one long successful streak that began with his debut in the 1940s and has lasted into the 21st century. His legacy includes both his own creations and covers of Japanese songs that are still relished by his fans. ANG's musical aesthetics were derived not only from his artistic abilities but also from a background rooted in folklore that the public could strongly relate to. His on-stage work even extended to performances in Taiwanese films.
\n\nHailed as the "King of Formosan Music," ANG's prestige and influence in the local music scene are unmatched. In 2010, he was awarded a Presidential Commendation in which he was singled out for the universal popularity of his music and won praise for his independent creative spirit and for setting a precedent for the performing arts in Taiwan as the bright, eternal guiding star of the country's music industry.
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HSU Fu-kai (Henry HSU)
\n\nSince his participation in a televised singing contest in 2004, Henry HSU has won the support of music fans with his superior singing ability and emotional performances; perhaps surprisingly, he has also become the ‘darling boy’ of every mother and grandmother in Taiwan. His popularity remains at an all-time high with no other singer of his generation able to take his spot.
\n\nSo far, HSU has released 11 Taiwanese solo albums and won the Golden Melody Award for Best Male Taiwanese Singer in 2021. Through his musical and personal charm, he has also won over the younger generation with music in Mandarin. Hsu has even managed to make the leap from singing to hosting programs and acting in movies and dramas. He is also known for his volunteer work performing in fundraising events for social welfare organizations.
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Sponsor
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Corporate Partner
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\n',team:""},createdAt:1667793642,updatedAt:1675648465,updatedBy:"林蔚行",host:!0},{_id:"636a2626cf05170008ba6e03",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1676719800,discrete:[{time:1676719800},{time:1676788200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,900,1200,1600,2e3,2500,3e3],link:"https://www.opentix.life/event/1585125876687990786"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c5a26854fca6c6443bc544ef2d016dc7",title:"2023朱宗慶打擊樂團 擊樂劇場《木蘭》"}],related:[],title:"2023朱宗慶打擊樂團 擊樂劇場《木蘭》",cover:"e5f1a807c8a48a5b1b04ddec8c117cb3",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
十年.淬鍊.經典
\n\n2010年,《木蘭》首次亮相,擊樂跨界京劇、踢踏舞等多元演出,世界首創「擊樂劇場」。
\n\n2013年,朱宗慶打擊樂團專注「擊樂」元素,推翻首版製作、重啟總體架構,嶄新表現再度驚豔觀眾。
\n\n2017年,《木蘭》重修細節,登上世界舞台,展現臺灣擊樂的全球獨步。
\n\n2022年,《木蘭》多年累積迸發翻新能量,從音樂到佈景、從服裝到燈光,隨處細節臻於完美,每一瞬間近乎圓滿。
\n\n2023年,《木蘭》打磨十年、萬千淬鍊、再現經典!
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演出曲目
\n\n序曲│得勝
\n\n曲一│時局
\n\n曲二│魂歸
\n\n曲三│絮語
\n\n曲四│離鄉
\n\n曲五│叫陣
\n\n曲六│星空
\n\n曲七│夜談
\n\n曲八│大戰
\n\n曲九│返鄉
\n\n尾聲│勇氣
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演出暨製作團隊
\n\n藝術總監|朱宗慶
\n\n導演|李小平
\n\n音樂創作|洪千惠
\n\n舞台設計|王孟超
\n\n燈光設計|車克謙
\n\n服裝設計|林秉豪
\n\n京劇唱腔|馬蘭
\n\n多媒體設計|王奕盛
\n\n編劇|鄭衍偉
\n\n題字|董陽孜
\n\n演出者|朱宗慶打擊樂團
\n\n京劇協演|朱安麗(朱勝麗)、黃宇琳、國光劇團(曾冠東、施政良)
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\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c5a26854fca6c6443bc544ef2d016dc7",title:"2023朱宗慶打擊樂團 擊樂劇場《木蘭》"}],related:[],title:"2023 Percussion Theatre –MuLan",cover:"e5f1a807c8a48a5b1b04ddec8c117cb3",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
Ju Percussion Group Pecussion TheatreMulanThe percussion theater is one of the seven major programs of the percussion group. A new work is usually produced every three years. Mulan, launched in 2010, received a lot of praise after the performance. Since the production time was shorter, even though we grasped a clear concept in the production, we still "yearned for more". We believe that there are still a lot of possibilities worth exploring for the combination of percussion and Peking opera.
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Program
\n\nOverture│Victory
\n\nNo. 1│Political Situation
\n\nNo. 2│Burying the Dead
\n\nNo. 3│Whisper
\n\nNo. 4│Leaving Home
\n\nNo. 5│Formation
\n\nNo. 6│Starlit Sky
\n\nNo. 7│Night Chatter
\n\nNo. 8│Battle
\n\nNo. 9│Homecoming
\n\nEpilogue│Courage
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Creative and Production Team
\n\nArtistic Director|JU Tzong-ching
\n\nDirector|LEE Hsiao-ping
\n\nComposer|HUNG Chien-huiSet
\n\nDesigner|WANG Mang-chao
\n\nLighting Designer|CHE Ko-chien
\n\nCostume Designer|LIN Bing-hao
\n\nDesigner|WANG Ethan
\n\nPlaywright|CHUNG Yen-wei
\n\nPerformer|Ju Percussion Group
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\n',team:""},createdAt:1667900966,updatedAt:1667987188,updatedBy:"林蔚行",host:!1},{_id:"63730d5d69d78d00082c045a",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","6007fc45ba34870007c22b8b"],dateTime:{first:1676106e3,discrete:[],type:"continuous",continuous:{time:[1668502800],endTime:[1668502800],start:1676044800,end:1676131200}},activity:{type:"ticket",ticket:{price:[400,600,1e3,1200],link:"https://www.opentix.life/event/1590627856852217859"}},attachment:{key:"867afe8eda9611728632ff7fccec25cb",name:"《瘋迷24莫札特》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1669699800,end:4825411199},tabs:[{reference:[],type:"content",name:"音樂廳節目",content:'
莫札特35年的璀璨人生,寫下6百多首作品,24小時自然無法盡聽。《瘋迷24莫札特》於衛武營音樂廳,特別以最後十年的管絃樂作品為主軸,呈現莫札特成熟時期的藝術顛峰。
\n\n首場以《c小調彌撒曲》(K.427)開啟,聖潔旋律中,藏有莫札特寫給未婚妻康絲坦采的愛意,也預告了莫札特即將搬至維也納,展開輝煌的十年創作旅程。交響曲則是選了最晚期的6首:第35號《哈夫納》、第36號《林茲》與第38號《布拉格》,流暢音符展現了莫札特悠遊歐洲各地的快意人生;第39至41號則是三個月內一起完成的巨作,展現超脫古典框架的宏大態勢,為浪漫時期奠下基礎。
\n\n至於為各式樂器寫下的協奏曲:從鋼琴、小提琴到單簧管等,經過莫札特的靈巧手筆,每樣樂器皆有最佳發揮空間,彷彿是樂器為此曲而生一樣,乃是最適合搭配每首交響曲,輕鬆聆聽的愉悅之作。
\n\n午夜來臨,陳若玗爵士三重奏將以當代即興觀點,玩轉莫札特的慧黠樂思;深夜至凌晨時分,則由吳亞欣與陳芝羽兩位鋼琴家的獨奏,伴觀眾感受天才的孤獨自省。
\n\n《瘋迷24莫札特》的音樂廳場次,除了廣受好評的「一票聽到底」方案外,這次更特別推出了「時段票」,分為「16:30-24:00」、「00:30-09:30」、「10:00-17:00」三個時段,不論是因工作或家庭無法整天參與的樂迷,或是想一窺衛武營夜半時光的訪客,歡迎各取所需,自得其樂!
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\n'},{reference:[],type:"content",name:"音樂廳3F大廳",content:'
要以音樂廳的10檔音樂會及表演廳的11場節目塞滿24小時,衛武營絕對舉雙手歡迎。然而,《瘋迷》系列,並不要求觀眾如此「精實」,若是在廳院內待久了,想稍微轉換一下氛圍,或是想飲水或補充點熱量,都歡迎來到音樂廳3F大廳,憑著大片落地窗,俯瞰衛武營都會公園,或坐或臥、沉思反芻此日聽到的莫札特樂音。
\n\n如果3F大廳就只是純粹的休息區,大概會無趣到令莫札特生氣!《瘋迷24莫札特》特別在此安排了4場半小時左右的室內樂演出,讓大家輕鬆自在與莫札特相遇,體驗古典時期的宮廷,是如何奢侈使用現場演奏莫札特作品當成社交配樂,或許能帶給您對於這些音樂的嶄新感受。
\n\n另外,3F大廳也特別安排兩場主題講座,透過講者精心設計的內容,帶領觀眾走過莫札特璀璨如流星般的一生,並且探索這次《瘋迷24莫札特》無法包含到的其它種類作品,拓展您未來的莫札特聆聽方向。深夜若是想小憩一番,不妨搭配著3F大廳的《阿瑪迪斯》電影放映入眠,只怕勇奪8座奧斯卡獎的精采劇情,會讓您捨不得闔上眼,一路看到黎明將至!
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周邊商店
\n\n三木藝術 Some Music Design 快閃店
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地點:音樂廳3F大廳
\n\n時間:2/11(六)17:00-24:00、2/12(日)10:00-17:00
\n\n\n'},{reference:[],type:"content",name:"表演廳節目",content:'
音樂廳的《瘋迷24莫札特》是阿瑪迪斯最後10年的藝術大成,表演廳的《瘋迷24莫札特》則是天才作曲家的百變模樣!身為音樂史上第一位「專職作曲家」,各種樂器演奏家皆前來委託莫札特創作小型合奏作品,什麼都難不倒、也極需收入來源的莫札特,當然接下各種室內樂編制的創作。從常見的弦樂四重奏、雙鋼琴奏鳴曲或鋼琴五重奏,到少見的單簧管五重奏、長笛四重奏、雙簧管四重奏或法國號五重奏等,皆在莫札特的手裡,變換出各種前人從未想到的樣貌──莫札特還甚至因為案子應接不暇,自己「致敬」自己的作品,惹出許多相同旋律,卻不同編制的作品雙胞案,然而令人驚訝的是,這些曲目都同樣悅耳動聽!
\n\n表演廳的8場室內樂演出,除了包括上述眾多編制外,也橫跨了莫札特的一半人生:從16歲時寫下的三首嬉遊曲,至辭世前一年所作的弦樂四重奏《普魯士》,如何從鋒芒畢露的天才,至近臻完美的成熟,莫札特的作曲軌跡,也能在一天的室內樂作品中細細體會。
\n\n至於莫札特的另一塊重要創作領域「歌劇」與「聲樂」,《瘋迷24莫札特》也沒有遺漏。這次將以「解說音樂會」的形式,帶領觀眾探尋人聲在莫札特的筆下,是如何餘音繞樑,傳頌兩個世紀!
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\n'},{reference:[],type:"content",name:"公共鋼琴計畫",content:'
公共鋼琴限定計畫《小星星的第十三段變奏》
\n\n活動時間:2/11 (六) 17:00-23:00;2/12 (日) 08:00-17:00
\n\n活動地點:榕樹廣場公共鋼琴
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改編自法國歌曲〈媽媽,請聽我說〉的《小星星變奏曲》,儼然是音樂神童莫札特的經典標幟之一,從童謠煉成古典名曲的雋永旋律,十二段變奏琴音不輟。《瘋迷24莫札特》節目期間,無論鋼琴初心者,或深藏不露的鋼琴好手,邀集莫札特的聽眾,變身莫札特的演奏者!公共鋼琴現場備有《小星星變奏曲》鋼琴樂譜,歡迎你呼朋引伴來公共鋼琴彈一曲,奏出你獨有的第十三段變奏!
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\n'},{reference:[{from:"programs",key:"637c62d969d78d000832f9ac",title:"【武營來開槓】如何瘋?怎麼迷?按「曲」索驥莫札特"},{from:"programs",key:"63bb882b72bcdc0007d58c30",title:"【衛武營親子日】莫札特星空下的魔笛"}],type:"reference",name:"學習推廣",content:""}],onShelf:!0,sliders:[{type:"image",key:"a4e4279368a95dd9add434a01327f228",title:"《瘋迷24莫札特》"}],related:[{from:"links",key:"637b429669d78d000831c08d",title:"《瘋迷24莫札特》時間表"},{from:"articles",key:"63a00d67b81180000719ccc3",title:"莫札特的人生24 Moments"}],title:"《瘋迷24莫札特》",cover:"d98b9a93bc94f29ec8e2a09bb0750ba4",site:{isOther:!0,site:"",other:"衛武營(音樂廳、表演廳、音樂廳3F大廳、公共鋼琴)"},cautions:'
馬拉松式音樂盛宴再開,24小時盡收天才莫札特橫溢風華!
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2022年2月,數千位觀眾穿梭衛武營音樂廳與表演廳,以24小時不間斷的現場演出,一同「瘋迷」舒伯特無窮魅力。2023年,「瘋迷」系列重現衛武營,這次「瘋迷」的對象,正是史上最璀璨耀眼的音樂神童──莫札特!
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大作曲家多半都是神童出身,這名號為何僅屬莫札特?都要歸功於他的音樂家「星爸」,出生於1756年的莫札特,6歲起被爸爸帶著巡演歐洲兩回,小小年紀能作曲、善演奏,在各國宮廷造成一陣旋風,神童之名不脛而走。然而隨著莫札特年歲漸長,這些早期名聲並未帶給他任何好處,關不住的天才機鋒,使莫札特無法像當時的音樂家一樣,當上樂長安穩一生,成年後的經濟窘迫,更讓他不得不成為史上第一位「專職作曲家」,以演出、教學與委託創作維生,並埋下僅在世35歲的遠因。
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不過,從莫札特留下的六百多部作品中,絲毫聽不出他的生活困頓。下筆如神、幾乎未改的樂譜上,展現永遠純粹且無比靈巧的美妙旋律,首首皆是人類瑰寶。《瘋迷24莫札特》囊括其著名交響曲、協奏曲、歌劇選粹、室內樂及奏鳴曲作品,各色精采演出,保證帶領觀眾感受到大科學家愛因斯坦所言:「我從莫札特的音樂裡,聽見了宇宙內在美!」
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票價
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音樂廳一票到底:1,000元
\n\n表演廳一票到底:600元
\n\n雙廳超值優惠套票:1,200元
\n\n音樂廳時段票:400元(「16:30-24:00」、「00:30-09:30」、「10:00-17:00」三個時段擇一)
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達人認證集章
\n\n憑24小時一票到底票券,參與本次《瘋迷24莫札特》音樂廳及表演廳節目(不含音樂廳3F大廳),即可獲得1個指定印章,集滿指定印章數後,即有機會兌換1份限量「達人獎勵」贈品。
\n\n►了解更多
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入場手環
\n\n本活動為一人一票,憑票券於廳院入口處驗票後兌換手環入場,入場後請依各票種兌換指定顏色手環。
\n\n►了解更多
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瘋迷問卷禮
\n\n欣賞《瘋迷24莫札特》節目演出後,填寫問卷即可兌換「美舒律蒸氣眼罩1片裝」。每人限兌1份,每場次贈品數量有限,贈完為止。
\n\n►了解更多
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閉幕抽獎
\n\n將集章卡「抽獎聯」投入摸彩箱中,即有機會抽中綠藤純淨香氛品牌「auscentic 奧森青 花時間微香瓶」(市價NT$2,080,共計3名)。
\n\n►了解更多
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周邊活動
\n\n\n\n\n\n►2/11(六)11:00、14:00【衛武營親子日】莫札特星空下的魔笛
\n\n►2/11(六)14:00【武營來開槓】如何瘋?怎麼迷?按「曲」索驥莫札特
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►2/11(六)21:00-09:00
\n\n眠豆腐 SLEEPY TOFU X 衛武營無限卡會員 VIP LOUNGE
\n\n\n\n專屬無限卡會員的休憩空間,並體驗眠豆腐好坐好躺的獨家秘方。
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\n 文章閱讀
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資源下載
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演出暨製作團隊
\n\n音樂廳演出團隊
\n\n指揮|楊智欽、廖嘉弘/女高音|賴珏妤、郭錦慧/男高音|林健吉/男中音|李增銘/鋼琴|廖皎含/小提琴|謝尚恩、張睿洲、謝佩殷/單簧管|葉明和/長笛|張碩宇/豎琴|曾韋晴/樂團|高雄市交響樂團、對位室內樂團、國立臺灣交響樂團/合唱團|微行星聲樂藝術工房/爵士鋼琴|陳若玗/貝斯|謝宗翰/爵士鼓|黃子瑜/南台灣室內樂協會(依出場序)
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音樂廳3F大廳演出團隊
\n\n講師│蔡永凱、南台灣室內樂協會
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表演廳演出團隊
\n\n講師│蔡永凱、女高音|林錦如/輕抒情女高音|黃莉錦/次女高音|范婷玉/男低音|羅俊穎/南台灣室內樂協會/大提琴|潘宛怡/鋼琴|謝欣容、伊林卡.瑪儂瓦/樂團|佳音室內樂團(依出場序)
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\n',team:""},english:{onShelfRange:{start:1669699800,end:4825411199},tabs:[{reference:[],type:"content",name:"Concert Hall",content:'
In MOZART's 35 brilliant years of life, he wrote over 600 pieces of music. Naturally, even 24 continuous hours would not be enough to hear all of it. The portion of 24 Hours MOZART at the Concert Hall focuses on the orchestral music he composed during his final ten years, at which time he had reached his creative peak.
\n\nThis journey of his outstanding work starts with Mass in c minor, K. 427. Within the holy melody can be heard bits of MOZART's love for his fiancée, Constanze, and notice of his forthcoming move to Vienna. Of his symphonies, six from his latest period have been chosen: No. 35 (the Haffner Symphony), 36 (the Linz Symphony), and 38 (the Prague Symphony), which flow with the joy of his travels around Europe; and No. 39 to 41, which were written within just three months and exhibit how he broke past the standards of the time and set a foundation for Romantic Period.
\n\nAs for concertos for specific instruments, his genius brings out the best in the piano, violin, clarinet, and many others—at times, it sounds as if the instruments had been created specifically for those brisk pieces full of joy!
\n\nWith the arrival of midnight, the CHEN Jo-yu jazz trio will toy with MOZART's musical prodigy through contemporary improvisation. Then, in the wee hours of the morning, WU Ya-hsin and CHEN Chih-yu will put on separate piano recitals, leading the audience in experiencing the lonely contemplation of the composer.
\n\nBesides being able to attend all the performances at the Concert Hall during the 24 hours with just one ticket, attendees may instead purchase 8-hour tickets for any of three specific time periods (16:30 to 24:00 / 00:30 to 09:30 / and 10:00 to 17:00). So whether work or family responsibility keeps you from being able to stay at Weiwuying the whole time, or perhaps you just want to come at a certain time for whatever reason, now you have more choices!
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\n'},{reference:[],type:"content",name:"Concert Hall 3F Lobby",content:'
Weiwuying is more than happy to hold an event of ten concerts in the Concert Hall and eleven programs in the Recital Hall devoted to MOZART—all in a span of just 24 hours! Of course, members of the audience don't have to be so diligent. If you've been in one of the venues for a while and want a change of atmosphere or would like a drink or something to eat, come to the third-floor lobby of the Concert Hall, where huge picture windows offer a view from above of the Weiwuying grounds. It's the perfect place to sit or recline and think about the music of MOZART you've heard so far that day.
\n\nOf course, it would be pretty boring if the third-floor lobby were just a place to rest. MOZART would certainly have had something to say about that! So there will be four chamber music performances here of about a half hour each, where those present can take in his music in a more casual atmosphere. You'll feel how royal courts in centuries past used performances of MOZART's music to create just the right atmosphere for socializing. Maybe the experience will show you something new about his music.
\n\nAlso in the lobby will be two talks about MOZART's brilliant life and pieces that couldn't be squeezed into the program, expanding your understanding of MOZART to enhance your future listening experiences of his music. If you're here late at night and would like to snooze for a while, come to the lobby and fall asleep to a screening of the film Amadeus (though we warn you, it won eight Oscars, so you might find it hard to actually close your eyes!).
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\n'},{reference:[],type:"content",name:"Recital Hall",content:'
The portion of 24 Hours MOZART at Weiwuying's Concert Hall presents MOZART's great works from the final decade of his life, while the portion at the Recital Hall focuses on the diversity of his musical genius. As the music world's first freelancer ever, MOZART was sought out by all kinds of musicians to write for ensembles. Nothing was too difficult for him, and as he was in dire need of income, he accepted every offer, creating a diverse array of chamber music. From the common genres of string quartets, sonatas for two pianos, and piano quintets to the rarer clarinet quintets, flute quartets, oboe quartets, and Horn quintets, MOZART handled each in a variety of ways completely unprecedented. At one point, he was so busy that he had no choice but to "appropriate" his own work, creating numerous "twin" pieces sharing the same melody but with different arrangements, each one just as amazing as the next!
\n\nThe eight chamber music performances to be performed in the Recital Hall span half of MOZART's life, from the three divertimenti that he wrote at the age of 16 to one of the Prussian Quartets he composed the year before his death, exhibiting how he evolved from a young genius ever willing to show off his talent to a highly mature professional nearing perfection. Over this 24-hour period, the audience will see a meticulous narrative of his chamber music.
\n\nDespite this look at chamber music, the program by no means neglects his operatic and vocal music. With explanations given during the concert, the audience will be guided on a tour of the human voice à la MOZART through pieces that have mesmerized the world for over two centuries!
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\n'},{reference:[],type:"content",name:"Public Piano",content:'
Public Piano: Variation 13 on Ah, vous dirai-je, Maman
\n\n12 Variations on Ah, vous dirai-je, Maman is one of the iconic works of the youth prodigy MOZART. Beginning as a nursery rhyme, it was turned by him into a classic melody, a continual series of 12 variations for the piano. During 24 Hours MOZART, whether you’re a beginner or master pianist, Weiwuying welcomes you to come and play the piece on our public piano. We will have the sheet music on hand, and you can play it as written or put your own spin on it to create your very own thirteenth variation!
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\n'}],onShelf:!0,sliders:[{type:"image",key:"a4e4279368a95dd9add434a01327f228",title:"24 Hours MOZART"}],related:[],title:"24 Hours MOZART",cover:"d98b9a93bc94f29ec8e2a09bb0750ba4",site:{isOther:!0,site:"",other:"Weiwuying (Concert Hall, Recital Hall, Concert Hall 3F Lobby, Public Piano)"},cautions:'
Members will enjoy the privilege of an early purchase from 12/15(Thu)12:00 to 12/22(Thu)12:00 !
\n\tAvailable starting 12/22(Thu)12:00 !
\n\tA 24-Hour Musical Marathon of MOZART's Immeasurable Genius!
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In February 2022, several thousand visitors relished in 24 uninterrupted hours of performances of SCHUBERT's magnetic work in Weiwuying's Concert Hall and Recital Hall. In 2023, the 24 Hours series will bring us the child prodigy par excellence: MOZART.
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Most of the great composers were child prodigies, so why is MOZART the prodigy "par excellence"? The answer: his father. MOZART was born in 1756, and at the age of six, his musician father took him on two European tours. Able to both compose and perform well at such a young age; he became a sensation in all the royal courts as his reputation spread rapidly. But this was of little help as he grew older. His acute yet untamed genius made him too unlike his contemporaries, who held steady employment as royal court composers their whole lives. His resulting financial difficulties forced him to become history's first professional composer outside the court. He thus made a hard living by performing, teaching, and commissioned composition, which contributed to his untimely death at 35.
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However, one would hardly believe the over 600 pieces of music he wrote came from such a strained life. With his divine talent, he rarely made revisions to his first drafts, all of which are eternally pure and incomparably brilliant treasures of humanity. During 24 Hours MOZART, the audience will hear his famous symphonies, concertos, opera highlights, chamber orchestra pieces, and sonatas, through which listeners are sure to experience EINSTEIN's sentiment: "MOZART's music is so pure and beautiful that I see it as a reflection of the inner beauty of the universe!"
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Price
\n\n24 hours for Concert Hall programs: $1,000/per
\n\n24 hours for Recital Hall programs: $600/per
\n\n24 hours for Concert Hall & Recital Hall programs: $1,200/per
\n\n8 hours for Concert Hall programs: $400/per (16:30 to 24:00 / 00:30 to 09:30 / and 10:00 to 17:00)
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Activiities and Collections
\n\n►【Arts Talk】Crazy for Mozart? You Have 24 hours to Get Him!
\n►【Family Day】MOZART's Magic Flute Under the Stars
►Pop-up Restaurants for 24 Hours MOZART
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Articles
\n\n►24 Highlights of MOZART's Life
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Creative and Production Team
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Concert Hall
\n\nPerformer(s): Conductor|YANG Chih-chin, LIAO Chia-hong Drapal / Soprano|LAI Chueh-you, KUO Ching-hui / Tenor|Claude LIN / Baritone|Rios LI / Piano|LIAO Chiao-han / Violin|Sean HSIEH Shang-en, CHANG Ray-chou, HSIEH Pei-yin / Clarinet|YEH Min-ho / Flute|CHANG Shuo-yu / Harp|TSENG Wei-ching / Kaohsiung Symphony Orchestra, Counterpoint Ensemble, National Taiwan Symphony Orchestra / Planetesimal Vocal Art Studio / Jazz Piano|CHEN Jo-yu / Bass|HSIEH Tsung-han / Drums|HUANG Tzu-yu (Fish) / Southern Taiwan Chamber Music Society (in order of appearance)
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Concert Hall 3F Lobby
\n\nPerformer(s): Speaker: TSAI Yung-kai / Southern Taiwan Chamber Music Society
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Recital Hall
\n\nPerformer(s): Speaker: TSAI Yung-kai / Soprano|LIN Ching-ju / Light Lyric Soprano|HUANG Li-chin / Mezzo-soprano|FAN Ting-yu / Bass|Julian LO / Southern Taiwan Chamber Music Society / Cello|PAN Wan-yi / Piano|HSIEH Hsin-jung, llinka MANOVA / Chiayin Chamber Orchestra (in order of appearance)
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衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\t\t\t ※2023年3月3日(五)19:30於衛武營音樂廳演出之「《大師風範》皮奥特.安德佐夫斯基鋼琴獨奏會」,原訂曲目「巴赫:法國風序曲,作品831 」變更為「巴赫:e小調第六號組曲,作品830 」,其餘曲目不變。 \n\t\t\t | \n\t\t
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三月初將迎來被《衛報》佳評為「以無比清晰智慧及音樂洞察力來演奏」的波蘭鋼琴家——安德佐夫斯基!琴鍵間總能傳達滿溢出的真切,在彈奏巴赫的鋼琴曲目時,以近乎完美的觸鍵彈奏輕快的速度,那樣的清晰又震懾人心。而在彈奏普羅科菲夫時,他又能精確掌握作曲者那強烈不安又發人深省的意涵。「每個人都喜歡脆弱,並被脆弱感動。」安德佐夫斯基在紀錄片《不安的旅行者》中曾提到布拉姆斯是那樣苛求完美,而他時常想著自己似乎亦是如此,而這想法使他自覺不安。才華橫溢的他,早期以富有精彩表現力著稱,多年的舞台歷練下,更增添人生經驗所賦予他的智慧,並直視心底那份脆弱,我們期待他將這些最深層的體悟化作音符,帶領觀眾體會不一樣的樂章滋味。
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演前導聆
\n\n2023/3/3(五)19:00 音樂廳三樓大廳
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演出曲目
\n\n巴赫:e小調第六號組曲,BWV 830
\n\n席馬諾夫斯基:二十首馬祖卡舞曲,作品50,第三、第七、第五及第四首(依演出順序)
\n\n魏本:鋼琴變奏曲,作品27
\n\n貝多芬:降A大調第31號鋼琴奏鳴曲,作品110
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文章閱讀
\n\n\n\n►溫柔而敏感的說書人:安德佐夫斯基 ——他的巴哈與席瑪諾夫斯基
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演出暨製作團隊
\n\n鋼琴|皮奥特.安德佐夫斯基
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藝術家介紹
\n\n皮奥特.安德佐夫斯基
\n\n波蘭裔鋼琴家皮奥特.安德佐夫斯基被認為是當代最傑出的音樂家之一,1990年初出茅廬,以魏本的鋼琴變奏曲打入里茲國際鋼琴大賽的準決賽,卻因自覺彈奏不夠好而毅然退出,追求完美的精神也讓樂壇刮目相看。自此安德佐夫斯基便成為世界各大音樂廳及樂團的經常座上賓,曾與柏林愛樂、倫敦交響樂團及NHK交響樂團合作,更於維也納金色大廳、卡內基音樂廳舉辦獨奏會。他所錄製的專輯獲獎無數,2006年至2021年就以席馬諾夫斯基鋼琴獨奏、舒曼及巴赫作品相繼獲得留聲機獎、BBC音樂雜誌的年度唱片獎及回聲音樂獎的多重肯定。別具個人魅力的他也是著名製片人蒙桑容多部紀錄片的主角,捕捉了鋼琴家對音樂表演及他波蘭-匈牙利血統的反思。
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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\n',team:""},english:{onShelfRange:{start:1669699800,end:4825411199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"973b4ce87f629852bb1ecc3f7607e5b1",title:"《大師風範》皮奥特.安德佐夫斯基鋼琴獨奏會"}],related:[],title:"Maestro Spirit -Piotr ANDERSZEWSKI Piano Recital",cover:"3ca10eb60ddb4103a30b9b2e6a01fb08",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
At the beginning of March, we will welcome the Polish pianist Piotr ANDERSZEWSKI, praised by The Guardian as "playing the piano with a clarity, intelligence and musical insight that few can match." His playing always conveys sincerity. When performing BACH's piano works, though he takes a brisk tempo, he is articulate and enchanting. When playing PROKOFIEV, he precisely grasps the composer's angst and thought-provoking connotations. "When you love, you love the weakness, and are touched by the weakness." ANDERSZEWSKI mentioned in the documentary that features him, Unquiet Traveller, that BRAHMS's determination for perfection reminds him of himself, and that makes him feel uneasy. ANDERSZEWSKI was known for his splendid expressiveness in his early career, and after many years of performing on stage, he has added the wisdom endowed by his life experience, and confronted the fragility and uncertainty deep in his heart. We look forward to seeing him turn these most profound understandings into musical notes and lead the audience to taste the flavors of life.
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Pre-talk
\n\n2023/3/3(Fri)19:00 Concert Hall 3F
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Program
\n\nJ.S. BACH: Partita No. 6 in e minor, BWV 830
\n\nK. SZYMANOWSKI: 20 Mazurkas, Op. 50, Nos. 3, 7, 5 & 4 (in order of performance)
\n\nA. WEBERN: Variations for Piano, Op. 27
\n\nL.v. BEETHOVEN: Piano Sonata No.31 in A-flat Major, Op. 110
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Articles
\n\n►Well-seasoned Master ─ Piotr ANDERSZEWSKI
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Creative and Production Team
\n\nPiano|Piotr ANDERSZEWSKI
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Artists Introduction
\n\nPiotr ANDERSZEWSKI
\n\nPolish pianist Piotr ANDERSZEWSKI is considered one of the most outstanding contemporary musicians. At the beginning of his career in 1990, ANDERSZEWSKI entered the semi-finals of the Leeds International Piano Competition with Anton WEBERN's Variations for Piano, Op. 27, but withdrew because he felt that his playing was not good enough. The pursuit of perfection has impressed the music world. Since then he has been a frequent guest soloist at major concert halls and orchestras around the world. He has collaborated with the Berlin Philharmonic, the London Symphony Orchestra, and the NHK Symphony Orchestra, and has given solo recitals at venues like the Vienna Musikverein and Carnegie Hall. His records have won numerous awards. Between 2006 and 2021, he successively earned the Gramophone Classical Music Award, BBC Music Magazine's Recording of the Year Award, and the ECHO Klassik Award for piano solo of SCHUMANN and BACH. With captivating charisma, ANDERSZEWSKI has also been the subject of several documentaries by renowned film producer Bruno MONSAINGEON, capturing the pianist's reflections on musical performance and his Polish-Hungarian heritage.
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\n',team:""},createdAt:1668506596,updatedAt:1677662573,updatedBy:"林蔚行",host:!0},{_id:"63771b271f007d00072048eb",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1677324600,discrete:[{time:1677324600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1200,1600,2e3],link:"https://www.opentix.life/event/1589860921545605120"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4820e05f45bfb9ae41efbe97b52d4aa2",title:"福爾摩沙愛樂年度音樂會 -《百年凌跨,寄語荏苒》"}],related:[],title:"福爾摩沙愛樂年度音樂會 -《百年凌跨.寄語荏苒》",cover:"6aaa111c8c2d58a47d52b2c1a9e36e95",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
2023年度音樂會選定兩首相隔百年經典之作:莫札特第四十號交響曲、柴可夫斯基第五號交響曲,呈現《百年凌跨,寄語荏苒》時空意義。
\n
\n兩首經典如地理上的對蹠點各霸一方。兩點間拉起準繩一般齊觀,因此英文標題用level 這字。而gaze發想自中古時期的騎士以純潔無瑕的gaze獻給他的對象,以表最崇敬的愛慕之意。兩個遙望的對蹠點,惺惺相惜 gazing at each other,造就橫跨百年卻相映成趣的 a centennial splendor.
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演出曲目
\n\n莫札特:G小調第四十號交響曲
\n\n柴可夫斯基:E小調第五號交響曲
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演出暨製作團隊
\n\n指揮|鍾安妮
\n\n樂團|福爾摩沙愛樂管絃樂團
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\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4820e05f45bfb9ae41efbe97b52d4aa2",title:"福爾摩沙愛樂年度音樂會 -《百年凌跨,寄語荏苒》"}],related:[],title:"Formosa Philharmonic Annual Concert - Leveling through Gaze: a Centennial Splendor",cover:"6aaa111c8c2d58a47d52b2c1a9e36e95",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Formosa Phil continues to make the greatest efforts promoting the Classics of all time since Day One.
\n
\nThe annual concert of 2023 features the masterpieces by two symphonic giants of their time- Symphony No. 40 by Wolfgang Amadeus Mozart, and Symphony No. 5 by Pyotr Ilyich Tchaikovsky. These two works, dated one century apart, stand as one of the landmarks in their careers as composers, and have nurtured generations after generations with ultimate artistic delicacies.
\n
\nThese two historical figures, as if paying the upmost respect to each other through gazes of admiration, level like the geographical antipodes, with their equivalent weights and statues in the history of the Western Music, creating "a Centennial Splendor" as the title of this concert suggests.
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Program
\n\nWolfgang Amadeus Mozart (1756-1791): Symphony No. 40 in G minor, K. 550
\n\nPyotr Ilyich Tchaikovsky (1840-1893): Symphony No.5 in E minor, Op. 64
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Creative and Production Team
\n\nConductor|Dr. Annie Chung
\n\nFormosa Philharmonic Symphony Orchestra
\n\n\n',team:""},createdAt:1668750119,updatedAt:1669195786,updatedBy:"林蔚行",host:!1},{_id:"637c62d969d78d000832f9ac",catalogs:["5aec45edb01ea6000520f655","6007fc45ba34870007c22b8b"],dateTime:{first:1676095200,discrete:[{time:1676095200}],type:"discrete"},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free Admission"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"69781640924d121b80b5ac754ecda739",title:"【武營來開槓】如何瘋?怎麼迷?按「曲」索驥莫札特"}],related:[{from:"programs",key:"63730d5d69d78d00082c045a",title:"《瘋迷24莫札特》"},{from:"programs",key:"63b69b27bc2ba9000724be96",title:"【創意學習工作坊】玩樂管風琴(藝起同樂班)"}],title:"【武營來開槓】如何瘋?怎麼迷?按「曲」索驥莫札特",cover:"2f611ed58aeb46791bb761bd0fc869ef",site:{isOther:!1,site:"5b1029cdda0322000751e9ad",other:""},cautions:'
如果您看過電影《阿瑪迪斯》,那可能會誤認其中以戲劇化手法表現出莫札特不可一世的「瘋」,就是這位音樂神童的樣貌。
\n\n如果您聽過任何一首莫札特的作品,那可能都會為其充滿靈光閃現的動聽旋律,而深深著「迷」。
\n\n莫札特有六百多首作品傳世,每一首都是悅耳動人,幾乎沒有失敗作!要如何在這片「曲海」中,認識莫札特呢?
\n\n
\n古典樂網站MUZIK Air副總編輯連士堯,將以「瘋迷24莫札特」的曲目為經緯,帶領大家透過各種推薦聆聽路線,聽見莫札特獨特又璀璨的一生。同時也將分享自己的聆聽經驗,告訴觀眾莫札特是如何讓人越聽越上癮。並且透露莫札特在當代音樂會選曲上,似乎與知名度不成比例,要能聽到這些作品的現場演出其實相當困難,而「瘋迷24莫札特」又是多難得的機會,能在臺灣有24小時全本莫札特的演出!
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★ 誰來開槓:
\n\n古典樂網站「MUZIK Air」副總編輯|連士堯
\n\n活動時間:2023/02/11(六)14:00
\n\n參加對象:歡迎喜愛藝術活動的朋友,一起來開槓!
\n\n報名方式:報名參加,免費入場(限量100名,額滿為止)。
\n\n(線上報名至2023/02/09 (四)23:59止,講座優先保留席次予線上報名者;現場將視狀況開放現場報名觀眾進場。)
\n\n報名網址: 報名請點我
\n\n活動地點:衛武營國家藝術文化中心3F演講廳
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連士堯|古典樂網站「MUZIK Air」副總編輯
\n\n高中因在管樂社演奏低音管並擔任學生指揮,與古典樂結下不解之緣,2009年進入《MUZIK》團隊擔任編輯,認為自己能夠將興趣與專業結合是極為幸運的一件事,期間訪問過國內外知名音樂名家,如小澤征爾、路易西、殷巴爾、張莎拉、夏漢、王羽佳、陳銳等。2020年與樂刊同步數位轉型為古典樂網站「MUZIK AIR」副總編輯,並且於「MUZIK閱聽古典樂」YouTube頻道主持「早餐會報」節目,以及錄製Podcast「節氣古典樂」單元,希望帶領大家發現古典音樂在生活中不可或缺的一面。
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關於武營來開槓
\n\n藝術,是由生活經驗所累積。
\n\n《武營來開槓》透過邀請知名藝術家,無論音樂、戲劇、電影等,分享對藝術的所思所見,剖析藝術用什麼傳達方式,與觀眾產生共鳴?
\n\n創作皆是從生活小事延伸而成,就像對生活的日積月累、夢境的天馬行空、興趣的不斷鑽研,挖掘靈感,創造有生活記憶的故事!或許大家可以想想,你生活中的哪些小事,也是藝術表現的一部份呢?
\n\n《武營來開槓》一場與藝術零距離的交流,為你的日常生活創造驚喜!
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演出節目資訊
\n\n►2023/02/11 ~ 2023/02/12 17:00 ~ 17:00
\n\n衛武營(音樂廳、表演廳、音樂廳3F大廳、公共鋼琴)
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"caba36549f435b1395172f8d89cd1d46",title:"【Arts Talk】Crazy for Mozart? You Have 24 hours to Get Him!"}],related:[],title:"【Arts Talk】Crazy for Mozart? You Have 24 hours to Get Him!",cover:"424d6e82ebbd4b045741aa67e275f81b",site:{isOther:!1,site:"5b1029cdda0322000751e9ad",other:""},cautions:'How do you get to know Mozart in his 600 more works? The deputy chief editor of Muzik Air, Eric, will guide you through Mozart's unique and brilliant life with a variety of recommendations of listening patches. Eric will also share his listening experience and show the audience how Mozart is becoming more and more addictive.
\n\nThis 24-hour-Mozart performance is about to take place in Weiwuying!
\n\n※The event will be conducted in Mandarin.
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Speaker
\n\nEric LIEN|MUZIK Air, Deputy Chief Editor & Senior Managing Editor
\n\nEric Lien started his love and passion about classical music since he joined the high school wind ensemble, in which he played the bassoon and conducted the concerts. In 2009, Eric joined classical music media "MUZIK" and now served as Deputy Chief Editor of "MUZIK Air" website, also hosting "Morning Report" series on MUZIK YouTube channel, and co-hosting Podcast series "Listening Classical Music with Solar Terms."
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About ARTS TALK
\n\nArt is a summary of life experiences.
\n\nArts Talk is a project which gathers together renowned artists from different fields such as music, theater or movie domains for sharing their thought about art with the public, telling us how art can communicate and resonate with its audience.
\nCreative work is like an extension of every incident in one's life. The accumulation of your everyday experience, the moments when your imagination runs wild, and your persistent cultivation of hobbies can all be the sources of your inspiration, enabling you to write stories that recount your memories of life.
\nSo why not do some brainstorming to see which part of your life, no matter how trivial it is, can be turned into a work of art?
Arts Talk gives you an opportunity to interact directly with art and brings wonderful surprises into your life!
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Programs Information
\n\n►2023/02/11 ~ 2023/02/12 17:00 ~ 17:00
\n\nWeiwuying (Concert Hall, Recital Hall, Concert Hall 3F Lobby, Public Piano)
\n\n\n',team:""},createdAt:1669096153,updatedAt:1700211435,updatedBy:"黃薏靜",host:!0,hasSignup:!0},{_id:"638d6b3b0f301d0007baeff0",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1677565800,discrete:[{time:1677565800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,400,600,800,1e3,1200,1500,2e3,2500],link:"https://www.opentix.life/event/1589884808719527940"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"73aba7d74cf1ef111aeee0261e66c95e",title:"《神劇:以利亞 》"}],related:[],title:"《神劇:以利亞 》",cover:"4c237ecee35335111646e225de73b43c",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'曾以神劇以利亞入圍金曲獎的指揮劉盛福,對神劇以利亞有深刻獨道想法的音樂詮釋,其起心動念是有感於新冠病毒成為全人類的危機,藉著投射到聖經的故事,讓我們深思,人類是否就是世界窘境結果的主因?以利亞的故事只是我們現今人類的投射,藉由此作品喚醒人類靈性議題,如果把神這個字眼改成宇宙或大自然,我們是否會發現?先知以利亞要提醒我們的是,一切的果效其實都是由心發出,災難也許是人類的集體意識顯化,對地球環保對靈性是否重視而遭來的結果,願感動以利亞的靈再度感動我們。
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演出曲目
\n\n孟德爾頌:神劇《以利亞》
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演出暨製作團隊
\n\n指揮|劉盛福
\n\n男中音|盧逸超
\n\n男高音|施岷佳
\n\n女高音|陳慧真.江柔
\n\n女中音|曹忠美
\n\n合唱團|LVA歌劇合唱團
\n\n樂團|LVA室內管弦樂團
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"73aba7d74cf1ef111aeee0261e66c95e",title:"《神劇:以利亞 》"}],related:[],title:"Mendelssohn Oratoria《ELIJAH》",cover:"4c237ecee35335111646e225de73b43c",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
"Let me inherit a double portion of your spirit" Mendelssohn Oratoria ELIJAH.
\n\n\n\n
Program
\n\nMENDELSSOHN: Oratoria ELIJAH
\n\n\n\n
Creative and Production Team
\n\nConductor|LIU SHENG FU
\n\nBaritone|Lu Yih-Chau
\n\nTenor|Shih, Min-Chia
\n\nSoprano|Hui-chen Chen.Chiang Jo
\n\nMezzo Soprano|Tsao Chung-Mei
\n\nChoir|LVA Opera Singing
\n\nChoirOrchestra|LVA Chamber Orchestra
\n\n\n\n
\n',team:""},createdAt:1670212411,updatedAt:1671017736,updatedBy:"林蔚行",host:!1},{_id:"638d857c0f301d0007baf470",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1676028600,discrete:[{time:1676028600},{time:1676097e3},{time:1676115e3},{time:1676183400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1e3,1200,1500,1800,2200],link:"https://www.opentix.life/event/1593200866560258050"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2bcad4e4f73cc3993512d8281b232eb3",title:"影集式音樂劇《SC驚釀小酒館》"}],related:[{from:"news",key:"63896a0a0f301d0007b7da7c",title:"躍演《勸世三姊妹》中文音樂劇 票價優惠活動"},{from:"programs",key:"62999820cd649e0007705956",title:"躍演《勸世三姊妹》中文音樂劇"}],title:"影集式音樂劇《SC驚釀小酒館》",cover:"3b86afa6613c519e49676957dc3b5132",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
2022年 榮獲「2022 金點設計獎標章獲獎」-驚釀小酒館包裝設計/Surprise Craft Package Design
\n\n2022年 榮獲「2022嘖嘖群眾集資提案大賽 數位暨創作組 銅獎」-影集式音樂劇《SC驚釀小酒館》原聲帶發行計畫
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阿飛與小船,一位是自稱全臺北最懂酒的(過氣)網紅,另一個是癡迷於實驗新口味的(天然呆)釀酒師,年過三十的他們決定辭掉工作合夥開一間「驚釀小酒館」,並找了阿飛女友—安安,投資成為大股東。 沒想到第一組客人就是百萬人氣YouTuber「欸你這週要幹嘛」,本來以為強強聯手,即將一飛沖天的他們,竟然因為某些誤會吵得不可開交,甚至導致難以挽回的局面。
\n\n愛情的酸甜、友情的辛辣,還有事業瓶頸的苦澀;驚釀小酒館,等你來品嚐人生百味。
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演出暨製作團隊
\n\n製作單位|五口創意有限公司
\n\n製作人|孫明恩
\n\n導演|高天恒
\n\n編劇團隊|宅故事創作Story Nerd Works
\n\n劇本統籌|林孟寰
\n\n編劇暨作詞|張元
\n\n音樂總監暨作曲|徐啟洋
\n\n編曲|徐啟洋、吳沛綾、陳百毅、陳芍安
\n\n編舞|林聖倫(小馬)
\n\n演員|周家寬、蘇志翔、顏辰歡、欸你這週要幹嘛-Ariel、Shine、阿勳
\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2bcad4e4f73cc3993512d8281b232eb3",title:"影集式音樂劇《SC驚釀小酒館》"}],related:[],title:"Surprise Craft the Musical",cover:"3b86afa6613c519e49676957dc3b5132",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
Both aged more than 30, A-Fei, a (has-been) KOL who claims to have the most knowledge about wine in Taipei and Xiao-Chuan, a (corky) brew master obsessed with delevoping new flavors, decided to quit their jobs, and co-found "Surprise Craft!!!". They invited A Fei's girlfriend, An-An, to be their biggest shareholder. Little did they expect, their first customer is a YouTuber group with 100K subscribers, Ariel's Travel Vlog. The win-win co-operation was supposed to soar together, but miscommunication led to a big fight and in turn a tough and irreversible situation.
\n\n\n\n
Bittersweet love, spicy friendship, and challenges to overcome business obstacles, "Surprise Craft!!!" got it all. Welcome to take a sip of life.
\n\n\n\n
Creative and Production Team
\n\nProduction Unit|Give Meet Five
\n\nProducer|Sun Mingen
\n\nDirector|Gao Tianheng
\n\nScreenwriters|Story Nerd Works
\n\nScript Coordinator|Lin Menghuan
\n\nScreenwriter and Lyricist|Zhang Yuan
\n\nMusic Director and Composer|Xu Qiyang
\n\nArrangement|Xu Qiyang, Wu Peiling, Chen Baiyi, Chen Shaoan
\n\nChoreography|Lin Shenglun
\n\nActors|Zhou Jiakuan, Su Zhixiang, Yan Chenhuan, Ariel's Travel Vlog: Ariel, Shine, Syundidi
\n\n\n\n
\n',team:""},createdAt:1670219132,updatedAt:1670402830,updatedBy:"林蔚行",host:!1},{_id:"638d8c4fbb3214000a405d2e",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1676028600,discrete:[{time:1676028600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1e3,1200],link:"https://www.opentix.life/event/1593511288272793605"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ddf20b5582666ba902b214963d5f47de",title:"《跨時代−經典 III 最終章》"}],related:[],title:"《跨時代−經典 III 最終章》",cover:"13b03d3cb9866b2710341649cf743d86",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
德國作曲家貝多芬,在古典樂派的思潮中掀起了繽紛浪花,開啟浪漫主義世代的來臨。在這次音樂會中將由新秀指揮林靖偉與鋼琴家黃楚涵,詮釋貝多芬歷久彌新之作,其中包括貝多芬寫於1809年代戰亂下、標誌著革命精神的《第五號鋼琴協奏曲,作品七十三「皇帝」》與1812年所譜具有酒神之稱、令人感到狂舞的《A大調第七號交響曲》等作品,讓經典樂曲跨越時代在耳邊持續蕩漾。
\n\n\n\n
演出曲目
\n\n貝多芬:《普羅米修斯的創造物》序曲,作品四十三
\n\n貝多芬:降E大調第五號鋼琴協奏曲《皇帝》,作品七十三
\n\n貝多芬:A大調第七號交響曲,作品九十二
\n\n\n\n
演出暨製作團隊
\n\n指揮|林靖偉
\n\n鋼琴|黃楚涵
\n\n交響樂團|中央音樂藝術樂集
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ddf20b5582666ba902b214963d5f47de",title:"《跨時代−經典 III 最終章》"}],related:[],title:"The Golden Age III",cover:"13b03d3cb9866b2710341649cf743d86",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
A German composer Beethoven started the transition from the Classical period to the Romantic era. In this concert, conductor LIN Ching-Wei and pianist HUANG Chu-Han will perform Beethoven's immortal pieces, making the classics continue to across the ages. This program includes The Creatures of Prometheus Overture, Op. 43, Piano Concerto No. 5 in E-flat Major “Emperor”, Op. 73 and Symphony No. 7 in A Major, Op. 92.
\n\n\n\n
Program
\nBeethoven: The Creatures of Prometheus Overture, Op. 43
\nBeethoven: Piano Concerto No. 5 in E-flat Major “Emperor”, Op. 73
\nBeethoven: Symphony No. 7 in A Major, Op. 92
\n\n
Creative and Production Team
\n\nConductor|LIN Ching-Wei
\n\nPiano|HUANG Chu-Han
\n\nSymphony Orchestra|Central Music Philharmonic
\n\n\n\n
\n',team:""},createdAt:1670220879,updatedAt:1671017761,updatedBy:"林蔚行",host:!1},{_id:"638d90d40f301d0007baf681",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1676701800,discrete:[{time:1676701800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1500,2e3,3e3],link:"https://www.opentix.life/event/1595703689615716355"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"23cd4ca0e307aae20310c145009dc1ac",title:"2023《器宇情深》余曉怡管風琴音樂會"}],related:[],title:"2023《器宇情深》余曉怡管風琴音樂會",cover:"2f9a6168f2036d79b23af82b3fd09630",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
演奏家余曉怡持續深耕管風琴獨奏會,本場衛武營《器宇情深》管風琴音樂會將延續《器宇非凡》系列音樂會。曲目由大器恢宏的巴洛克經典與浪漫交響式曲目出發,也嚴選管風琴音樂中精緻、富有靈魂的「情深」曲目,介紹給臺灣的樂迷!
\n
\n結合跨界擊樂與舞蹈的組合, 演繹管風琴精緻又百變的風情。持續在管風琴經典中結合創意,展現演奏家余曉怡在管風琴演繹的獨特美學。
\n
\n※ 經典管風琴獨奏曲目 ※
\n※ 管風琴精緻的百變風情 ※
\n※ 展現管⾵琴交響化的特⾊ ※
\n※ 結合管風琴,擊樂與舞蹈,多元跨界的展演 ※
\n\n
演出曲目
\n\n上半場
\n\n巴赫:C大調觸技曲、慢板與賦格,作品 564
\n\n巴赫:G 小調賦格,作品 578
\n\n卡巴尼爾斯:義大利庫朗舞曲
\n\n義大利舞曲
\n\n巴赫:D小調觸技曲,作品 565
\n\n下半場
\n\n聖桑:降E大調第一號幻想曲,I、II
\n\n艾爾加 (史考特改編):《謎語變奏曲》作品36號第九變奏〈寧錄〉
\n\n杜布瓦:十二首管風琴小品,第九首〈進入天堂〉
\n\n馬斯卡尼 (史考特改編):歌劇《鄉村騎士》間奏曲
\n\n魏多:第六號交響曲終曲樂章
\n\n喬治・貝克:倫巴—給管風琴、打擊與雙⼈舞
\n\n\n\n
演出暨製作團隊
\n\n管風琴|余曉怡
\n\n擊樂|林牧民、林寳馨、許玳維、呂忻祐
\n\n舞者|林蔓葶、黃程尉
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"23cd4ca0e307aae20310c145009dc1ac",title:"2023《器宇情深》余曉怡管風琴音樂會"}],related:[],title:"Organ Concert of Hsiao-Yi Yu",cover:"2f9a6168f2036d79b23af82b3fd09630",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
In this exquiste concert, Organist Hsiao-Yi Yu will play the largest pipe organ in Asia at the Weiwuying Concert Hall, bringing a whole new listening experience to audiences here in Kaohsiung. Her remarkable talent for organ music has successfully challenges both the classical and the modern music world. Through her skills of mastering multiple keyboards and pedal of the instrument, she introduced the world of organ music to many classical music fans, while transforming the gigantic instrument into a compelling music genre. Join us on this journey into the wonderful world of organ music!
\n\n\n\n
Program
\n\nJ. S. Bach: Toccata, Adagio und Fuge in C major, BWV 564
\n\nJ. S. Bach: Fugue in G minor, BWV 578
\n\nJ. Cabanilles: Corrente Italiana
\n\nAnonymous: Pass'e mezo nuovo I, II, III - Gamba Gagliarda (from Intabolatura nova di balli. venice, 1551 )
\n\nAnonymous: Moneghina Gagliarda - Gonella Gagliarda (from Intabolatura nova di balli. Venice,1551)
\n\nJ. S. Bach: Toccata in D minor, BWV 565
\n\nC. Saint-Saëns: Fantaisie No. 1 for Organ in Eb Major
\nI Con moto
\nII Allegro di molto e con fuoco
E. Elgar (Arr. J. Scott): Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod
\n\nT. Dubois: 12 Pieces for Organ, No. 9 In Paradisum
\n\nP. Mascagni (Arr. J. Scott): "Cavalleria Rusticana" Intermezzo
\n\nC. Widor: Symphony No.6 for Organ, Op.42, No.2-Finale
\n\nGeorge Baker: Rumba for Organ, Percussion, and Dancers
\n\n\n\n
Creative and Production Team
\n\nOrganist|Hsiao-Yi Yu
\n\nPercussion|Mu-Min Lin, Wan-Ling Chien, Dai-Wei Xu, Bao-Xin Lin
\n\nDancer|Man-Ting Lin, Cheng-Wei Huang
\n\n\n\n
\n',team:""},createdAt:1670222036,updatedAt:1670402852,updatedBy:"林蔚行",host:!1},{_id:"638d9fcd0f301d0007baf9ac",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1676719800,discrete:[{time:1676719800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600],link:"https://www.opentix.life/event/1597513895265775618"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3a2e46527bf033fec824477bef6d69ea",title:"2023 聶羽萱雙簧管獨奏會 《現代之謎。極致音樂》"}],related:[],title:"2023 聶羽萱雙簧管獨奏會 《現代之謎。極致音樂》",cover:"75bb48f3e1437532cdb2411f9c3293b5",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
1940年開始,前半期為第二次世界大戰.1945年二戰結束.這些年許多動盪作曲家受到時空背景的影響使得作曲家形個人風格與擁有多樣的作曲手法.結合不同國家的風俗名情,有些融入民族色彩,而有些結合語言上的語韻將音樂富有更多的聲調.此音樂會將聚集歐洲各地具代表性的作曲家並全由鋼琴與雙簧管合作演出。
\n\n\n\n
演出曲目
\n\n瑪琳娜. 德拉妮虛妮科娃:詩篇,給雙簧管與鋼琴
\n\n尼科洛·卡斯蒂廖尼:Aleph
\n\n尼科斯·斯卡爾科塔斯:給雙簧管與鋼琴小協奏曲
\n\n皮埃爾·桑康:給雙簧管與鋼琴小奏鳴曲
\n\n克萊門特·斯拉維茨基:給雙簧管與鋼琴組曲
\n\n\n\n
演出暨製作團隊
\n\n雙簧管|聶羽萱
\n\n鋼琴|蘇映竹
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3a2e46527bf033fec824477bef6d69ea",title:"2023 聶羽萱雙簧管獨奏會 《現代之謎。極致音樂》"}],related:[],title:"YU-HSUAN NIEH Oboe recital",cover:"75bb48f3e1437532cdb2411f9c3293b5",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Beginning in 1940, the first half of the Second World War. World War II ended in 1945. In recent years, many turbulent composers have been influenced by the time and space background, which makes the composers have a personal style and a variety of composing techniques. Combined with the customs of different countries, some are integrated into national colors, and some are combined with the rhythm of the language to enrich the music with more tones. This concert will bring together representative composers from all over Europe and will perform entirely on piano and oboe.
\n\n\n\n
Program
\n\nMarina Dranishnikova: Poem for Oboe and Piano
\n\nNiccolò Castiglioni: Alef
\n\nNikos Skalkottas: Concertino for Oboe and Piano
\n\nPierre Sancan: Sonatina for Oboe and Piano
\n\nKlement Slavický: Suite for Oboe and Piano
\n\n\n\n
Creative and Production Team
\n\nOboe|Yu-Hsuan NIEH
\n\nPiano|Ying-Chu SU
\n\n\n\n
\n',team:""},createdAt:1670225869,updatedAt:1670402872,updatedBy:"林蔚行",host:!1},{_id:"63a14aabb81180000719fc49",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1676287800,discrete:[{time:1676287800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600],link:"https://www.opentix.life/event/1601485100886630402"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"28b4d65e1bc7e95c50e41781f8501b39",title:"《舞幻琴狂》曹揚 x 劉于瑄雙鋼琴音樂會"}],related:[],title:"《舞幻琴狂》曹揚 x 劉于瑄雙鋼琴音樂會",cover:"2423d439463a351d7408b7ffe3ddbc5e",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
青年鋼琴家曹揚與劉于瑄繼2021年夏天向法國作曲家聖桑致敬的音樂會『詩幻琴狂~曹揚x劉于瑄雙鋼琴音樂會』,2023年以俄式芭蕾舞音樂為主軸,分享完全不同的雙鋼琴音樂。俄羅斯的芭蕾舞一直都是世界的翹楚,包括柴可夫斯基的三大芭蕾舞劇、鮑羅定的歌劇音樂、及斯特拉汶斯基的芭蕾舞音樂,不僅是作為芭蕾舞的展演而存在,也是獨立的管弦樂作品,亦有非常多種的改編形式,由兩台鋼琴共同展現,創造不只一加一大於二的精彩。並讓聽眾一次聽到不同世代的俄羅斯芭蕾舞音樂。
\n\n\n\n
演出曲目
\n\n鮑羅定:韃靼人之舞(選自《伊果王子》)
\n\n盧托斯瓦夫斯基:帕格尼尼變奏曲
\n\n柴可夫斯基:胡桃鉗組曲(雙鋼琴版)
\n\n柴可夫斯基:睡美人組曲(雙鋼琴版)
\n\n斯特拉汶斯基:彼得洛西卡(雙鋼琴版)
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|曹揚、劉于瑄
\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"28b4d65e1bc7e95c50e41781f8501b39",title:"《舞幻琴狂》曹揚 x 劉于瑄雙鋼琴音樂會"}],related:[],title:"Yang Tsao x Yu-Hsuan Liu Piano Duo Concert",cover:"2423d439463a351d7408b7ffe3ddbc5e",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Two young pianists' second duo concert present Russian ballet music after their first duet in the summer of 2021. The dazzling double piano music including the master pieces of Tchaikovsky, Borodin and Stravinsky, interweaving the splendor of not only one plus one greater than two. And the audience will enjoy different generations of Russian ballet music at one concert.
\n\n\n\n
Program
\n\nA. Borodin: Polovtsian Dances (from "Prince Igor")
\n\nW. Lutoslawski: Variations on a Theme by Paganini
\n\nP. Tchaikovsky: Nutcracker Suite for Two Pianos
\n\nP. Tchaikovsky: Sleeping Beauty Suite for Two Pianos
\n\nI. Stravinsky: Petrushka for Two Pianos
\n\n\n\n
Creative and Production Team
\n\nPiano|TSAO Yang, LIU Yu-Hsuan
\n\n\n\n
\n\n
\n',team:""},createdAt:1671514795,updatedAt:1672213264,updatedBy:"林蔚行",host:!1},{_id:"63a14f28f740d30007272431",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1677843e3,discrete:[{time:1677843e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,1e3],link:"https://www.opentix.life/event/1600745750016139267"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"92ecfb4142b1b292c1d2267f16c121ec",title:"《白色探戈》李齊小提琴獨奏會"}],related:[],title:"《白色探戈》李齊小提琴獨奏會",cover:"11576d499f154d79d318eb620562f5c8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
2014年獲得洛杉磯席瑪艾法音樂比賽第一名。
\n\n2019年獲得維也納首獎音樂大賽第一名。
\n\n\n\n
年輕小提琴家李齊由日裔傳奇小提琴家五嶋綠所發掘,深受其喜愛,更被譽為日後樂壇的新星。李齊所熟悉的曲目甚為廣泛,從巴赫到現代作品,而他的演奏足跡更橫跨了三大洲。
\n\n\n\n
演出曲目
\n\n皮亞佐拉 探戈組曲
\n第1號
\n第2號
\n第3號
皮亞佐拉 四季
\n夏
\n秋
\n冬
\n春
-中場休息-
\n\n自由探戈
\n\n一步之遙
\n\n廣場
\n\n旅行
\n\n再見了
\n\n不曾擁有的愛人
\n\n沒有
\n\n遺忘
\n\n好似兩個陌生人
\n\n※上半場:小提琴&吉他合奏
\n※下半場:小提琴&手風琴合奏
\n經由兩種不同的合作樂器表達探戈的樂曲自由性
\n\n
演出暨製作團隊
\n\n小提琴|李齊
\n\n吉他|林家瑋
\n\n手風琴|吳詠隆
\n\n製作團隊|李齊愛樂
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"92ecfb4142b1b292c1d2267f16c121ec",title:"《白色探戈》李齊小提琴獨奏會"}],related:[],title:"Tango Blanco Chi Lee Violin Concert",cover:"11576d499f154d79d318eb620562f5c8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The violinist Chi Lee is in the developing stages of a significant career already spanning three continents. A winner of awards and competitions both in his native Taiwan and the U.S., he brings a wide repertoire, from Bach to contemporary scores, to his concerts throughout the United States, Asia and Europe.
\n\n\n\n
Program
\n\nPiazzola Tango Suite
\nNo.1
\nNo.2
\nNo.3
Piazzola Four Seasons
\nSummer
\nAutumn
\nWinter
\nSpring
-Intermission-
\n\nLibertango
\n\nPor Una Cabeza
\n\nLa Cumparsita
\n\nLa Voyage
\n\nAdios nonio
\n\nNunca Tuvo novio
\n\nNada
\n\nOblivion
\n\nComo dos extranos
\n\n\n\n
Creative and Production Team
\n\nViolin|LEE Chi
\n\nGuitar|LIN Chin Wei
\n\nAccordion|WU Yong Long
\n\nProduction Team|CHI HARMONIC
\n\n\n\n
\n',team:""},createdAt:1671515944,updatedAt:1672213240,updatedBy:"林蔚行",host:!1},{_id:"63a16350f740d30007272825",catalogs:["6007fc45ba34870007c22b8b"],dateTime:{first:1676512800,discrete:[{time:1676512800},{time:1676599200},{time:1676685600},{time:1676772e3},{time:1676786400}],type:"discrete"},activity:{type:"free",free:{description:"線上報名",englishDescription:"Register"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1671768e3,end:4827484799},tabs:[{reference:[],type:"content",name:"工作坊課程簡介",content:'
本課程於2023年2月16日(四)至19日(日)期間舉辦,課程天數共計四天(報名者須全程參與),課程參與者須於課程中分享自身工作案例及小組討論,課程包含:製作人是什麼?製作人的責任、共融設計、巡演與國際協作、未來的製作-永續劇場、創意學習、案例分享與討論。
\n\n※本課程最後一天2月19日(日)14:00-16:00進行公開講座,開放對於場館營運有興趣之大眾現場參與。
\n\n\n\n
工作坊暨公開講座時間表
\n\n2/16(四) | \n\t\t\t2/17(五) | \n\t\t\t2/18(六) | \n\t\t\t2/19(日) | \n\t\t
工作坊1 \n\t\t\t10:00-12:10 | \n\t\t\t工作坊3 \n\t\t\t10:00-12:10 | \n\t\t\t工作坊5 \n\t\t\t10:00-12:10 | \n\t\t\t工作坊7 \n\t\t\t10:00-11:50 | \n\t\t
休息時間 | \n\t\t|||
工作坊2 \n\t\t\t13:10-17:20 | \n\t\t\t工作坊4 \n\t\t\t13:10-17:20 | \n\t\t\t工作坊6 \n\t\t\t13:10-17:20 | \n\t\t\t自由討論 \n\t\t\t12:50-14:00 | \n\t\t
公開講座 \n\t\t\t14:00-16:00 | \n\t\t
\n\n
\n\n
\n\n
\n'},{reference:[],type:"content",name:"講者介紹",content:'
\n\t\t |
保羅.克雷Paul CLAY
\n國際工房 國際事務總監
2012年加入英國曼徹斯特國際藝術節擔任執行製作人,除了負責作品製作外,亦負責國際事務工作,並管理未曾在藝術節發表的重大作品,包含冰島創作歌手碧玉(Bjork)的世界巡迴展演「碧玉數位展」,以及馬修.巴尼(Matthew Barney)的「重生之河」。2018年,保羅為曼徹斯特國際藝術節成立新的國際團隊,目前則引領國際工房在全球各地的工作。
\n\nPaul CLAY在藝術領域擁有超過30年的經驗,曾任執行、製作和技術等方面的職務,1990年代在倫敦阿爾梅達劇院從事製作管理,負責倫敦西區轉移至百老匯的戲劇及國際巡迴演出;也曾任職於普利茅斯皇家劇院(倫敦西區及巡迴的大型音樂劇)、英國國家歌劇院(領導製作團隊)與曼徹斯特皇家交易所劇院(擔任執行總監)。
\n\n\n\n
\n\t\t |
羅慧欣Michelle ROCHA
\n國際工房 巡演主管
現為國際工房巡演主管,亦是英國Quarantine劇團董事局成員。曾為香港西九文化區管理局表演藝術製作人(音樂與戶外)、2012年於英國參與奧運聖火傳遞及文化活動策劃、香港舞蹈團團務及節目主任、Theatre Noir戲劇導師、Lushington/Live Nation及香港藝術館自由身監製,以及香港國際爵士音樂節的籌款經理。2013獲選參與文化領航學程,2017-18年獲得英國Clore 領袖培訓計劃獎學金。
\n\n\n\n
\n\t\t |
賴婉兒Sally LAI
\n國際工房 工作坊導師
藝術策展人,參與曼徹斯特國際藝術節先前在香港、俄羅斯、加拿大與南非舉辦的國際製作人培訓計畫擔任導師。在文化領域深耕超過20年,曾服務於萊斯特大學阿滕伯勒藝術中心理事會、大西洋計畫、自然世界與當代藝術中心,以及黑人藝術家與現代主義計畫。
\n\n目前任職於全球何鴻毅家族基金(Robert H. N. Ho Family Foundation Global)擔任藝術顧問,2008-2014年間為英國曼徹斯特華人當代藝術中心總監,也曾任職於英國藝術組織第一站、倫敦英格蘭藝術委員會、2012倫敦文化團隊以及惠康博物館。同時也為國際藝術期刊撰稿,並為BBC廣播四台製作藝術家李元佳(Li Yuan-Chia)的專題節目。
\n\nSally在2005年6月獲得了Clore領袖培訓計劃獎學金,此外也是史丹佛大學藝術非營利組織領袖執行計畫的校友。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"9e303e6795acb4304964183323f8c256",title:"衛武營X國際工房(英國曼徹斯特) 2023國際創意製作人工作坊暨公開講座"}],related:[],title:"衛武營X國際工房(英國曼徹斯特) 2023國際創意製作人工作坊暨公開講座",cover:"2eb63c526b330c78e608f910cee46bfd",site:{isOther:!1,site:"5b1029cdda0322000751e9ad",other:""},cautions:'
報名
\n\n本系列活動分為:「2月16日-19日四日工作坊」、「2月19日公開講座」,「2月19日公開講座」現場備有中/英同步口譯,當日憑身分證件借用口譯機。
\n\t其他
\n\n本課程將有專門活動攝錄影紀錄,入選學員須於「肖像同意書」同意肖像露出相關事宜。本影像紀錄以藝文推廣或非營利性之目的為限。
\n\t本次專業工作坊歡迎各機關(構)公務人員踴躍派員報名參加。現場參與工作坊之公務人員可登錄公教人員終身學習時數;教育部全國教師在職進修恕不提供,敬請見諒。
\n\t►錄取名單公告 | \n\t\t
\n\n
疫情緩解、國際交流復甦,各大藝術節及展演活動不間斷的在每個城市中接續展開,國內外團隊的精彩演出、也為活動帶來滿滿的人潮。各地的製作人們,你準備好施展身手了嗎?新年開春,衛武營和位於英國曼徹斯特、執行曼徹斯特國際藝術節的Factory International國際工房聯手舉辦工作坊,為日常承擔國際共製、社區參與計畫與藝術家陪伴的製作人,帶來四天精實培訓課程,打開國際藝術節的眼界,更透過實例討論與實作,為你的每日難題找到解方!
\n\n\n\n
延續衛武營自2015年起每年進行的「創意製作人工作坊」,2023年衛武營和國際工房啟動合作,邀請已在加拿大、香港、俄國執行多年的製作人培訓計畫來臺,針對新銳與中階的創意工作者與製作人,在衛武營進行文化機構與表演團隊專業行政人員的深度培訓。
\n\n\n\n
2月16日至19日辦理為期四天國際創意製作人工作坊,課程主題涵括經費運用、國際共製、智慧財產權、共融與永續議題,並以在地創意製作人自身經歷與案例,和國際工房經驗交互驗證,凝聚未來發展的方向與目標。
\n\n\n\n
工作坊最後一天,2月19日(日)下午將舉辦公開講座,分享曼徹斯特國際藝術節以及2023年6月新開場館國際工房(Factory International)的營運規劃。
\n\n\n\n
國際工房Factory International
\n\n國際工房是全球藝術、音樂及文化之勝地,將在2023年於曼徹斯特市中心開幕。未來將透過跨國共製於世界各地及線上舉辦年度原創作品、音樂及特別活動,同時為每兩年舉辦一次的曼徹斯特國際藝術節活動場地之一。
\n\n\n\n
國際工房由大都會建築事務所(OMA)設計,場館內的多樣空間配置可因應活動需求調整,無論是大型展覽、演出或是近距離的沉浸式體驗都可在此場館發揮最大的可能。此外,外部公共空間也可以舉辦即興表演、活動與市集,打造讓觀眾享受其中的繁榮河景。
\n\n\n\n
創立於2018年的工房學院(Factory Academy)也將以國際工房作為學院基地,該學院透過創新發展及藝術家培育計畫培養技術人員、製作人及其他創作人才,已經有許多年輕一代的創作者受益,同時也替藝文業界注入活水。
\n\n\n\n
發源於曼徹斯特的國際工房由曼徹斯特市議會主導,並受英國政府及英格蘭藝術委員會支持,該場館將鞏固曼徹斯特作為全球文化、創意、創新中心的地位,並發展為重要的旅遊勝地。國際工房在未來預計可提供1,500個直接或間接就業機會,並預估十年內為該城市帶來11億英鎊營收的龐大經濟效益。
\n\n\n\n
►工作坊報名對象與報名方式
\n\n\n\n
報名方式
\n\n1/13 \n\t\t\t報名截止 | \n\t\t\t1/17 \n\t\t\t錄取公告繳費通知 | \n\t\t\t1/20 \n\t\t\t前完成繳費 | \n\t\t
報名期間即日起至2023年1月13日(五)中午12:00止,入選學員名單於1月17日(二)12:00 衛武營官網公告,並以電子郵件個別通知。
\n\n\n\n\n\n
\n\n
►公開講座報名對象與報名方式
\n\n\n\n\n\n
(限量80名,額滿為止)
\n\n\n\n
合作夥伴
\n\n\n\t\t |
\n',team:""},english:{onShelfRange:{start:1671768e3,end:4827484799},tabs:[{reference:[],type:"content",name:"Outline and schedule",content:'
\n\n
During the 4 days' program, it will give participants the tools to scale up their current experience through practical exercises, taught activity and peer learning, based on case studies and led by experienced Factory International and Manchester International Festival producers, regarding the following module:
\n\n\n\n
\n\n
\n\n
On the last day of the program, Feb. 19 (Sun.) 14:00-16:00 will be a Public Talk session which will be opened to the public.
\n\n\n\n
\n\n
Schedule
\n\n2/16(Thu) | \n\t\t\t2/17(Fri) | \n\t\t\t2/18(Sat) | \n\t\t\t2/19(Sun) | \n\t\t
session 1 \n\t\t\t10:00-12:10 | \n\t\t\tsession 3 \n\t\t\t10:00-12:10 | \n\t\t\tsession 5 \n\t\t\t10:00-12:10 | \n\t\t\tsession 7 \n\t\t\t10:00-11:50 | \n\t\t
Break / Lunch | \n\t\t|||
session 2 \n\t\t\t13:10-17:20 | \n\t\t\tsession 4 \n\t\t\t13:10-17:20 | \n\t\t\tsession 6 \n\t\t\t13:10-17:20 | \n\t\t\tsession 8 \n\t\t\t12:50-14:00 | \n\t\t
Public Talk \n\t\t\t14:00-16:00 | \n\t\t
\n\n
\n\n
\n\n
\n'},{reference:[],type:"content",name:"The Facilitators",content:'
\n\t\t |
Paul CLAY
\nInternational Director | Factory International
Paul joined Manchester International Festival in 2012 as Executive Producer where in addition to the companies own productions he looked after the company's international work, and managing other major works not seen at the Festival (including the world tours of 'Bjork Digital' for the artist Bjork and River of Fundament for Matthew Barney). In 2018 Paul established the new International team for MIF and now leads on Factory International's work around the world.
\n\nPaul's experience in the arts spans more than thirty years working in executive, producing, and technical positions for companies such as The Almeida Theatre London where in the 1990's he production managed the company work, including a number of West End and Broadway transfers and International tours; Plymouth Theatre Royal (creating large scale musicals for touring and the West End), English National Opera (leading the production team) and the Royal Exchange Manchester (as Executive Director).
\n\n\n\n
\n\t\t |
Michelle ROCHA
\nHead of Touring | Factory International
Michelle is the Head of Touring at Factory International. She also a Board Member of Quarantine (theatre company). Previously, she was the Producer (Music and Outdoor) at West Kowloon Cultural District (HK) and has worked at the Wales Millennium Centre (UK) for the 2012 Olympics, the Hong Kong Dance Company, Lushington/ Live Nation, the Hong Kong Museum of Art and the Hong Kong International Jazz Festival and is a Clore Fellow.
\n\n\n\n
\n\t\t |
Sally LAI
\nFacilitator of the Training Program | Factory International
Sally LAI's career has been underpinned by a commitment to international collaboration.
\n\nShe trained as a contemporary art curator and has worked in the cultural sector for over 20 years. Sally is currently Arts Advisor to the Robert H. N. Ho Family Foundation Global, an international philanthropic foundation. Previously she was the Director of the Centre for Chinese Contemporary Art (2008-2014). Other organizations she has worked for include firstsite, Arts Council of England, London, the Culture Team of London 2012, The Wellcome Collection. She has written for international art journals, presented a feature length program for BBC Radio 4 on the artist Li Yuan-Chia.
\n\nShe has served on the board of Attenborough Arts Centre, University of Leicester, Atlantic Project, Centre for Contemporary Art and the Natural World, Black Artists and Modernism. Sally was awarded a fellowship on the The Clore Leadership Program in 2005/6 and is an alumni of the Executive Program for Nonprofit Leaders - Arts, Stanford University.
\n\nSally facilitated Manchester International Festival's previous International Producer Training Programs in Hong Kong, Russia, Canada and South Africa.
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"9e303e6795acb4304964183323f8c256",title:"衛武營X英國曼徹斯特國際製造所-2023創意製作人工作坊暨公開講座"}],related:[],title:"Weiwuying x Factory International (Manchester, UK) 2023 International Producer's Training Program & Public Talk",cover:"2eb63c526b330c78e608f910cee46bfd",site:{isOther:!1,site:"5b1029cdda0322000751e9ad",other:""},cautions:'
The events includes "Producer's Training Program from Feb. 16 to 19" and the “Public Talk on Feb. 19" separate registration required. The Producer's Training Program will be conducted in English. The Public Talk will be conducted in English with Mandarin simultaneous interpretation available, please borrow the interpretation device on site with an ID.
\n\tPhotography and videos recorded by the organizer are only used for promotion, archive or other non-profit purposes. Please agree to the "portrait rights" conditions during registration.
\n\tSince 2015, the Weiwuying Academy for Creative Producers series has cultivated producers, arts administrators and practitioners in diverse arts fields to establish sustainable professional development, as well as provide new ideas for the performing arts industry in Taiwan and Asia. In 2023, Weiwuying has invited experienced practitioners from Factory International to bring their International Producer's Training Program to share practical experiences with emerging and mid-career creative professionals and producers.
\n\n\n\n
The creation and touring of large-scale original artist-led commissions for high-profile festivals and international touring is a complex and resource-intensive undertaking. The role of the producer is fundamental to navigating that complexity and realizing the artistic vision within possible resources.
\n\n\n\n
A producer learns by producing; this 4 day program that runs from 16th – 19th February gets as close to that as possible. It will give participants the tools to scale up their current experience through case studies, practical exercises, taught activities and peer learning.. It will provide participants with a practical understanding of the skills and knowledge required for the role of an international or touring producer. The program will have a focus on producing large-scale interdisciplinary work for performance and international touring in established venues, site-specific locations and festivals.
\n\n\n\n
The training program have been taught both in-person and online and have received rave reviews from Hong Kong, Canada, and Russia. The topics shared during the training can be adapted to suit local needs and include sharing on urgent topics like sustainability, diversity and inclusivity.
\n\n\n\n
On the last afternoon of the program (Feb. 19), the Factory International team will hold a public talk to share the story, strategy and impact of Manchester International Festival and to look ahead at the vision and mission of MIF's new home, Factory International, which will open in June 2023.
\n\n\n\n
Factory International
\n\nFactory International is a global destination for arts, music and culture, opening in the heart of Manchester in 2023. Factory International will commission and present a year-round program of original creative work, music and special events at its landmark new venue, online, and world-wide through its network of national and international co-commissioners and partners. It will also stage the city-wide Manchester International Festival every other year at Factory International and in spaces and venues across Greater Manchester.
\n\n\n\n
Designed by the world-leading Office for Metropolitan Architecture (OMA), the ultra-flexible building is based around multiple configurations, enabling large-scale artistic work of invention and ambition that is not made anywhere else - from major exhibitions and concerts to intimate performances and immersive experiences. Outside, its public areas will come alive with pop-up performances, events and markets, creating a thriving riverside destination for audiences to enjoy.
\n\n\n\n
Through the Factory Academy, it will become a major training center for local people, helping to build the technicians, producers and other creative talent that will bring the future alive, while its pioneering programs of engagement and artist development will benefit local people and the next generation of creators.
\n\n\n\n
Rooted in Manchester, Factory International will strengthen the city's status as a national and international center for culture, creativity and innovation, as well as a major visitor destination. The economic impact of Factory International will be considerable, creating or supporting up to 1,500 direct and indirect jobs and adding £1.1 billion to the city's economy over a decade.
\n\nThe development of Factory International is led by Manchester City Council, with backing from HM Government and Arts Council England.
\n\n\n\n
►Register for the Producer's Training Program
\n\n\n\n
How to register for the Producer’s Training Program
\n\n\n\n\n\n
\n\n
►Register for the Public Talk
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\n\n
Partner
\n\n\n\t\t |
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「改編曲」在十九世紀是非常重要的樂種,保留原創者音樂核心,同時展露改編者的慣用風格技法,幾個世紀以來,兩者一直在時間裡相互對話著,除了全新的音樂創作之外,樂曲一遍又一遍地透過演奏者/改編者重新詮釋演奏後,讓原曲呈現全新的面貌。整首作品從一個作曲家的筆下,流入另一位作曲家的筆下,改編曲特色或許我們可以這麼形容:「你正在用李斯特的耳朵,聆聽舒伯特的歌曲」。
\n\n藍惠屏2023鋼琴獨奏會將呈現經典鋼琴改編曲:李斯特改編舒伯特藝術歌曲,讓鋼琴被賦予了更多的敘事與戲劇性,無需文字與人聲;由鋼琴家普雷特涅夫所改編的柴可夫斯基著名芭蕾組曲,以完全不同的方式再現胡桃鉗;布索尼改編巴赫著名的D小調夏康舞曲,一段親密的小提琴作品,逐漸轉變為一部巨大的、有如交響樂般豐富聲響的鋼琴作品,這部作品我們聽到的是巴赫?還是布索尼?這個鋼琴家對聽眾的提問,將貫穿整個音樂會節目,聽眾在不斷擺盪的聆聽與思辨中,於原創與改編、新與舊之間穿梭時空。
\n\n\n\n
演出曲目
\n\n柴可夫斯基/普雷特涅夫:《胡桃鉗音樂會組曲》
\n\n舒伯特/李斯特:《春之信念》、《魔王》、《小夜曲》、《你是安寧》
\n\n聖桑/李斯特:《骷髏之舞》
\n\n巴赫/布索尼:D小調夏康舞曲
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|藍惠屏
\n\n主辦單位|大聲藝術有限公司
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"58a266a0bde48d8e6ff5fc37094dec61",title:"《雙面琴聲——藍惠屏2023鋼琴獨奏會》"}],related:[],title:"2023 LAN Hui-ping Piano Recital",cover:"6e456ff5396c1d208dd8f78006de5237",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
"Transcription" was a very important genre of music in the nineteenth century, preserving the composer's idea while revealing his/her style and technique. For centuries, the two have been in dialogue with each other. 2023 LAN Hui-ping Piano Recital performs five eminent piano transcriptions, and the audience will listen in/between the original and transcription.
\n\n\n\n
Program
\n\nPyotr Ilyich Tchaikovsky / Mikhail Pletnev: Concert Suite From the Ballets The Nutcracker
\n\nFranz Schubert / Franz Liszt: Lieder-Transcriptions: Frühlingsglaube, Ständchen, Erlkönig, Du bist die Ruh
\n\nCamille Saint-Saëns / Franz Liszt: Danse Macabre
\n\nJohann Sebastian Bach / Ferruccio Busoni: Chaconne in D Minor
\n\n\n\n
Creative and Production Team
\n\nPiano|LAN Hui-ping
\n\nPresenter|Taiwan Musicians & Artists Promotion
\n\n\n\n
\n',team:""},createdAt:1672038406,updatedAt:1672830442,updatedBy:"林蔚行",host:!1},{_id:"63aa6c4af740d300072b8529",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1676460600,discrete:[{time:1676460600},{time:1676633400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1800,2400],link:"https://www.opentix.life/event/1603678451748519943"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a21b178db6f5d0b3bc8d33401a663c88",title:"《列夫席茲 巴赫鋼琴馬拉松》"}],related:[],title:"《列夫席茲 巴赫鋼琴馬拉松》",cover:"78e013c4b85e59495ed89ae0f8d90ef8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
1994年,列夫席茲從格涅辛音樂院畢業,他在畢業音樂會上彈奏巴赫的《郭德堡變奏曲》,日本Denon哥倫比亞唱片公司聽到當時17歲的列夫席茲彈奏巴赫的情感詮釋相當纖細,大為驚艷,立即將這份演奏灌錄成唱片,在1996年發行,即入圍當年的葛萊美獎,《紐約時報》的樂評羅斯史坦讚揚列夫席茲的演奏:「這是繼顧爾德之後,最具影響力的《郭德堡變奏曲》鋼琴詮釋。」
\n\n\n\n
演出曲目
\n\n2月15日場次
\n\n巴赫:郭德堡變奏曲,BWV 988
\n\n\n\n
2月17日場次
\n\n巴赫:二聲部與三聲部創意曲,BWV 772-801
\n\n巴赫:b小調法國序曲,BWV 831
\n\n巴赫:F大調義大利協奏曲,BWV 971
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|列夫席茲
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a21b178db6f5d0b3bc8d33401a663c88",title:"《列夫席茲 巴赫鋼琴馬拉松》"}],related:[],title:"Konstantin Lifschitz * Bach Marathon",cover:"78e013c4b85e59495ed89ae0f8d90ef8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Konstantin Lifschitz has established a worldwide reputation for performing extraordinary feats of endurance with honesty and persuasive beauty. He is giving recitals and playing concertos in the world's leading concert halls and orchestras, besides being an active recording artist. His performance was praised as "the most magical moment" and "deeply satisfying" by The Independent, and "naturally expressive and gripping" by the New York Times.
\nBorn in Kharkov, Ukraine in 1976, at the age of five, Konstantin Lifschitz was enrolled in the Gnessin Special School of Music in Moscow as a student of Tatiana Zelikman. After graduating he continued his studies in Russia, England and Italy where his teachers included Alfred Brendel, Leon Fleisher, Theodor Gutmann, Hamish Milne, Charles Rosen, Karl-Ulrich Schnabel, Vladimir Tropp, Fou T'song and Rosalyn Tureck.
\n\n
Program
\n\n2/15(Wed)
\n\nJ. S. Bach: Goldberg Variations, BWV 988
\n\n\n\n
2/17(Fri)
\n\nJ. S. Bach: Inventions and Sinfonias, BWV 772-801
\n\nJ. S. Bach: French Overture in b minor, BWV 831
\n\nJ. S. Bach: Italian Concerto in F Major, BWV 971
\n\n\n\n
Creative and Production Team
\n\nPiano|Konstantin Lifschitz
\n\n\n\n
\n',team:""},createdAt:1672113226,updatedAt:1672830428,updatedBy:"林蔚行",host:!1},{_id:"63aa9479f740d300072b8c28",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1677481200,discrete:[{time:1677481200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,700,1e3],link:"https://www.opentix.life/event/1583305059934945282"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7823ea739b957f1ca38c48fffdb60321",title:"《遷徙》2023林志謙單簧管獨奏會"}],related:[],title:"《遷徙》2023林志謙單簧管獨奏會",cover:"01f57277548f6c26ae8e6bca88a5acb3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
遷徙一詞代表著一個人的整體移動,不管是物理上的位移或是心理上的轉移,有些出自被迫、無奈,有些帶著的是希望,本場音樂會發想於米堯因納粹追捕的遷徙,連結幾位曾經飄蕩各地的作曲家,因戰爭、政治、感情等因素而四處遷居。
\n\n\n\n
演出曲目
\n\n米堯:單簧管小奏鳴曲
\n\n侯志正:海之旅程
\n\n巴克斯:單簧管奏鳴曲
\n\n薩洛夫斯基:單簧管小奏鳴曲
\n\n齊爾品:單樂章奏鳴曲
\n\n普羅高菲夫:單簧管奏鳴曲,作品94
\n\n\n\n
演出暨製作團隊
\n\n單簧管|林志謙
\n\n鋼琴|吳明靜
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7823ea739b957f1ca38c48fffdb60321",title:"《遷徙》2023林志謙單簧管獨奏會"}],related:[],title:"2023 Chih-Chien Lin Clarinet Recital",cover:"01f57277548f6c26ae8e6bca88a5acb3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Migration can be defined as physical and mental moving of individuals. Some people are forced to leave, while others look forward to moving to a better place. This concert is based on the migration of Darius Milhaud, who were force to leave his hometown due to pursuit of Nazi, and connecting with composers who migrate because of wars, political issues and romances.
\n\n\n\n
Program
\n\nDarius Milhaud: Sonatina for Clarinet and Piano
\n\nChih-Cheng Hou: Journey to the Sea for Solo Clarinet in Bb
\n\nArnold Bax: Sonata for Clarinet and Piano
\n\nAntoni Szalowski: Sonatina for Clarinet and Piano
\n\nAlexander Tcherepnin: Sonata in one movement
\n\nSergei Prokofiev: Sonata for Clarinet and Piano, Op. 94
\n\n\n\n
Creative and Production Team
\n\nClarinet|LIN Chih-Chien
\n\nPiano|WU Ming-Ching
\n\n\n\n
\n',team:""},createdAt:1672123513,updatedAt:1672213190,updatedBy:"林蔚行",host:!1},{_id:"63b5217fbc2ba9000724308b",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1676028600,discrete:[{time:1676028600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,1e3],link:"https://www.opentix.life/event/1605815731402055681"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7d1b72b98bf32d601d93cb209c5e4f39",title:"《女人香-潘宛怡大提琴獨奏會》"}],related:[],title:"《女人香-潘宛怡大提琴獨奏會》",cover:"01f8d9edd8f7c7ba4fe386533df05c6b",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
旅美大提琴家潘宛怡博士及馬其頓鋼琴家伊林卡,欲喚醒對於歷代中西方女性作曲家的重視,用最真誠的心意來詮釋她們的作品。
\n\n\n\n
演出曲目
\n\n芬妮•孟德爾松•亨塞爾
\n-鋼琴和大提琴的g小調的幻想曲
\n-鋼琴和大提琴的綺想曲
\n\n
梅爾•波尼斯
\n-冥想曲
\n-小夜曲
\n\n
謝世嫺
\n-重生(2020)
\n\n
麗貝卡•克拉克
\n-大提琴奏鳴曲(1919)
\nI. 熱烈的
\nII. 極快板
\nIII. 慢板-快板
\n\n
露易斯•阿道夫•勒博
\n-給大提琴和鋼琴的浪漫曲,作品。 24/1
\n-給大提琴和鋼琴的嘉和舞曲,作品。 24/2
\n-給大提琴和鋼琴的搖籃曲,作品。 24/3
\n-給大提琴和鋼琴的馬祖卡,作品。 24/4
\n\n
演出暨製作團隊
\n\n大提琴|潘宛怡
\n\n鋼琴|伊林卡.瑪儂瓦
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7d1b72b98bf32d601d93cb209c5e4f39",title:"《女人香-潘宛怡大提琴獨奏會》"}],related:[],title:"The Essence of Women Composers",cover:"01f8d9edd8f7c7ba4fe386533df05c6b",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Cellist Pan Wan-Yi and pianist Ilinka Manova share their appreciation and admiration of women composers throughout classical music history.
\n\n\n\n
Program
\nFanny Mendelssohn Hensel (1805-1847)
\n-Fantasie in g minor for Piano and Cello
\n-Capriccio in A flat Major for Piano and Cello
\nMelanie Bonis (1858-1937)
\n-Meditation
\n-Serenade
\nSherry Shieh
\n-Reborn(2020)
\n\n
Rebecca Clarke (1886-1979)
\n-Sonata for Cello and Piano (1919)
\nI. Impetuoso
\nII. Vivace
\nIII. Adagio – Allegro
\n\n
Luise Adolpha Le Beau (1850-1927)
\n-Romance for Cello and Piano, Op. 24/1
\n-Gavotte for Cello and Piano, Op. 24/2
\n-Wiegenlied for Cello and Piano, Op. 24/3
\n-Mazurka for Cello and Piano, Op. 24/4
\n\n
Creative and Production Team
\n\nVioloncello|PAN Wan-Yi
\n\nPiano|Ilinka Manova
\n\n\n\n
\n',team:""},createdAt:1672814975,updatedAt:1672912476,updatedBy:"林蔚行",host:!1},{_id:"63b524d672bcdc0007d08ed6",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1677238200,discrete:[{time:1677238200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://www.opentix.life/event/1606190375293247496"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"16d85f39f3990ccd0be38fb605e8c765",title:"《蕭邦之後》2023陳宜蓁鋼琴獨奏會"}],related:[],title:"《蕭邦之後》2023陳宜蓁鋼琴獨奏會",cover:"f5e74abb282bc2891b8f286a90f489b6",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\n
國內知名鋼琴家陳宜蓁在睽違五年後,將重回鋼琴獨奏會的舞台,帶領觀眾體會代表鋼琴純粹之美的蕭邦之後,鋼琴所能表現的無限可能。以改編自法朗克管風琴曲的莊嚴肅穆、蕭邦原創為鋼琴與管弦樂團的華麗大波蘭舞曲、由鋼琴家布梭尼改編自巴哈小提琴獨奏曲而超越原作的恢宏格局、以及融合繪畫想像力的展覽會之畫等四首樂曲,來呈現鋼琴多變的聲響與表現力。
\n\n\n\n
演出曲目
\n\n法朗克:前奏、賦格與變奏 Op. 18
\n\n蕭邦:平靜的行板與華麗大波蘭舞曲 Op. 22
\n\n巴哈/布梭尼:夏康舞曲
\n\n穆索斯基:展覽會之畫
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|陳宜蓁
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"16d85f39f3990ccd0be38fb605e8c765",title:"《蕭邦之後》2023陳宜蓁鋼琴獨奏會"}],related:[],title:"2023 I-Chen Chen Piano Recital",cover:"f5e74abb282bc2891b8f286a90f489b6",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\n
A piano recital with demonstrating unlimited sound and style of piano music, presents a program of piano arrangements and visual inspirations. The program includes Cesar Franck's organ transcription, Chopin's Polonaise, originally written for piano and orchestra, Busoni's massive arrangement of Bach's Chaconne for solo violin, and the colorful and inspirational masterwork of "Pictures at an Exhibition" by Mussorgsky.
\n\n\n\n
Program
\n\nCesar Franck: Prelude, Figue, and Variation, Op. 18
\n\nChopin: Andante Spianato and Grande Polonaise Brillante Op. 22
\n\nBach/Busoni: Chaconne in D minor
\n\nMussorgsky: Pictures at an Exhibition
\n\n\n\n
Creative and Production Team
\n\nPiano|I-Chen CHEN
\n\n\n\n
\n',team:""},createdAt:1672815830,updatedAt:1672912557,updatedBy:"林蔚行",host:!1},{_id:"63b53458bc2ba90007243428",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1676372400,discrete:[{time:1676372400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=P01MFO5M"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a77ad7fa0245e842b1dc7622f3aa9c40",title:"《2023高雄市青少年交響樂團年度音樂會/新興高中國中團》"}],related:[],title:"《2023高雄市青少年交響樂團年度音樂會/新興高中國中團》",cover:"794d7a7512aed15918264d1953251857",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
本團40年來以培育團員成為代表高雄市青少年階段,最傑出的管絃樂團為努力目標,鑑於樂團是本市音樂人才培養的搖籃,透過訓練提昇團員的演奏水準,對於青少年學生有深遠的教育價值 ; 因此除了對團員施以嚴格的訓練外,並多方邀請國內外著名的指揮及管、絃樂專業人士指導團員之演奏,每年也邀請國內優秀的獨奏家與樂團合作演出,以提昇團員之音樂能力,增廣其識見。
\n\n\n\n
演出曲目
\n\n布里奇|弦樂組曲作品93,第二樂章
\n\n巴爾托克|弦樂嬉遊曲,第三樂章
\n\n貝多芬|艾格蒙序曲 作品84
\n\n貝多芬|給小提琴、大提琴及鋼琴之三重協奏曲 第一樂章
\n\n楊博雄|第一號交響曲《寶島台灣頌》,第四樂章大合唱
\n\n\n\n
演出暨製作團隊
\n\n國中部指揮|黃錦蘭
\n樂團|新興高中國中部全體音樂班學生
\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a77ad7fa0245e842b1dc7622f3aa9c40",title:"《2023高雄市青少年交響樂團年度音樂會/新興高中國中團》"}],related:[],title:"2023 Concert of Kaohsiung Youth Symphony Orchestra",cover:"794d7a7512aed15918264d1953251857",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
The group has become the goal of the most outstanding team in the youth stage of Kaohsiung City. In view of the fact that the orchestra is the cradle of music talent training in this city, it is of great educational value for young students to improve the performance level of the members through training. Therefore, in addition to the strict training of the members, many invited domestic and foreign famous conductors and management, and professional leaders to guide the performance of the members, each year also invited domestic outstanding soloists and orchestras to perform together to enhance the music ability of the members , augmented his knowledge.
\n\n\n\n
Program
\n\nF. Bridge Suite for String Orchestra, H. 93, II. Intermezzo
\n\nB. Bartok Divertimento for String Orchestra, 3rd Mov. Allegro assai
\n\nMendelssohn Violin Concerto e minor OP.64 - 1st mov. Allegro molto appassionato
\n\nDvořák Cello Concerto in B minor, Op. 104, B 191 1st mov. Allegro
\n\nBeethoven "Egmont" Overture, Op. 84
\n\nBeethoven Concerto for Violin, Cello, and Piano in C major "Triple Concerto"1st mov. Allegro
\n\n\n\n
Creative and Production Team
\n\nTeam|
\nHeadmaster Chen Principal/General Counselor Zhang Hong
Performer|
\nJunnior High school conductor Chan Wang/Junnior High school music class students
\n\n
\n',team:""},createdAt:1672819800,updatedAt:1673854558,updatedBy:"林蔚行",host:!1},{_id:"63b53da972bcdc0007d0936f",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1677238200,discrete:[{time:1677238200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[1500,1800,2e3,2200,2400,2600,2700,3e3,3300,3600,3900],link:"https://ticket.mna.com.tw/UTK0201_?PRODUCT_ID=P01J1V6N"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6ff2dcff5c9997a0812c108a4005ff88",title:"《小號天王 克里斯.伯堤》"}],related:[],title:"《小號天王 克里斯.伯堤》",cover:"3f42e612f4255a563001aa53aefa844f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
小號天王Chris Botti終於回應亞洲樂迷們的呼喚
\n\n美國獨一無二的王牌小號演奏家Chris Botti,跨足流行、古典、爵士,三者合而為一!他是巨星法蘭克辛納屈、馬友友、波伽利、史汀、保羅賽門等合作首選,葛萊美獎得主、告示牌爵士榜冠軍常客,自95年出道以來,締造無數驚人紀錄!
\n
如果你還沒體驗過Chris Botti 的現場魅力,只能先聽聽其他樂迷們的描述:「他的感染力是立即的,演出後的情景是滿座陶醉的觀眾,一面被震懾一面享受著,那種直通靈魂的舒暢。」
\n
2023/2/22-2/27 Chris Botti將走訪4個城市,臺北、臺中、臺南、高雄,他們將挑逗大家躁動的靈魂,引領我們到爵士的世界裡盡情解放!邀您步入微醺樂音的夜晚!
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演出暨製作團隊
\n\n小號|克里斯.伯堤
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★樂團
\n\n鼓|李.皮爾森
\n\n鍵盤|霍爾格·貝里蘭德
\n\n吉他|班・巴特勒
\n\n貝斯|瑞吉.漢密爾頓
\n\n薩克斯風|查德・萊夫科維茨-布朗
\n\n歌手|塞.史密斯
\n\n歌手|約翰・史貝里霍夫
\n\n※主辦單位保留樂手名單更動權
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主辦:MNA牛耳藝術
\n\n獨家贊助:BMW總代理 汎德
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6ff2dcff5c9997a0812c108a4005ff88",title:"《小號天王 克里斯.伯堤》"}],related:[],title:"BMW Concert - An Evening with Chris Botti",cover:"3f42e612f4255a563001aa53aefa844f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Chris Botti has possessed a profound foundation in classical music and superb impromptu jazz skills, the music is affectionate and slightly melancholy.
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His success has crossed over to audiences usually reserved for pop music and his ongoing association with PBS has led to four #1 jazz albums, as well as multiple Gold, Platinum and Grammy Awards, established a reputation as a versatile musician in both jazz and pop music for his ability to fuse both styles together, and innovativefigures of the contemporary music world.
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On Feb. 22-27, Chris Botti will visit 4 cities, including Taipei, Taichung, Tainan, and Kaohsiung in Taiwan. Chris Botti and the band are going to tease everyone's restless soul and lead the audience into the world of jazz! Welcome to join us in the evening of jazz music on Feb.24 in Weiwuying!
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Creative and Production Team
\n\nTrumpet|Chris Botti
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★Band
\n\nDrum|Lee Pearson
\n\nPiano|Holger Marjamaa
\n\nGuitar|Ben Butler
\n\nBass|Reggie Hamilton
\n\nSaxophone|Chad Lefkowitz-Brown
\n\nVocal|Sy Smith
\n\nVocal|John Splithoff
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\n',team:""},createdAt:1672822185,updatedAt:1676623984,updatedBy:"林蔚行",host:!1},{_id:"63b6885072bcdc0007d18bf5",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1676547e3,discrete:[{time:1676547e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1607996428446810117"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"49f4e04b808503cda5de2bff40072b28",title:"《鐵塔的暮色與藍調-子午線二重奏五週年巡演》"}],related:[],title:"《鐵塔的暮色與藍調-子午線二重奏五週年巡演》",cover:"cf5763d7dd8e09b9afe16c73f10d8029",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
★ 「當他們的二重奏完美地交織在一起,時而溫柔、時而熱情、時而興奮,那是一種難以言喻的愉悅!」── 法國 La Dépêche du midi 報紙
\n\n★ 「子午線二重奏會讓人一直期待接下來的每一個音!」── 丹奈爾弦樂四重奏小提琴家 Marc Danel
\n\n★ 2018年義大利 Luigi Zanuccoli 國際室內樂比賽首獎
\n\n★ 2018年義大利 Luigi Nono 國際室內樂比賽評審特別獎
\n\n★ 2018年法國 FNAPEC 國際室內樂比賽首獎
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此次演出為子午線二重奏於法國創團第五年,所以將全場法國的經典以室內樂方式呈現給觀眾;在亞洲往往大家把鋼琴當作純粹的伴奏,但在二重奏的世界中,這完全是錯誤的,觀眾能夠從他們的演奏中體會到,即便是兩人,室內樂是真正讓兩個樂器平等的在音樂中對話。大家對法國的印象,不外乎巴黎鐵塔、凡爾賽宮、塞納河等,但法國音樂裡面的內容,只是浪漫?或是還有那種19世紀末20世紀初,新時代作品風潮展現及法國特有的韻味及氣息?是即興與及時行樂?還是情歌與喃喃自語?這些,或許大家能在音樂裡面細細的品嚐,如同米其林餐廳一樣,每一口都有故事。
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演出曲目
\n\n德布西:G大調小提琴與鋼琴奏鳴曲
\n\n聖桑:D小調第一號小提琴與鋼琴奏鳴曲,作品75
\n\n蕭頌:詩曲,作品25
\n\n拉威爾:G大調第二號小提琴與鋼琴奏鳴曲
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演出暨製作團隊
\n\n子午線二重奏
\n\n小提琴家|張善昕
\n\n鋼琴家|西本佳奈美
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"49f4e04b808503cda5de2bff40072b28",title:"《鐵塔的暮色與藍調-子午線二重奏五週年巡演》"}],related:[],title:"Blues de Paris par Duo Hsinka",cover:"cf5763d7dd8e09b9afe16c73f10d8029",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Duo Hsinka was founded in 2018 by Taiwanese violinist Shan-Hsin Chang and Japanese pianist Kanami Nishimoto when they were still students at Conservatoire National Supérieur de Musique et de Danse de Lyon, they celebrate their 5th anniversary in Taiwan. Let's enjoy the Blue Hour of Paris in Weiwuying!
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Program
\n\nClaude Debussy: Sonate pour violon et piano en Sol-majeur, L. 140
\n\nCamille Saint-saëns: Sonate No. 1 pour violon et piano en Ré-mineur, op. 75
\n\nErnest Chausson: Poème, op. 25
\n\nMaurice Ravel: Sonate No. 2 pour violon et piano en Sol-majeur
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Creative and Production Team
\n\nDuo Hsinka
\n\nViolin|CHANG Shan-Hsin (Vladimir)
\n\nPiano|NISHIMOTO Kanami
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\n',team:""},createdAt:1672906832,updatedAt:1673059611,updatedBy:"林蔚行",host:!1},{_id:"63b7b89e72bcdc0007d27db6",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1677911400,discrete:[{time:1677911400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3,1200,1400,1600,1800],link:"https://www.opentix.life/event/1574228565206343683"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4c03c1dec9f3a9a97f2042c70cded092",title:"《久石讓的燦爛樂章》 交響音樂會"}],related:[],title:"《久石讓的燦爛樂章》 交響音樂會",cover:"c6968d06af39bacdffb5a94c982526c7",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
有著「東方電影配樂大師」美譽的久石讓先生,透過筆下揮灑的音樂魔法,總能讓觀眾感受到不同張力的聲音美學。此次,狂美精選多部其歷年創作之最,透過大型樂團的磅礡演繹、愛樂電台資深主持人-邢子青深度導聆,以及各場次專業演奏嘉賓的精采詮釋,盼與樂迷在音樂廳來場輝煌燦爛的音樂共振。
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演出曲目
\n\n任沛晨 編曲:《太王四神記》交響組曲
\n\n小島里美 編曲:送行者~禮儀師的樂章
\n\n遠藤幸夫 編曲:動畫《神隱少女》精選
\n\n西條太貴 編曲:《Summer》鋼琴協奏曲 選自《菊次郎的夏天》
\n\n西條太貴 編曲:《阿席達卡與小桑》鋼琴協奏曲 選自《魔法公主》
\n\n三浦秀秋 編曲:《人生的選轉木馬》爵士改編版
\n\n鄉間幹男 編曲:《生命的記憶》選自《輝耀姬物語》
\n\n任沛晨 編曲:《逝去的往日》選自《紅豬》
\n\n龜井光太郎 編曲:交響故事《龍貓》管樂篇
\n\n金山徹 編曲:《崖上的波妞》搖滾改編版
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演出暨製作團隊
\n\n說書人、製作人|劉可婕(狂美交響管樂團 總監)
\n\n監製、指揮|謝韋民(狂美交響管樂團 團長)
\n\n節目導聆|邢子青(愛樂電台 資深主持人)
\n\n演出嘉賓|沈妤霖
\n\n視覺設計|呂純婷
\n\n樂團|狂美交響管樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4c03c1dec9f3a9a97f2042c70cded092",title:"《久石讓的燦爛樂章》 交響音樂會"}],related:[],title:"Symphonic Concert: Score Selections from Joe Hisaishi",cover:"c6968d06af39bacdffb5a94c982526c7",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Mr. Joe Hisaishi, who has the reputation of the "Oriental Film Score Master, always makes the audience feel the sound of different tension through the magic of music swayed under his pen. This time, Con Bello Symphony Band has selected a number of his best creations over the years. Though the majestic performance of large-scale orchestra, the in-depth guided listening of Hsing Tzu-ching, the senior host of PRT, and the brilliant interpretation of professional performers in various sessions. Looking forward to have a brilliant and glorious music resonance with our fans in the concert hall.
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Program
\n\nJen, Pei-Chen Arranged: The Great King Four God Story
\n\nSatomi Kojima Arranged: Depratures
\n\nYukio Endou Arranged: Highlights from “Spirited Away”
\n\nTaiki Saijo Arranged: Summer -Piano Solo Feature-
\n\nTaiki Saijo Arranged: Ashitaka and San -Piano Solo Feature-
\n\nHideaki Miura Arranged:Merry Go Round of Life -Jazz Ver.-
\n\nGohma Miki Arranged: When I Remember This Life
\n\nJen, Pei-Chen Arranged: The Bygone Days
\n\nKamei Kotaro Arranged: Orchestra Story -
\n\nTohru Kanayama Arranged: Ponyo on the Cliff by the Sea -Brass Rock Ver.-
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Creative and Production Team
\n\nProducer|LIU Ke-chieh
\n\nDirector, Conductor|HSIEH Wei-min
\n\nGuide|HSING Tzu-ching
\n\nGuest|SHEN-Yu-lin
\n\nGraphic Designer|LU Chun-ting
\n\nPerformer|Con Bello Symphonic Band
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\n',team:""},createdAt:1672984734,updatedAt:1673337614,updatedBy:"林蔚行",host:!1},{_id:"63b7ebb072bcdc0007d28615",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1677997800,discrete:[{time:1677997800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1605091714030379010"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3044565dbd86eb43d048b3cdfd23b64f",title:"《2023徐文妙、張有慶小提琴聯合演奏會》"}],related:[],title:"《2023徐文妙、張有慶小提琴聯合演奏會》",cover:"be33d49caa230fc99fd68f41fab46db3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
徐文妙與張有慶皆為醫療工作者,忙碌的身份並沒有澆熄他們對於音樂的熱情與對小提琴的熱愛,反而促使他們成為更優秀的小提琴家,經常擔任樂團首席及獨奏家並參與各類型演出。
\n今年,小提琴家徐文妙與鋼琴家何琇嫺將帶來艾內斯科《第二號f小調小提琴奏鳴曲,作品6》及易沙意《第一號g小調無伴奏小提琴奏鳴曲,作品27》;小提琴家張有慶與鋼琴家潘祖欣將帶來泰勒曼《第七號幻想曲,作品40:20》及貝多芬《第三號降E大調小提琴奏鳴曲,作品12》,四位音樂家期盼透過絕美的音色與技巧,在後疫情時代帶領觀眾進入音樂的療癒世界。
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演出曲目
\n\n泰勒曼:第七號幻想曲,作品40:20
\n\n艾內斯科:第二號f小調小提琴奏鳴曲,作品6《獻給提博》
\n\n易沙意:第一號g小調無伴奏小提琴奏鳴曲,作品27《獻給西格提》
\n\n貝多芬:第三號降E大調小提琴奏鳴曲,作品12
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演出暨製作團隊
\n\n小提琴|徐文妙、張有慶
\n\n鋼琴|何琇嫺、潘祖欣
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3044565dbd86eb43d048b3cdfd23b64f",title:"《2023徐文妙、張有慶小提琴聯合演奏會》"}],related:[],title:"Wen-Miao and Yu-Ching Violin Recital",cover:"be33d49caa230fc99fd68f41fab46db3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Violinists Hsu Wen-Miao and CHANG Yu-Ching are medical professionals, and their busy schedules in the medical occupation have not devitalized their passion for music and their love of the violin, but have made them even more definite violinists, often serving as orchestra principals and soloists and performing in various venues.This year, violinist HSU Wen-Miao and pianist HO Hsiu-Hsien will present Violin Sonata No.2 in f minor by George Enescu, Op.6 and Violin Sonata No.1 in g minor, Op.27 by Eugène Ysaÿe; violinist CHANG Yu-Ching and pianist PAN Tsu-Hsin will present Fantasia No. 7, Op. 40:20 by Georg Philipp Telemann and Violin Sonata No. 3 in E-flat Major, Op. 12 by Beethoven. The four musicians hope to bring the audience into the healing world of music in the post-epidemic era through their tranquil tones and striking techniques.
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Program
\n\nGeorg Philipp Telemann: Fantasia No.7, TWV 40:20
\n\nGeorge Enescu: Violin Sonata No.2 in f minor, Op.6《à Joseph et à Jacques Thibaud》(1899)
\n\nEugène Ysaÿe: Solo Violin Sonata No.1 in g minor, Op.27《A Joseph Szigeti》
\n\nLudwig van Beethoven: Violin Sonata No.3 in E-Flat Major, Op.12
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Creative and Production Team
\n\nViolin|HSU Wen-Miao、CHANG Yu-Ching
\n\nPiano|HO Hsiu-Hsien、 PAN Tsu-hsin
\n\n\n\n
\n',team:""},createdAt:1672997808,updatedAt:1674033662,updatedBy:"林蔚行",host:!1},{_id:"63b94dad72bcdc0007d3d0a1",catalogs:["5aec45edb01ea6000520f655","6007fc45ba34870007c22b8b"],dateTime:{first:1677909600,discrete:[{time:1677909600}],type:"discrete"},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free Admission"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b484ae8e991e66b6885ff3abd1324be4",title:"【武營來開槓】打卡新勝地!世界管風琴之旅"}],related:[{from:"programs",key:"63bcd7db72bcdc0007d5bf17",title:"2023【探索管風琴音樂】2-6月"},{from:"programs",key:"63c502121a2c980007a35c97",title:"【創意學習工作坊】玩樂管風琴(青壯年/後青春班)"}],title:"【武營來開槓】打卡新勝地!世界管風琴之旅",cover:"5608c78fedd2ab8bc7d9fc393ea5f66f",site:{isOther:!1,site:"5b1029cdda0322000751e9ad",other:""},cautions:'
2023年,世界恢復常態之際,您已經在準備下次的旅程了嗎?面對千篇一律的知名地標、米其林餐廳跟風景名勝外,還有什麼耳目一新的景點,讓人一看就驚豔呢?
\n\n樂器之王「管風琴」的英姿,正是社群軟體的打卡新勝地!
\n\n從德國科隆大教堂、法國巴黎聖母院到日本三得利音樂廳,還有「亞洲最大管風琴」的衛武營音樂廳,這些知名景點的琴不但讓人看得精采,聽起來更是過癮!在實際到訪之前,由管風琴家劉信宏為大家指路,讓您看熱鬧也看門道,感受世界知名管風琴的迷人魅力!
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★ 誰來開槓:
\n\n管風琴家|劉信宏、古典樂網站「MUZIK Air」副總編輯|連士堯
\n\n活動時間:2023/03/04 (六)14:00
\n\n參加對象:歡迎喜愛藝術活動的朋友,一起來開槓!
\n\n報名方式:報名參加,免費入場(限量100名,額滿為止)。
\n\n(線上報名至2023/03/02 (四)23:59止,講座優先保留席次予線上報名者;現場將視狀況開放現場報名觀眾進場。)
\n\n報名網址: 報名請點我
\n\n活動地點:衛武營國家藝術文化中心3F演講廳
\n\n※全程參與者可享2023衛武營管風琴音樂節單檔演出節目8折購票優惠。
\n\n\n\n
管風琴家|劉信宏
\n\n美國華盛頓大學音樂博士,911美國衛理公會西北部教區紀念禮拜之首席管風琴家,2002年加拿大國際卡加利管風琴大賽與Triumphant Foundation評論他為當今最優秀之管風琴家之一。返臺至今除多次應邀於音樂會外,他也協助奇美博物館整理臺灣最早的管風琴,建構臺灣最大的教堂管風琴(臺北大稻埕教會),與近期國家音樂廳的管風琴整修,協助完成屏東演藝廳與高雄衛武營的管風琴。
\n曾任行政院公共建設審查委員會委員、臺北國家音樂廳親子音樂會管風琴顧問、屏東演藝廳管風琴委員、高雄衛武營國家藝術文化中心籌備處管風琴委員會委員/召集人。他現為台南神學院教會音樂系所專任副教授暨兼任教國立臺北藝術大學、美國管風琴家協會會員與臺灣協會理事。
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連士堯|古典樂網站「MUZIK Air」副總編輯
\n\n高中因在管樂社演奏低音管並擔任學生指揮,與古典樂結下不解之緣,2009年進入《MUZIK》團隊擔任編輯,認為自己能夠將興趣與專業結合是極為幸運的一件事,期間訪問過國內外知名音樂名家,如小澤征爾、路易西、殷巴爾、張莎拉、夏漢、王羽佳、陳銳等。2020年與樂刊同步數位轉型為古典樂網站「MUZIK AIR」副總編輯,並且於「MUZIK閱聽古典樂」YouTube頻道主持「早餐會報」節目,以及錄製Podcast「節氣古典樂」單元,希望帶領大家發現古典音樂在生活中不可或缺的一面。
\n\n\n\n關於武營來開槓
\n\n藝術,是由生活經驗所累積。
\n\n《武營來開槓》透過邀請知名藝術家,無論音樂、戲劇、電影等,分享對藝術的所思所見,剖析藝術用什麼傳達方式,與觀眾產生共鳴?
\n\n創作皆是從生活小事延伸而成,就像對生活的日積月累、夢境的天馬行空、興趣的不斷鑽研,挖掘靈感,創造有生活記憶的故事!或許大家可以想想,你生活中的哪些小事,也是藝術表現的一部份呢?
\n\n《武營來開槓》一場與藝術零距離的交流,為你的日常生活創造驚喜!
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演出節目資訊
\n\n► 2023/03/22 ~ 2023/03/26
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b484ae8e991e66b6885ff3abd1324be4",title:"【武營來開槓】打卡新勝地!世界管風琴之旅"}],related:[],title:"【Arts Talk】Check in! Follow Organist on a Trip",cover:"5608c78fedd2ab8bc7d9fc393ea5f66f",site:{isOther:!1,site:"5b1029cdda0322000751e9ad",other:""},cautions:'As the world returns to normal in 2023, are you ready for your next trip? In addition to the usual popular landmarks, Michelin restaurants, and scenic spots, what other unique and impressive sights can you discover?The king of musical instruments, the “Pipe Organ”, is the latest check-in hotspot on social media!
\n\n\n\n
The pipe organs in well-known locations such as the Cologne Cathedral, Notre-Dame, Suntory Hall, and the largest pipe organ in Asia at the National Kaohsiung Center for the Arts (Weiwuying) offer both a visual and musical experience. Organist Hsin-Hung Liu will guide visitors and provide insight into the techniques behind the world's famous pipe organs, allowing for a captivating experience.
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※The event will be conducted in Mandarin.
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Facilitators
\n\nPipe Organist|Hsin-Hung LIU
\n\nDr. LIU Hsin-Hung holds a Doctor of Musical Arts degree from the University of Washington and is currently a professor at Tainan Theological College and Seminary and an adjunct professor at Taipei National University of the Arts and Tainan University of Technology. He was a visiting scholar at the University of British Columbia and Vancouver School of Theology in 2015 and 2016. LIU is a member of the American Guild of Organists (AGO) and serves as the chair of the AGO's Taiwan Chapter.
\n\nHe has served as a member of the Public Construction Commission, Executive Yuan's Infrastructure Review Committee, a consultant for the Organ for Families Concert at the National Concert Hall, and the convener for the Weiwuying Preparation Office's organ committee.
\n\n
\nDr. LIU has made significant contributions to the organ scene in Taiwan, including the overhaul of the organs at the Chimei Museum in Tainan and the National Concert Hall, as well as the construction of Taiwan's largest church organ in Presbyterian Church of Taiwan Datong Church, the Pingtung Performing Arts Center, and the world-renowned Weiwuying Concert Hall, which has the largest and most advanced organ in Asia.
\n
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\n\n
Eric LIEN|MUZIK Air, Deputy Chief Editor & Senior Managing Editor
\n\nEric Lien started his love and passion about classical music since he joined the high school wind ensemble, in which he played the bassoon and conducted the concerts. In 2009, Eric joined classical music media "MUZIK" and now served as Deputy Chief Editor of "MUZIK Air" website, also hosting "Morning Report" series on MUZIK YouTube channel, and co-hosting Podcast series "Listening Classical Music with Solar Terms."
\n\n\n\nAbout ARTS TALK
\n\nArt is a summary of life experiences.
\n\nArts Talk is a project which gathers together renowned artists from different fields such as music, theater or movie domains for sharing their thought about art with the public, telling us how art can communicate and resonate with its audience.
\nCreative work is like an extension of every incident in one's life. The accumulation of your everyday experience, the moments when your imagination runs wild, and your persistent cultivation of hobbies can all be the sources of your inspiration, enabling you to write stories that recount your memories of life.
\nSo why not do some brainstorming to see which part of your life, no matter how trivial it is, can be turned into a work of art?
Arts Talk gives you an opportunity to interact directly with art and brings wonderful surprises into your life!
\n\n\n\n
Programs Information
\n\n► 2023/03/22 ~ 2023/03/26
\n\n\n',team:""},createdAt:1673088429,updatedAt:1700211426,updatedBy:"黃薏靜",host:!0},{_id:"63bb882b72bcdc0007d58c30",catalogs:["600a39e9a6b9ff0007b87823"],dateTime:{first:1676084400,discrete:[{time:1676084400},{time:1676095200}],type:"discrete"},activity:{type:"signup",signup:{limit:1,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"60fe5be0df7d600008b2fe81",text:"家長姓名 Full Name of Parent",english:"家長姓名 Full Name of Parent"},{required:!0,key:"5c516a2062156f0006731aa4",text:"家長性別 Gender of Parent",english:"家長性別 Gender of Parent"},{required:!0,key:"5c516a3a62156f0006731aac",text:"聯絡手機號碼 Phone number",english:"聯絡手機號碼 Phone number"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"5e2921ce9083ca0006cf52b8",text:"小朋友姓名 Full Name of Attending Child",english:"小朋友姓名 Full Name of Attending Child"},{required:!0,key:"5e2921e52d46f400067fbe6a",text:"小朋友出生年月日(西元年/月/日) Birthday of Attending Child (Year/Month/Day/)",english:"小朋友出生年月日(西元年/月/日) Birthday of Attending Child (Year/Month/Day/)"},{required:!0,key:"5e292b8b9083ca0006cf534a",text:"身分證字號或護照號碼(申請退費時使用) ID Number",english:"身分證字號或護照號碼(申請退費時使用) ID Number"},{required:!1,key:"custom_text_1673235343394",text:"備註 Remarks ",english:""}],vip:{start:1673229600,end:1676044799},open:{start:1673229600,end:1676044799},description:'本活動全程75分鐘。
\n\t官網報名→繳交費用→檢視官網報名狀況→完成報名。
\n\t報名後請於衛武營官網報名系統繳費期限內繳交費用;逾期未繳者,系統將自動釋出名額。
\n\t退費機制:報名人須主動聯絡主辦單位申請退費(learning@npac-weiwuying.org),報名人須於活動前10天辦理申請,取消報名將酌收報名費10%的手續費,逾期恕不受理。
\n\t退費日期:統一於該次活動結束後隔月月底前,完成退費。
\n\t主辦單位保留本活動變更權利。
\n\t本活動全程75分鐘。
\n\t官網報名→繳交費用→檢視官網報名狀況→完成報名。
\n\t報名後請於衛武營官網報名系統繳費期限內繳交費用;逾期未繳者,系統將自動釋出名額。
\n\t退費機制:報名人須主動聯絡主辦單位申請退費(learning@npac-weiwuying.org),報名人須於活動前10天辦理申請,取消報名將酌收報名費10%的手續費,逾期恕不受理。
\n\t退費日期:統一於該次活動結束後隔月月底前,完成退費。
\n\t主辦單位保留本活動變更權利。
\n\t世上最為人知的兒歌,和最傑出的歌劇之一,都是由同一人手中所出?讓說書人、雙簧管演奏家和鋼琴家三人組合,帶孩子探索莫札特的魅力吧!先聆賞現場演出的12段《小星星變奏曲》,再來演出《魔笛》中公主出逃的名場面。讓孩子以視覺、聽覺、觸覺全開的方式認識樂器。一起體驗多元音樂的面貌吧!
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活動時間、活動地點
\n\n時間:2023/2/11/(六)11:00、14:00(約75分鐘)
\n\n地點:1192排練室
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報名對象與方式
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其他補充注意事項
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授課老師
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說書⼈|鄭⼜強
\n\n國立臺灣藝術⼤學戲劇學系畢。演員,師從相聲瓦舍黃⼠偉,《賦格兒童⾳樂》說書⼈,《聚劇團》負責⼈,台北青年管樂團戲劇專案編導,新⽵交響管樂團戲劇專案編劇,曾任兒童與青少年之戲劇及演說教師。曾編寫演出新⽵交響管樂團⾳樂劇《英雄集結》、2022嘉義夏⾄藝術節《⼩泰的奇幻冒險》,參演《⼩獅王歷險記》、《巨岩島》與炎亞倫沈浸式聽歌會《摩登原始⼈》。
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雙簧管演奏家|康琳
\n\n畢業於國立臺北藝術⼤學管絃與擊樂研究所。《賦格兒童⾳樂》演奏家,曾任台北愛樂管弦樂團團員、新逸交響樂團團員、獨奏家交響樂團、⾼雄市交響樂團協演⼈員及國立臺灣交響樂團職務代理⼈。曾獲台北青年管樂團協奏曲比賽三獎,與雅砌⾳樂合作出版《愛的⾳樂絮語》專輯,與台北市客家事務委員會合作錄製《⼭歌浪想》專輯。
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鋼琴家|黃友均
\n\n畢業於國立陽明交通⼤學⾳樂研究所。《賦格兒童⾳樂》駐團鋼琴家,歷年曾與樂團、舞團演出國 際⾳樂節與藝術交流活動,⾜跡包括美國紐約、猶他州、中國北京、天津、蘇州、⻄安、內蒙古、 泰國孔敬等。
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合作團隊
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賦格兒童音樂以「灌溉孩子與生賦予的音樂人格」為願景,提供國內首見的幼兒古典樂體驗式啟蒙教育,落實在「零距離真接觸」、「順性引導發展」、「深耕藝術素養」三大價值訴求,以灌溉孩子與生賦予的音樂人格,培養終身愛樂學習者作為理想。與專業演奏家與劇場說書人一齊,手把手帶孩子認識交響樂團樂器和古典樂。
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d9e4674cf9bb6609bc8ba631f15238b0",title:"【Family Day】MOZART's Magic Flute Under the Stars"}],related:[],title:"【Family Day】MOZART's Magic Flute Under the Stars",cover:"9c4965985840dc3dacc758e257ae058d",site:{isOther:!1,site:"5b1029cdda0322000751e9ad",other:""},cautions:'
Can you believe that one of the most widely sung children's songs and one of the world's most famous operas were written by the same composer? Let a storyteller, oboist, and pianist at Weiwuying show your kids the magic of MOZART. They'll hear a live performance on 12 Variations of "Ah vous dirai-je, Maman" (the forerunner of "Twinkle, Twinkle, Little Star") and then see the famous scene in The Magic Flute in which Pamina runs away. In this visual, audial, and tactile experience, kids will learn about instruments and many facets of music.
\n\n※The event will be conducted in Mandarin.
\n\n\n\n
Programs Information
\n\n►2023/02/11 ~ 2023/02/12 17:00 ~ 17:00
\n\nWeiwuying (Concert Hall, Recital Hall, Concert Hall 3F Lobby, Public Piano)
\n\n\n\n\n\n
About Family Day
\nWeiwuying invites you to come and take a theatrical cruise!
From exceptional architectural design to various courses, let us join hands, come together and explore the eclectic fun of Theatre arts. We will inspire and accompany the next generation to create greater potential!
\n',team:""},createdAt:1673234475,updatedAt:1675651802,updatedBy:"林蔚行",host:!0,hasSignup:!0},{_id:"63bcd7db72bcdc0007d5bf17",catalogs:["5aec4184b01ea6000520f633","5aec45edb01ea6000520f655","5fe2bffdde1961000737545c"],dateTime:{first:1677047400,discrete:[{time:1677047400},{time:1680071400},{time:1682490600},{time:1683700200},{time:1686724200}],type:"discrete"},activity:{type:"free",free:{description:"售票節目",englishDescription:"Tickets: $300"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"演出者介紹",content:'\n\t\t |
管風琴家|劉信宏
\n\n美國華盛頓大學音樂博士。現為台南神學院專任教授,兼任教於國立臺北藝術大學、臺南應用科技大學。2015-2016年間獲邀至加拿大英屬哥倫比亞大學、溫哥華神學院擔任訪問學者,現為美國管風琴家協會會員與臺灣管風琴家協會理事長。
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曾擔任行政院公共建設審查委員會委員、臺北國家音樂廳管風琴親子音樂會顧問與高雄衛武營國家藝術文化中心籌備處管風琴委員會召集人。協助修建臺南奇美博物館的管風琴、2015年國家音樂廳管風琴,並建構臺灣最大的大稻埕教會管風琴、屏東演藝廳管風琴,與目前亞洲最大、全世界最先進的「衛武營國家藝術文化中心 - 音樂廳管風琴」。
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主持人|陳俊佑
\n\n高雄師大數學教育碩士及文藻外語大學藝術創作碩士,藝文工作者,長期在劇場擔任編劇/導演/演員,編導創作作品累積約二十部,現為放克劇團藝術總監。另一個身分是樂團樂手,參與過國內諸多音樂祭演出,並曾帶領樂團拿過全國熱門音樂大賽總冠軍及最佳貝斯手個人獎項,目前致力於推廣藝文及戲劇/音樂創作。
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管風琴家|Sean Jackson (四月場客席管風琴家)
\n\n國際上出色的獨奏家和伴奏家,演出遍及英國、愛爾蘭、德國、臺灣、中國大陸、加拿大、美國及加勒比海。於倫敦皇家音樂學院學習取得學士學位後,進入茱莉亞音樂學院完成了碩士和博士學位。在學期間獲獎無數, 包括倫敦皇家音樂學院 Parratt、Walford Davies 和 Geoffrey Tankard 管風琴獎、Douglas Whittaker Chamber Music 獎;以及茱莉亞音樂學院 A.H. Kuhn 紀念獎學金、 1999 年 William Schumann 獎和 C.V. Starr 茱莉亞音樂學院博 士獎學金。2012 年起擔任斯坦威奇公理會教堂管風琴師及音樂總監。目前已錄製多張獨奏及合作專輯。
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小鼓手|陳揚 (四月場協演小鼓手)
\n\n定音鼓及打擊樂演奏家陳揚,於紐約大學取得音樂碩士,曾就讀於新加坡楊秀桃音樂學院,在新加坡及美國的六年期間皆獲得全額獎學金。師承定音鼓獨奏家Jonathan Haas,並曾師事Jim Saporito、Simon Boyar、Jonathan Fox 以及朱崇義。
\n陳揚專精於多種不同領域的音樂,是一位經驗極豐富的樂團打擊樂家,曾經擔任國立台灣交響樂團打擊樂職務代理人。他也擁有非常豐富的室內樂的演奏經驗,曾向So Percussion學習室內樂長達兩年,為現任的Cc打擊樂音樂總監,並參與大量樂團演出。
管風琴是世界上最古老的樂器之一,歷史可以追溯至西元前三世紀的古希臘。由於演奏效果莊嚴宏偉,與教堂迴聲搭配更顯氣勢,加上有多變的音色選擇,從中世紀開始,管風琴成為宗教音樂中相當重要的存在,也讓後世作曲家為管風琴創作大量作品。
\n\n隨著傳教士的腳步,管風琴走出歐洲,在全球的教堂內出現,像是在臺灣就有三十幾台位於教會內的管風琴。而在西方古典音樂成為主流演出的當代,建造音樂廳等表演場館時,管風琴亦成為標準配備,讓更多觀眾能夠有機會聽到此項雄偉樂器的壯觀聲響。
\n\n因此,衛武營在規劃時,就決定要在音樂廳內建置管風琴,委託德國波昂百年管風琴製造商克萊斯(Johannes Klais Orgelbau)量身打造,歷經三年多時間完成,共有9085支音管與127支音栓,為目前亞洲最大的音樂廳演奏用管風琴,也是目前全世界音樂廳內唯一可以同時邀請3位管風琴家登台演奏的音樂廳。與葡萄園式觀眾席融為一體的外觀設計,更是讓來訪的世界級管風琴家們驚艷不已!
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主辦單位保留本活動變更權利。
\n\t本活動之費用將列入衛武營會員卡消費點數累積。
\n\t衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n參與2023年定時導覽「廳院導覽」、主題導覽「廳院自由探索」至三樓服務中心臨櫃購買2023【探索管風琴音樂】演出,即享購票8折優惠(各項優惠折扣方案僅能擇一使用),不限購買張數。
\n\t衛武營卡友:9折
\n\t團票:8折(30人以上)
\n\t敬老票、身障及陪同:5折
\n\t更多優惠方案詳見售票頁面。
\n\t走進衛武營音樂廳,除了驚嘆葡萄園式觀眾席與極佳音響效果外,位於最頂層的管風琴,也是眾人矚目的焦點。若是您曾經好奇,這台亞洲最大的音樂廳管風琴,究竟能展現什麼樣的百變樣貌,「探索管風琴音樂」系列活動,將是得到解答的大好機會!
\n\n衛武營特別邀請臺灣管風琴協會理事長、美國華盛頓大學音樂博士劉信宏設計獨家節目:從音樂之父巴赫到電影配樂大師約翰.威廉斯、從《結婚進行曲》到《龍貓》主題曲,還有更換觀眾位置、搭配其他樂器以及加入燈光效果等特殊聆賞規劃,加上平易近人的專業解說,展現管風琴的萬千變換與可親可愛。
\n\n2023年2月至6月,每月一小時,相約「探索管風琴音樂」,揭開管風琴的神祕面紗,拉近管風琴與我們的距離!
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\n 2023上半年活動場次表
\n\t\t\t 6/14(三)14:30-15:30 \n\n\t\t\t【毛小孩的狂歡】 \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 六月管風琴要與觀眾一同狂歡!聖桑名作《動物狂歡節》將展現出管風琴活潑有趣的一面;更有趣的是,吉卜力動畫《龍貓》與《貓的報恩》配樂,還有人人都玩過的《超級瑪莉歐》電玩音樂,也都將出現獨一無二的管風琴音色詮釋;最終更有法國作曲家魏多的《第五號管風琴交響曲》,以華麗繁複、讓人目不轉睛的管風琴觸鍵,帶來毛小孩的狂歡音樂! \n\n\t\t\t\n\n\t\t\t 結婚進行曲 ,選自《羅恩格林》 \n\n\t\t\t日本動畫電玩主題曲:《龍貓》、《超級瑪利歐兄弟》、《貓的報恩》 \n\n\t\t\t聖桑:《動物狂歡節》選曲-化石、烏龜、大象、森林中的布穀鳥、天鵝、終曲 \n\n\t\t\t孟德爾頌:〈結婚進行曲〉,選自《仲夏夜之夢》,作品61 \n\n\t\t\t魏多:觸技曲,選自f小調第5號管風琴交響曲,作品42/1 \n\t\t\t | \n\t\t|
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好書推薦
\n\n《打開管風琴的祕密》
\n\n由來自德國的繪本作者西妮雅.博尼希編寫繪製,衛武營取得授權後和時報出版合作在臺發行繁體中文版。以淺顯易懂的文字和充滿童趣插圖,講解樂器之王管風琴的組成構造、發聲原理,以及衛武營音樂廳中全亞洲最大管風琴,如何由德國波昂的百年管風琴製造廠Johannes Klais Orgelbau, 歷經三年多時間設計製造,並橫跨9,500多公里搬運來到高雄衛武營組裝完工的巨大挑戰 。
\n►購買連結
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2023上半年結束之場次
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\n\t\t\t 2/22(三)14:30-15:30 \n\n\t\t\t【永恆的愛:巴洛克協奏曲】 | \n\t\t|
\n\t\t\t 在2月情人節的浪漫氣氛中,規劃兩首音樂史上最著名的《婚禮進行曲》─華格納與孟德爾頌筆下的動聽旋律,讓人彷彿置身教堂、為新人獻上祝福!透過兩首名曲,觀眾同時可以感受比起管弦樂團版本,管風琴演奏絲毫不遜色。為了更加印證此點,將演出兩首改編自韋瓦第樂團協奏曲的作品:巴赫《D小調協奏曲》及華爾特.約翰《B小調協奏曲》,充分展現管風琴的音色多變性。同時佐以巴赫《耶穌,世人仰望的喜悅》與米特爾《F大調幻想曲》兩首動聽小品,為2023年2月揭開溫馨幸福的序幕! \n\n\t\t\t\n\n\t\t\t 華格納:結婚進行曲 ,選自《羅恩格林》 \n\n\t\t\t巴赫:《耶穌,世人仰望的喜悅》,作品147 \n\n\t\t\t孟德爾頌:結婚進行曲,選自《仲夏夜之夢》,作品61 \n\n\t\t\t約翰・華爾特:b小調協奏曲,作品133(改編自韋瓦第e小調協奏曲,RV275) \n\n\t\t\t米特爾:給管風琴的F大調幻想曲 \n\n\t\t\t巴赫:d小調協奏曲,作品596 (改編自韋瓦第d小調協奏曲,作品3,第11號,RV565) \n\t\t\t | \n\t\t|
\n\t\t\t 3/29(三)14:30-15:30 \n\n\t\t\t【Bach Do-Re-Mi】 | \n\t\t|
\n\t\t\t 巴洛克作曲家J.S.巴赫,在現代樂迷心中是無人不曉的「音樂之父」,不過在同時代人的眼裡,巴赫可是不折不扣的「管風琴巨星」!從18歲起,巴赫就在教堂中擔任管風琴師,更為了教會寫下眾多聖詠作品,展現驚人不凡的演奏技巧。在3月的「2023探索管風琴音樂」系列中,將精選5首精采的巴赫作品,包含兩首旋律動聽、耳熟能詳的「不敗金曲」:《善牧羊群》與《醒來吧,那聲音在呼喚我們》,以及三首激昂高亢、技術高超的《前奏和賦格曲》,讓觀眾在短短一小時內,理解巴赫管風琴音樂的無邊魅力! \n\n\t\t\t\n\n\t\t\t 巴赫:c小調前奏曲與賦格,作品549 \n\n\t\t\t巴赫:《善牧羊群》,作品208 \n\n\t\t\t巴赫:《醒來吧,那聲音在呼喚我們》,作品645 \n\n\t\t\t巴赫:D大調前奏曲與賦格,作品532 \n\n\t\t\t巴赫:降E大調前奏曲與賦格《聖安妮》,作品552 \n\t\t\t | \n\t\t|
\n\t\t\t 4/26(三)14:30-15:30 \n\n\t\t\t【舞動管風琴】 \n\n\t\t\t※管風琴X大鍵琴X鋼琴X小管風琴 \n\n\t\t\t※特別來賓:Sean Jackson \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 古典音樂在走入浪漫時期後,作曲家與宮廷的關係脫鉤,管風琴音樂也因此變得極為多元。4月的「舞動管風琴」,管風琴家劉信宏力邀尚傑生博士一同合作,除了分別兩首獨奏作品展現法式浪漫之外,更以不同樂器編制激盪出新的火花:聖桑《骷髏之舞》搭配大鍵琴表現魔幻時刻,德布西《月光》與鋼琴展現不同氛圍,拉威爾《波麗露》則用管風琴四手聯彈加上著名的小鼓獨奏,發揮出管風琴「以一抵百」的驚人氣勢,而法國作曲家法朗克的名作《前奏、賦格與變奏》,更將以原始編制之一的「移動式管風琴+鋼琴」呈現。在舞台上一次放上四台鍵盤樂器的「鍵盤家族全餐」,只在「2023探索管風琴音樂」看得到! \n\n\t\t\t\n\n\t\t\t 聖桑:《骷髏之舞》,作品40(大鍵琴+管風琴版) \n\n\t\t\t玻耶利 :B降大調幻想曲與賦格 (管風琴獨奏) \n\n\t\t\t法朗克:前奏、賦格與變奏,作品18(移動式小管風琴+鋼琴) \n\n\t\t\t德布西 :〈月光〉,選自《貝加馬斯克組曲》作品 L75 - 第三首 (鋼琴 + 管風琴合奏) \n\n\t\t\t勒菲比赫-維利:降E大調出陣曲 (管風琴獨奏) \n\n\t\t\t拉威爾 :《波麗露》舞曲 (管風琴雙人四手聯彈+小鼓手) \n\t\t\t | \n\t\t|
\n\t\t\t 5/10(三)14:30-15:30 \n\n\t\t\t【星際之旅】 \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 進入20世紀後,管風琴成為大眾音樂中不可或缺的靈感來源:電影作曲家約翰.威廉斯最知名的《星際大戰》〈帝國進行曲〉旋律,使用管風琴演奏磅礡震撼加倍;太空科幻電影《星際效應》裡,金獎配樂家漢斯.季默以管風琴重複的音符堆積,對比出宇宙的無垠巨大與人類的微不足道;無獨有偶,如此感受也能在當代音樂巨擘梅湘《耶穌升天》與法國作曲家阿蘭《連禱曲》中聽見,展現出當代宗教音樂更貼近人類自省的況味。 \n\n\t\t\t\n\n\t\t\t 約翰・威廉斯:〈帝國進行曲〉電影《星際大戰》主題曲 \n\n\t\t\t漢斯・季默:電影《星際效應》配樂組曲 \n\n\t\t\t梅湘:《耶穌升天》第一~三樂章 \n\n\t\t\t阿蘭:《連禱曲》 \n\t\t\t | \n\t\t|
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Pipe Organist|Hsin-Hung LIU
\n\nDr. LIU Hsin-Hung holds a Doctor of Musical Arts degree from the University of Washington and is currently a professor at Tainan Theological College and Seminary and an adjunct professor at Taipei National University of the Arts and Tainan University of Technology. He was a visiting scholar at the University of British Columbia and Vancouver School of Theology in 2015 and 2016. LIU is a member of the American Guild of Organists (AGO) and serves as the chair of the AGO's Taiwan Chapter.
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He has served as a member of the Public Construction Commission, Executive Yuan's Infrastructure Review Committee, a consultant for the Organ for Families Concert at the National Concert Hall, and the convener for the Weiwuying Preparation Office's organ committee.
\nDr. LIU has made significant contributions to the organ scene in Taiwan, including the overhaul of the organs at the Chimei Museum in Tainan and the National Concert Hall, as well as the construction of Taiwan's largest church organ in Presbyterian Church of Taiwan Datong Church, the Pingtung Performing Arts Center, and the world-renowned Weiwuying Concert Hall, which has the largest and most advanced organ in Asia.
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Host|CHEN Chun-yu
\n\nCHEN Chun-Yu holds two master's degrees, one in math education from National Kaohsiung Normal University and another in creative arts industries from Wenzao Ursuline University of Languages. He has extensive experience in theater, having worked as a playwright/director for about 12 productions and as a performer. CHEN is currently the artistic director for Funk theater and is also in a band that has played at various music festivals in Taiwan, including winning Taiwan's hottest music contest and receiving the award for best bassist. CHEN's focus is now on promoting art, theater, and music.
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Organist and pianist|Sean Jackson (April)
\n\nSean Jackson began his musical studies at the age of five and quickly demonstrated his talent by winning his first gold medal in the National Independence Festival of Creative Arts at the age of eleven. He received recognition for his achievements and was awarded the National Youth Award by the Barbados Government. Jackson went on to receive numerous prizes and awards at both the undergraduate and graduate levels, including the Parratt, Walford Davies, and Geoffrey Tankard organ prizes, the Douglas Whittaker Chamber Music Prize, the A.H. Kuhn Memorial Scholarship, the 1999 William Schumann Prize, and the C.V. Starr Doctoral Fellowship, all from prestigious institutions such as the Royal College of Music and the Juilliard School. In 2004, Jackson graduated from The Juilliard School with both a Master of Music and Doctorate degree.
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While still a student at the Juilliard School, Jackson won an organ competition in October 2000 and performed Stephen Paulus's Organ Concerto with the Juilliard Symphony at Alice Tully Hall. He was also featured again with the Juilliard Symphony in November 2003, performing the Saint-Saëns Organ Symphony at the Lincoln Center. Jackson has had numerous other performances as a guest organist, including with the New York Youth Symphony at Carnegie Hall, as a featured artist in the International Concert Series at Trinity, Wall Street, and in a solo concert at The Washington National Cathedral in 2006.
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Since 2012, Jackson has been presenting concerts, workshops, and masterclasses in Taipei, Taiwan as a featured guest of the Taiwan Chapter of the American Guild of Organists.
\n'},{reference:[],type:"content",name:"The pipe organ",content:"The pipe organ is one of the world's oldest instruments, dating back to as early as the 3 rd century BC in Greece. Since it has a majestic, dignified sound, which is even more pronounced by the echo in large churches, along with its variance in timbre, it became an important presence in Christianity beginning in the Middle Ages, in turn prompting the composition of a great number of pieces over time.
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As missionaries brought their faith out of Europe, the organ followed to churches all over the world—over 30 can be found in Taiwanese churches. Now that Western classical music is a popular genre, almost all concert halls are built with an organ, allowing people all over to hear the grandeur of this fascinating instrument.
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Similarly, an organ was also put into the plans for Weiwuying.Century-old German organ manufacturer Johannes Klais Orgelbau built the instrument, which has 9,085 pipes and 127 stops, over a period of a bit more than three years. It is both the largest organ in Asia and the only concert hall organ in the world with the capacity to be played by three organists at the same time.Being perfectly blended into the vineyard seating as the cherry on top, it never fails to stun world-class organists from around the globe!
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Discount
\n\nBesides the breathtaking vineyard-style seating and outstanding acoustics at the Weiwuying Concert Hall, the pipe organ, located on the top floor, is another major highlight. If you're wondering what this largest organ in Asia can do, our Explore the Pipe Organ series of events is just what you're looking for!
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Dr. Hsin Hung Liu, the chair of the American Guild of Organists (Taiwan Chapter) with a DMA from the University of Washington, has been invited to exclusively arrange programs for Weiwuying. The audience will be able to enjoy a diverse range of music, from classical compositions by Bach to film scores by John Williams, including well-known works such as the "Bridal Chorus" and the theme song for My Neighbor Totoro. The experience will be enhanced with opportunities to switch seats for different acoustics, complementary performances on other keyboard instruments, special lighting effects, and informative explanations. These features aim to make the organ's diversity and charm more accessible and understandable to the audience.
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So for an hour each month from February to June this year, come to our Explore the Pipe Organ events to see all the secrets behind this fascinating instrument!
\n\nPrograms
\n\n\n\t\t\t 6/14(Wed)14:30-15:30 \n\n\t\t\tFurry Friends Carnival \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t In June, come and go wild with the organ as it livens up from SAINT-SAËNS' Carnival of the Animals. Then, we'll see some more fun and unique organ interpretations with scores from Studio Ghibli's My Neighbor Totoro and The Cat Returns, along with the music from the classic video game Super Mario Bros. To close this wild hour of animal-themed music, Dr. LIU will play French composer C. WIDOR's Toccata (from his Symphony No. 5), with its highly complex melody that the organ makes even more captivating. \n\t\t\t | \n\t\t|
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\n\t\t\t 2/22(Wed)14:30-15:30 \n\n\t\t\tEternal Love - Baroque Concertos (close-up show) \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t For the romantic atmosphere of Valentine's Day, February's event will showcase solo organ performances of two of history's most well-known songs, WAGNER's "Bridal Chorus" from Lohengrin and MENDELSSOHN's "Wedding Procession" from A Midsummer Night's Dream—you might just think you should be throwing rice and crying! The show will produce a different, but by no means inferior, feel compared with the commonly heard orchestra versions. \n\n\t\t\t\n\n\t\t\t To emphasize this distinction, BACH's Concerto in D Minor and WALTHER's Concerto in B Minor (adaptations of concertos by VIVALDI) will fully express the diversity of the organ's timbre. In addition, BACH's "Jesu, Joy of Man's Desiring" and MÜTHEL's Fantasie in F Major for Organ will add to the warmth and joy of the program. \n\t\t\t | \n\t\t|
\n\t\t\t 3/29(Wed)14:30-15:30 \n\n\t\t\tBach Do-Re-Mi \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t Baroque composer BACH, known as the "father of classical music" and a household name in our day, was mostly famed as an organist in his own time. At the age of 18, he became the church organist and, as a devout Christian, wrote numerous hymns requiring exceptional skill. For the Explore the Pipe Organ event in March, five exquisite pieces by BACH, "Sheep May Safely Graze"and "Sleepers Awake," as well as three exciting and technically challenging prelude and fugues, will present the marvel of BACH's organ music. \n\t\t\t | \n\t\t|
\n\t\t\t 4/26(Wed)14:30-15:30 \n\n\t\t\tDancing Organ \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t With the advent of the Romantic period, composers became unshackled from the royal courts, which inspired more diversity in their music, that for the organ being no exception. For April's Dancing Organ program, organist Dr. LIU and Sean JACKSON will partner up in presenting France's Romantic period and adding interesting twists via other instruments: SAINT-SAËNS' Danse Macabre, Op. 40 will be performed on the harpsichord, creating a sense of fantasy, DEBUSSY's"Clair de lune" will be given a different atmosphere on the piano, and RAVEL's Boléro will be played jointly by both musicians on the organ (along with the well-known accompaniment of the snare) as proof of how the organ can indeed take the place of an entire orchestra. Meanwhile, French composer FRANCK's Prélude, Fugue and Variation will be performed on the positive organ and piano. You'll only see such a "family gathering" of keyboard instruments at Weiwuying's 2023 Explore the Pipe Organ series of events! \n\t\t\t | \n\t\t|
\n\t\t\t 5/10(Wed)14:30-15:30 \n\n\t\t\tInterstellar Journey \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t By the 20 th century, no longer relegated to the most sophisticated of venues, the organ had become an inseparable source of inspiration for popular music. One of film score composer John WILLIAMS' most famous pieces, "Imperial March" from Star Wars, grows even more resolute when played on the organ. "Interstellar Suite," composed by Golden Globe winner for Best Original Score Hans ZIMMER, produces a stark contrast between the boundlessness of the universe and the smallness of humanity by stacking notes on the organ. You can get a similar feeling from modern composers O. MESSIAN's L' Ascension and J. ALAIN's Litanies, which exhibit how modern religious music was brought closer to its human audience. You won't want to miss this journey through space with the organ in May! \n\t\t\t | \n\t\t|
《哈利波特》系列電影到了第五集「鳳凰會的密令」,
\n曾獲世界配樂發明獎的作曲家尼可拉斯胡珀,
\n「哈利波特:鳳凰會 的密令™電影交響音樂會」以四十呎大螢幕播放高畫質電影全片,
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演出暨製作團隊
\n\n指揮|約翰·雅森斯基
\n\n樂團|長榮交響樂團
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Year Five begins! Audiences will experience the next chapter of the Harry Potter Film Concert Series with a full orchestra performing Nicholas Hooper's entire score live to picture.
\n\nThe Harry Potter Film Concert Series returns to the Weiwuying Opera House. On 4-5 March 2023, the Evergreeen Symphony Orchestra will perform the magical score live from Harry Potter and the Order of the Phoenix and the Half-Blood Prince while the entire film plays in high-definition on a 40-foot screen.
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Creative and Production Team
\n\nConductor|JOHN JESENSKY
\n\nEvergreen Symphony Orchestra
\n\n\n\n
\n',team:""},createdAt:1673335384,updatedAt:1677745677,updatedBy:"林蔚行",host:!1},{_id:"63bd1e14bc2ba9000727e4c7",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1677999600,discrete:[{time:1677999600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[1200,1500,1800,2100,2400,2700,3e3,3600],link:"https://ticket.mna.com.tw/UTK0201_?PRODUCT_ID=P020IL5L"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2235837bcd031c39957a9f72771d2640",title:"《哈利波特:混血王子的背叛™電影交響音樂會》"}],related:[{from:"news",key:"63fffcc0abd333000aca7893",title:"《哈利波特電影交響音樂會》主題快閃餐食"},{from:"features",key:"637f2ebe1f007d0007233a16",title:"2023衛武營管風琴音樂節"},{from:"features",key:"637f381269d78d000834719b",title:"2023衛武營國際音樂節"}],title:"《哈利波特:混血王子的背叛™電影交響音樂會》",cover:"a212b2b893e56a972a70664a3d00f56c",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
很榮幸的宣布將迎接哈利波特™系列電影交響音樂會—哈利波特:混血王子的背叛™,透過管弦樂團現場演奏全片配樂,在音樂中重溫霍格華茲™的魔法。瞧瞧哈利成為魔藥奇才,創造出幸運藥水「福靈劑」,並揭開魂器暗藏的意義!
\n\n\n\n
演出暨製作團隊
\n\n指揮|約翰·雅森斯基
\n\n樂團|長榮交響樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2235837bcd031c39957a9f72771d2640",title:"《哈利波特:混血王子的背叛™電影交響音樂會》"}],related:[],title:"Harry Potter and the Half-Blood Prince ™ in Concert",cover:"a212b2b893e56a972a70664a3d00f56c",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
Relive the magic of year six in Harry Potter and the Half-Blood Prince™ in Concert.For the second consecutive film in the Harry Potter™ franchise, director David Yates tapped Nicholas Hooper to compose the score, which earned a Grammy Award nomination. And with a whopping $250 million budget, Harry Potter and the Half-Blood Prince™ was one of the most expensive movies ever made when it was released in 2009. With this film, based on the sixth instalment of the classic saga, fans of all ages can now experience the thrilling tale of Harry's obsession with a mysterious potions book accompanied by the music of a live symphony orchestra as Harry soars across the big screen in HD!
\n\n\n\n
Creative and Production Team
\n\nConductor|JOHN JESENSKY
\n\nOrchestra|Evergreen Symphony Orchestra
\n\n\n\n
\n',team:""},createdAt:1673338388,updatedAt:1677745686,updatedBy:"林蔚行",host:!1},{_id:"63bd220d72bcdc0007d5cc93",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1677996e3,discrete:[{time:1677996e3},{time:1678447800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1e3,1200,1400,1500,1800,2100,2400],link:"https://ticket.mna.com.tw/UTK0201_?PRODUCT_ID=P01MHA36"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"1d46caabb00f2d9508bb472ee9f48013",title:"《全球第一 管風琴之王 卡麥隆‧卡本特》"}],related:[{from:"programs",key:"63c502121a2c980007a35c97",title:"【創意學習工作坊】玩樂管風琴(青壯年/後青春班)"},{from:"programs",key:"63f869d2abd333000ac8e7f1",title:"【武營來開槓】聊聲音—問建築:我們能控制建築物內的聲音嗎?"}],title:"《全球第一 管風琴之王 卡麥隆‧卡本特》",cover:"7f4621bd1ecf949329c4dffe8431091b",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
「他是文化與古典音樂禁忌的毀滅者,在技巧及音樂性上,絕對是成就最高的管風琴家!」——《洛杉磯時報》
\n
卡麥隆是首位入圍葛萊美獎的管風琴家,他顛覆世人對於管風琴的想像,一身耀眼龐克打扮,將個人特色融合在編曲中,以驚人的原創性奏出管風琴的無限可能!他同時也熱衷於推廣管風琴,曾受柏林愛樂之邀為駐廳音樂家,為孩童解說、近距離示範管風琴。
\n\n這次,為了讓全臺樂迷親炙管風琴之王,牛耳藝術特別推出卡麥隆青少年音樂計畫,青年學子可享特定票區6折優惠,激發年輕世代對音樂、對管風琴的興趣!
\n\n今年3月,邀你一起來現場享受原音震撼,從巴哈經典、久石讓電影配樂,到穆索斯基《展覽會之畫》,他將以頂尖絕技,在臺掀起一場管風琴革命!
\n\n\n\n
演出曲目
\n\n3/5(日)
\n巴哈:《郭德堡變奏曲》
\n久石讓:《霍爾的移動城堡》
\n久石讓:《紅豬》
\n穆索斯基:《展覽會之畫》
\n\n3/10(五)
\n巴哈:降E大調前奏曲與賦格,BWV552
\n穆索斯基:《展覽會之畫》
\n久石讓:《霍爾的移動城堡》
\n久石讓:《紅豬》
\n即興曲目
\n\n
演出暨製作團隊
\n\n管風琴| 卡麥隆.卡本特
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"1d46caabb00f2d9508bb472ee9f48013",title:"《全球第一 管風琴之王 卡麥隆‧卡本特》"}],related:[],title:"Cameron Carpenter Organ Concert",cover:"7f4621bd1ecf949329c4dffe8431091b",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
"Flamboyant presentation goes hand in hand with unquestioned virtuosity."— THE NEW YORKER Cameron Carpenter incorporated symphony into his organ repertoire in a groundbreaking way of arrangement. He is the first organist to ever be nominated for a Grammy Award. He swayed among thousands of sound pipes just like conducting thousands of musicians! The meeting between Weiwuying's largest pipe organ in Asia and Cameron, the king of pipe organs is super exciting!
\n\n\n\n
Program
\n\n3/5(Sun)
\nGoldberg Variations
\nJoe Hisaishi: Howl's Moving Castle
\nJoe Hisaishi: Porco Rosso
\nMUSSORGSKY: Pictures at an Exhibition
\n\n
3/10(Fri)
\nJ. S BACH: Prelude and fugue in Eb (BWV 552)
\nMUSSORGSKY: Pictures at an Exhibition
\nJoe Hisaishi: Howl's Moving Castle
\nJoe Hisaishi: Porco Rosso
\nImprovisations
\n\n
Creative and Production Team
\n\nOrgan|Cameron Carpenter
\n\n\n\n
\n',team:""},createdAt:1673339405,updatedAt:1677981263,updatedBy:"黃薏靜",host:!1},{_id:"63be2c7072bcdc0007d64712",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1675769400,discrete:[{time:1675769400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3,1200],link:"https://www.opentix.life/event/1610616371653791744"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c54b17f19ef843a3a953dd317d819b1a",title:"《拉赫曼尼諾夫150週年紀念~拉二&拉三協奏曲之夜》"}],related:[],title:"《拉赫曼尼諾夫150週年紀念~拉二&拉三協奏曲之夜》",cover:"7bddce949052223cd41eef6556b8fa7e",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「用鋼琴說話的女孩」——意大利音樂評論雜誌
\n\n\n\n
2023紀念拉赫曼尼諾夫誕辰150週年。「第二、第三鋼琴協奏曲」是拉赫曼尼諾夫的得意之作。這兩部鋼琴協奏曲結構新穎且技術艱深,宏偉雄健又旋律優美。將拉赫曼尼諾夫全新的創作風格和浪漫主義思想展現無遺。
\n\n本場音樂會由鋼琴家朱志祥擔任樂團部分,鋼琴演奏家陳介涵擔任獨奏。我們將跟随兩音樂家,領略拉赫曼尼諾夫帶給世人的動聽旋律。
\n\n\n\n
演出曲目
\n\n拉赫曼尼諾夫第3號鋼琴協奏曲,作品30
\n\n拉赫曼尼諾夫第2號鋼琴協奏曲,作品18
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|陳介涵
\n\n鋼琴協演|朱志祥
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c54b17f19ef843a3a953dd317d819b1a",title:"《拉赫曼尼諾夫150週年紀念~拉二&拉三協奏曲之夜》"}],related:[],title:"Rachmaninov's 150th Anniversary - Concertos Night",cover:"7bddce949052223cd41eef6556b8fa7e",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
2023 commemorates the 150th anniversary of Rachmaninov's birth. "The Second and Third Piano Concertos" is Rachmaninoff's proud work. The two piano concertos are novel in structure and technically difficult, majestic and melodious. It shows Rachmaninoff's new creative style and romantic ideas.
\n\nThis concert was performed by pianist Chih-Hsiang CHU as the orchestra part and pianist Kimberly Chen Afanasova as the soloist. We will follow the two musicians and appreciate the beautiful melody that Rachmaninoff brought to the world.
\n\n\n\n
Program
\n\nRachmaninov concerto no.3 op.30
\n\nRachmaninov concerto no.2 op.18
\n\n\n\n
Creative and Production Team
\n\nPiano|Kimberly Chen Afanasova
\n\nPiano|Chih-Hsiang CHU
\n\n\n\n
\n',team:""},createdAt:1673407600,updatedAt:1673516043,updatedBy:"林蔚行",host:!1},{_id:"63c5242e1a2c980007a36256",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1677497400,discrete:[{time:1677497400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3],link:"https://www.opentix.life/event/1611663863575568385"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"32a400d73a085f445c6afe6fbbffa399",title:"《童年的山丘-青韵合唱團2023年度音樂會》"}],related:[],title:"《童年的山丘-青韵合唱團2023年度音樂會》",cover:"5efd7eb6221ea044de47e93f470c1bb2",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
記憶中的童年情景,是人們心中一輩子的想念。聲音觸動著兒時回憶的湧現,成為作曲家筆下充滿畫面的音樂篇章,如同電影場景般帶給人們深刻的感觸。父母親情的滋潤,讓我們的兒時回憶充滿著溫暖與情感,在父愛、母愛的環抱與呵護之下,心底的歌聲自然引領出父母對子女的關愛,以及子女對父母的渴慕。
\n\n青韵合唱團2023年《童年的山丘》製作,希望透過音樂藝術與歌聲從兒時回憶裡汲取力量與希望,藉以讓疫情時代疲於防備的身心恢復溫度與柔軟,以包容、以盼望,溫柔堅定地邁步前方。
\n\n\n\n
演出曲目
\n\nAnton Bruckner|聖母頌
\n\nAmbrož Čopi|聖母頌
\n\n林明杰|聖母頌
\n\nDaniel Elder|搖籃曲
\n\nJohn Corigliano|蕨葉山丘
\n\n李子聲|只為了一首歌
\n\n石青如|阿爹的飯包、今生今世
\n\n張舒涵|媽媽的花環
\n\n林松樺|心肝寶貝
\n\n\n\n
演出暨製作團隊
\n\n指 揮|張成璞
\n\n鋼 琴|李妮穎
\n\n作 曲 家|李子聲、林松樺
\n\n女 高 音|周欣潔、宋欣霓
\n\n男 中 音|蔡漢俞
\n\n演 唱|青韵合唱團
\n\n聯演樂團|Dominant5 鋼琴五重奏室內樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"32a400d73a085f445c6afe6fbbffa399",title:"《童年的山丘-青韵合唱團2023年度音樂會》"}],related:[],title:"Fern Hill",cover:"5efd7eb6221ea044de47e93f470c1bb2",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Scenes from childhood are for a lifetime to savor. Playing with friends, going to festivals with family, and being pampered by parents: Recollection of these carefree moments is soothing at times of hardships.
\n\nSights and sounds from tender years inspired composers including John Corigliano from the U.S. and Taiwan's Lin Sung-hua to create picturesque music, transforming past emotions into one movie-like scene after another: Be it the fern hill that associated with happiness or the festival garland that evoked joy.
\n\nAs movies employ various camera works, the concert will be presented from several perspectives — the children's, the parents', and adults reminiscing. A religious angle is added with odes to the Holy Mother.
\n\nThrough the production of Fern Hill, Ching-Yun Choir aims to draw strength from childhood, when love between parents and children drives away worries. The choir hopes to provide catharsis with the music, for people worn out or even suffocated by the Covid pandemic, to feel rejuvenated and be ready to stride into the next stage life, with courage and smiles.
\n\n\n\n
Program
\n\nCamille SAINT- SAËNS: Ave Maria
\n\nFranz BIEBL: Ave Maria
\n\nLIN Ming-chieh: Ave Maria
\n\nDaniel ELDER: Lullaby
\n\nJohn CORIGLIANO: Fern Hill
\n\nAll for a Song
\n\nPapa's Lunchbox
\n\nAll This Life
\n\nMother's Garland
\n\nApple of My Eye
\n\n\n\n
Creative and Production Team
\n\nConductor|CHANG Cheng-pu
\nPiano|LI Ni-ying
\nComposer|LEE Tzyy-sheng、LIN Song-hua
\nSoloist|CHOU Hsin-chieh、SUNG Hsin-ni、TSAI Han-yu
\nSingers|Ching-Yun Choir
\nString Orchestra|Dominant5
\n\n
\n',team:""},createdAt:1673864238,updatedAt:1675043077,updatedBy:"林蔚行",host:!1},{_id:"63c615611a2c980007a49c8c",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1677411e3,discrete:[{time:1677411e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3],link:"https://www.opentix.life/event/1597861880688357379"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9dabecbe254fe450b327a4920991a046",title:"國立客家兒童合唱團2023年度公演《光个細人仔》"}],related:[],title:"國立客家兒童合唱團2023年度公演《光个細人仔》",cover:"a2fc3e24640669a75708a8d05d4fc86a",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
《光个細人仔》由恁隆重个音樂會籌備規劃主題,上半場,將帶來以客家歌謠為主軸,喚起客家傳統聲響,客家山歌中客家文化當季當年个樣貌,貫穿「客家傳統歌謠」暨「客家傳統山歌」、「客家童謠」與「客家當代作品:新創歌謠」,傳達文化傳統、歡慶客家、傳承喜悅之念。
\n\n\n\n
下半場以委託創作、世界歌謠與《點光个你》放眼世界的三個主題「生命之花」、「世界歌謠.經典與當代」、以及「相信.燦然點光」「光个細人仔」貫穿《點光个你.光个細人仔》因為愛而點光,因為个有光,充滿喜悅與希望。
\n\n\n\n
放眼世界,傳達歌唱的幸福,關懷世界之心,整場音樂會將在國立客家兒童合唱團純淨無瑕的童聲中,傳達童心童聲之美、樂唱客家之情、傳承客家之心中,聽見美善與純粹个感動,縈繞心頭。
\n\n\n\n
國立客家兒童合唱團為透過客語兒童合唱美聲,向世界傳揚客家音樂文化之美,客家委員會於民國108年7月,成立我國目前唯一的國家級兒童合唱團,聘請合唱世界總冠軍推手合唱指揮家彭孟賢老師,擔任國立客家兒童合唱團團長暨藝術總監、指揮,彭老師在推廣客家音樂文化上,擁有令人敬佩的熱誠,在彭老師深厚專業音樂素養帶領下,國立客家兒童合唱團孩子們的合唱功力,持續以驚人的速度進步,每演出都令全場動容,甚至場場爆滿,獲得熱烈支持。
\n\n\n\n
國立客家兒童合唱團經過彭孟賢的世界級專業培訓後,接連受邀「連篇交響詩《臺灣客家369樂章》」、《交響六堆心-六堆300紀念音樂會》、國慶領唱等多場演出,於民國109年舉辦《情寄客家.童心樂唱客家情》創團音樂會,並於民國110年舉辦年度專場音樂會《月光光.桐花世界-齊心樂唱客家情》。自民國110年由財團法人客家公共傳播基金會接手管理,客家公共傳播基金會透過現代數位傳播媒介,全力宣傳國立客家兒童合唱團,加速將臺灣天籟兒童合唱美聲與世界接軌,進而為客家語言文化,開啟嶄新又動人的頁面。
\n\n\n\n
目前國立客家兒童合唱團有60餘位團員,全員皆經由公開徵選,分別是來自新竹、桃園、苗栗、新北市的孩子,這些孩子皆充滿自信,致力要將客家音樂之美傳唱到世界的小小客家文化特使,現在,國立客家兒童合唱團接力在全國各縣市巡迴演出,期待透過天籟兒童美聲,向大家演繹首首客家樂曲,並以登上國際舞臺為目標,向全世界傳揚臺灣最美好的客家音樂文化。
\n\n\n\n
演出曲目
\n\n客家傳統歌謠
\n〈挑擔歌〉官有煥 編曲(2022年國立客家兒童合唱團全新委託編曲世界首演)
\n
\n客家當代作品
\n〈行過〉黃瑋傑 詞|Akim 曲|劉聖賢 編曲(2021年國立客家兒童合唱團首支MV)
\n〈日頭花〉曾雅君 詞曲|吳博明 編曲
\n
\n國立客家兒童合唱團委託編曲
\n〈山狗呔〉劉劭希 詞曲|蔡旭峰 編曲(2021年國立客家兒童合唱團委託編曲)
\n〈娘婆心〉葉國居 詞|王喬尹、李杰珉 曲|劉聖賢 編曲(2022年國立客家兒童合唱團全新委託編曲世界首演)
\n
\n客籍前輩作曲家 徐松榮先生作品
\n〈平板〉|徐松榮 曲
\n〈病仔歌〉|徐松榮 曲
\n〈月光華華〉|徐松榮 曲
\n〈鵓鴣仔〉|徐松榮 曲
\n〈收冬戲〉|徐松榮 曲
\n〈大紅花〉|徐松榮 曲
\n
\n世界歌謠
\n〈Credo〉Mark Hayes
\n〈Caresse sur l'océan〉Christophe Barratier, Bruno Coulais
\n
\n燦然點光.光个細人仔
\n〈Yes We Can〉黃連煜 詞曲|林明杰 編曲(2021年國立客家兒童合唱團委託編曲)
\n〈客家世界〉黃連煜 詞曲|林明杰 編曲(2022年國立客家兒童合唱團全新委託編曲世界首演)
\n
\n本團保有最終異動權
\n\n
演出暨製作團隊
\n\n團長暨藝術總監暨指揮| 彭孟賢
\n\n鋼琴|陳柔安
\n\n演出|國立客家兒童合唱團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9dabecbe254fe450b327a4920991a046",title:"國立客家兒童合唱團2023年度公演《光个細人仔》"}],related:[],title:"Sparkling Youth of Hakka",cover:"a2fc3e24640669a75708a8d05d4fc86a",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
"Sparkling Youth of Hakka" is the annual concert of the National Taiwan Hakka Children's Choir. "se-ngìn-è” is "children" in Hakka dialect. Each child in this choir shines when singing, bringing hope, joy and comfort to the world.
\n\n\n\n
Creative and Production Team
\n\nCreative and Production Team
\n\nArtistic Director and Conductor|PENG Meng-Hsien
\nPianist|Chen Rou-An
\nPerformer|National Hakka Children's Choir
\n\n
\n',team:""},createdAt:1673925985,updatedAt:1675651320,updatedBy:"林蔚行",host:!1},{_id:"63c617e92322390008fa2f5b",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1677151800,discrete:[{time:1677151800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1200,1600,2e3],link:"https://www.opentix.life/event/1612334349052747780?fbclid=IwAR2F8T3WIzsTh8rkIMC-mGw2bqwvF9AHjbO88TEDLPLodgfv5P9HnkMocao"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"41c3c37a7908d2803f8a5e18b7bc68a3",title:"《維尼奧夫斯基國際小提琴大賽 第十六屆首獎得主 前田妃奈 -世界巡迴首訪臺灣音樂會》"}],related:[],title:"《維尼奧夫斯基國際小提琴大賽 第十六屆首獎得主 前田妃奈-首訪臺灣》",cover:"54430b0ca755a606d4fc84055c037976",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
2022國際維尼奧夫斯基小提琴大賽首獎,由日本前田妃奈奪冠。前田妃奈在賽程中不僅高人氣,並以無懈可擊的琴技、發自內心的歡悅、真摯熱情的舞台魅力,感動評審與樂界。維尼奧夫斯基協會規劃支持下,新象受邀安排前田妃奈亞洲巡迴首訪臺灣,將再現大賽舞台上撼動人心的曲目,演奏維尼奧夫斯基炫技又兼之旋律動人的《浮士德幻想曲》。另外呈現經典的巴赫無伴奏小提琴夏康舞曲、音樂深度最高的史特勞斯降E大調小提琴奏鳴曲、莫札特E小調奏鳴曲及馬斯奈泰伊絲冥想曲等。新象特邀廣受國際著名小提琴家競邀、及跨界合作的傑出鋼琴家王佩瑤合作獨奏會,迸出精彩火花,令人期待。
\n\n\n\n
演出曲目
\n\n巴赫:夏康舞曲,選自D小調第二號無伴奏小提琴組曲
\n\n莫札特:E小調第21號小提琴奏鳴曲
\n\n維尼奧夫斯基:浮士德幻想曲
\n\n馬斯奈:泰伊絲冥想曲
\n\n史特勞斯:降E大調小提琴奏鳴曲
\n\n\n\n
演出暨製作團隊
\n\n小提琴|前田妃奈
\n\n鋼琴|王佩瑤
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"41c3c37a7908d2803f8a5e18b7bc68a3",title:"《維尼奧夫斯基國際小提琴大賽 第十六屆首獎得主 前田妃奈 -世界巡迴首訪臺灣音樂會》"}],related:[],title:"2022 Wieniawski Gold Medallist Hina Maeda Taiwan Debut",cover:"54430b0ca755a606d4fc84055c037976",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Gold medalist of the 16th International Henryk Wieniawski Violin Competition, Hina Maeda is praised for her dazzling, charismatic and sincere performance. Maeda will present Wieniawski's Fantasia brillante, on themes from Gounod's "Faust" in the recital together with iconic works by Bach, Mozart, Massenet and Richard Strauss.
\n\n\n\n
Program
\n\nJohann Sebastian Bach: Chaconne from Violin Partita No. 2 in D Minor, BWV 1004
\n\nWolfgang Amadeus Mozart: Violin Sonata No. 21 in E Minor, K. 304
\n\nHenryk Wieniawski: Fantasia brillante, on themes from Gounod's ''Faust'', Op. 20
\n\nJules Massenet: "Méditation" from Thaïs
\n\nRichard Strauss: Violin Sonata in E-flat Major, Op. 18
\n\n\n\n
Creative and Production Team
\n\nViolin|Hina Maeda
\n\nPiano|WANG Pei-Yao
\n\n\n\n
\n',team:""},createdAt:1673926633,updatedAt:1675149848,updatedBy:"林蔚行",host:!1},{_id:"63c638cb2322390008fa3628",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1676460600,discrete:[{time:1676460600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1600,2e3,2400,2500],link:"https://www.opentix.life/event/1611629658211819525"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"dcd0a902152e7ec28b5230c30d7008aa",title:"《法國長笛學派第一人- 班諾德長笛演奏會》"}],related:[],title:"《法國長笛學派第一人- 班諾德長笛演奏會》",cover:"2897d977e8d63ad0419e4bcb3b4624a8",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
長笛家菲利浦‧班諾德,公認法國長笛學派第一人,他以一等獎畢業於巴黎音樂學院,並於隔年23歲時隨即受聘為里昂國立歌劇院管弦樂團長笛首席。在1987年榮獲朗帕爾國際長笛大賽首獎,也因為他是第一位獲得這個榮耀的法國人,因此被視為繼長笛巨擘朗帕爾(Jean-Pierre Rampal)之後,法國長笛樂派的掌門人。如今,班諾德已是當今法國長笛樂壇最具代表性的演奏家兼指揮家,臺灣不少長笛家曾受教於班諾德。目前任教於國立巴黎高等音樂學院,培育英才。
\n\n班諾德的長笛音色高貴,掌握法國獨特風雅與幽默,在臺灣長笛界,也是無人不知曉,他與臺灣的淵源,這要溯源到臺灣長笛教母樊曼儂2006年結識班諾德於第一屆北京尼可萊國際長笛比賽,親自邀請班諾德參加新象每三年隆重舉辦的長笛國際藝術節,他不僅僅多次參加、與臺灣音樂家共同演出,並且以指揮家的身份與交響樂團演出。
\n\n很樂於提攜後進、願意與當地音樂家合作,是班諾德為人津津樂道的胸懷。這次班諾德再度來臺演出,新象邀請臺灣長笛音樂家馬曉珮、黃貞瑛分別在高雄、臺北與他合奏多普勒的《匈牙利幻想曲》雙長笛重奏,鋼琴由徐嘉琪擔任。班諾德特別為臺灣樂迷帶來二首樂曲 - - 當代南非作曲家霍夫邁爾長笛奏鳴曲,作品99,係台灣首演;以及世界首演、炫技的法國著名當代作曲家康奈松長笛奏鳴曲,獻給臺灣的樂迷。
\n\n\n\n
演出曲目
\n\n巴赫:E 大調奏鳴曲,作品 1035
\n\n舒伯特:〈凋零的花朵〉,選自於連篇歌曲集《美麗的磨坊少女》,改編為長笛與鋼琴演出
\n\n法蘭茲與卡爾.多普勒:《匈牙利幻想曲》為雙長笛與鋼琴
\n\n霍夫邁爾:長笛奏鳴曲,作品99(臺灣首演)
\n\n浦朗克:奏鳴曲
\n\n康奈松:長笛奏鳴曲(世界首演)
\n\n\n\n
演出暨製作團隊
\n\n長笛|菲利浦.班諾德
\n\n鋼琴|徐嘉琪
\n\n客席長笛|馬曉珮
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"dcd0a902152e7ec28b5230c30d7008aa",title:"《法國長笛學派第一人- 班諾德長笛演奏會》"}],related:[],title:"Philippe Bernold Flute Recital",cover:"2897d977e8d63ad0419e4bcb3b4624a8",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Philippe Bernold began his musical studies in Colmar, France, studying the flute and later
\n\ncomposition and conducting under Rene Matter, himself a student of Charles and Fritz Munch. At the Paris Conservatory, he earned the First prize in flute and the next year, at the age of 23, was appointed first flute of the National Opera Orchestra of Lyon. In 1987 he won First Prize in the Jean-Pierre Rampal International Competition in Paris.
\n\nThis prize paved the way for an international solo career with renowned artists and orchestras, from Rostropovitch to Capucon. Orchestras with which he performed include those of Paris, Tokyo, Budapest or Moscow with such conductors as Menuhin, Gardiner, Maazel or Nagano.
\n\nPhilippe Bernold is well-known as his playing a noble tone in his performance, mastering the unique elegance and humor of the country. 2006, Beijing Philippe Bernold met Manon Fan at the Nicolet Flute Competition who is honored Godmother of Flute in Taiwan, and invited him Taiwan to perform in the International Flute Art Festival. He also performed with the symphony orchestra as a conductor in recent years.
\n\nPhilippe Bernold is very willing to support the younger generation and to collaborate with local musicians. Taiwan famous flute musicians Hsiao-Pei Iris Ma and Jen-Ying Hwang to play Doppler's "Hungarian Fantasia" double flute ensemble with Philippe Bernold in Kaohsiung and Taipei respectively, and Chia-Chi Hsu will play the piano. Philippe Bernold will perform two special pieces for the Taiwan audience this time Hoffmeyer Flute Sonata, Op. 99, which will be debut in Taiwan; and the world premiere of Connesson Flute Sonata dedicated to Taiwan's fans.
\n\n\n\n
Program
\n\nJohann Sebastian Bach: Flute Sonata in E Major, BWV 1035
\n\nFranz Schubert: Variations for flute and piano on "Trockne Blumen"
\n\nfrom "Die schöne Müllerin", D. 802
\n\nFranz and Karl Doppler: Fantaisie on Hungarian Motives for 2 flutes and piano, Op. 35
\n\nHendrik Hofmeyr: Sonata for Flute and Piano, Op. 99 (Taiwan premiere)
\n\nFrancis Poulenc: Sonata for Flute and Piano
\n\nGuillaume Connesson: Flute Sonata (World premiere)
\n\n\n\n
Creative and Production Team
\n\nFlute|Philippe Bernold, flute
\n\nPiano|Chia-Chi Hsu, piano
\n\nGuest Flute|Hsiao-Pei Iris Ma, guest flute
\n\n\n\n
\n',team:""},createdAt:1673935051,updatedAt:1676359476,updatedBy:"林蔚行",host:!1},{_id:"63d8b0392322390008fe7ae1",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1677583800,discrete:[{time:1677583800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://www.opentix.life/event/1614784406027390980"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9f62848c5ceff0e9f8f1b3c9d389391e",title:"《2023蔡承翰小提琴獨奏會》"}],related:[],title:"《2023蔡承翰小提琴獨奏會》",cover:"7c3f5bcb5bf186b1b55fd560bfecaaaf",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
在藝術璀燦的浪漫主義時代,奏鳴曲持續作為小提琴演奏領域最重要的樂曲形式,史特勞斯的降E大調小提琴奏鳴曲,所展現的不僅只是傳統室內樂二重奏,而是以交響樂手法,提煉小提琴獨奏聲部和大型管弦樂團間的對話與交流。普羅柯菲夫第二號小提琴奏鳴曲為他重返俄羅斯後創作的第一首小提琴作品,原寫給長笛與鋼琴,後來改編成小提琴版本,成功發揮樂器豐富和聲與音色變化。音樂會另安排卡門幻想曲等旋律雋永小品,值得細細品味!
\n\n\n\n
演出曲目
\n\n史特勞斯:降E大調小提琴奏鳴曲,作品十八
\n\n柴科夫斯基:C大調詼諧圓舞曲,作品三十四
\n\n普羅柯菲夫:D大調第二號小提琴奏鳴曲,作品九十四
\n\n法蘭茲·威克斯曼:卡門幻想曲
\n\n\n\n
演出暨製作團隊
\n\n小提琴|蔡承翰
\n\n鋼琴|王悅錚
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9f62848c5ceff0e9f8f1b3c9d389391e",title:"《2023蔡承翰小提琴獨奏會》"}],related:[],title:"2023 Chen-Han Tsai Violin Recital",cover:"7c3f5bcb5bf186b1b55fd560bfecaaaf",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
In the artistic romantic era, sonatas continued to be the most important form of music in the field of violin performance. Strauss's E-flat violin sonatas not only show traditional chamber music duets, but also use symphonic techniques to refine dialogue between solo violin and orchestra part. Prokofiev's Violin Sonata No. 2 was the first violin work he composed after his return to Russia. It was originally written for flute and piano, and was later adapted into a violin version. You will also hear Carmen Fantasia and the other melody and meaningful piece, which are worth listening!
\n\n\n\n
Program
\n\nR. Strauss : Violin Sonata in E-flat Major, Op. 18
\n\nP. I. Tchaikovsky : Waltz-Scherzo for Violin and Piano, Op. 34
\n\nS. Prokofiev : Violin Sonata No. 2 in D Major, Op. 94bis
\n\nF. Waxman : Carmen Fantasie
\n\n\n\n
Creative and Production Team
\n\nViolin|Chen-Han TSAI
\n\nPiano |Yueh-Cheng WANG
\n\n\n\n
\n\n
\n',team:""},createdAt:1675145273,updatedAt:1675405211,updatedBy:"林蔚行",host:!1},{_id:"63dcaf251a2c980007b9090b",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1677929400,discrete:[{time:1677929400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800],link:"https://www.opentix.life/event/1619987386297352193"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"67e787f094155dde8599adc779961f49",title:"《林芊君美聲系列三》"}],related:[],title:"《林芊君美聲系列三》",cover:"abce54e81964dfae6bf1ee7aea2b3083",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
演唱作品選自300年來人聲音樂發展各階段重要篇章上半場以經典歌劇為主,呈現傳統美聲的動人聲線。下半場則是現代音樂為主軸,結合現代人聲與器樂,以室內樂形式呈現。林芊君當代美聲系列音樂會旨在一場音樂會中梳理一段人聲作品發展脈絡,特別邀請電腦音樂作曲家與音樂家們現場即興演出,透過聆聽讓聽眾得以感受古與今之對照,嘗試開拓對現代音樂的經驗與想像。
\n\n\n\n
演出曲目
\n\n1. "V'adoro, pupille" from "Giulio Cesare" (by G. F. Handel)
\n\n2. "Caro, Bella!" (duet) from "Giulio Cesare" (by G. F. Handel)
\n\n3. "I'll met by moonlight" (duet) from "A Midsummer Night's dream" (by B. Britten)
\n\n4. "I know a bank" from "Midsummer night's dream" (by B. Britten)
\n\n5. "Eccomi in lieta vesta" from "I Capuleti e I Montecchi" (by Bellini)
\n\n6. La Capinera
\n\n7. Recitation no 9 (by George Aperghis)
\n\n8. Metamorphosis II
\n\n9. 自彼次遇見妳 李泰祥 作曲,杜十三 作詞
\n\n10. 你是我所有回憶 李泰祥 作詞,作曲
\n\n11. 橄欖樹 李泰祥 作曲,李奕青 編曲
\n\nEncore: 一條日光大道 李泰祥 作曲,李奕青 編曲
\n\n\n\n
演出暨製作團隊
\n\n女高音|林芊君
\n\n假聲男高音、泰奧伯琴|莊承穎
\n\n鋼琴|陳怡安
\n\n作曲、電子音樂|李奕青
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"67e787f094155dde8599adc779961f49",title:"《林芊君美聲系列三》"}],related:[],title:"From Baroque Bel Canto to Contemporary Voices",cover:"abce54e81964dfae6bf1ee7aea2b3083",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The opera scenes from Handel's Giulio Cesare to the contemporary masterpiece of George Aperghis' Recitation. LIN's repertoire crosses from Bel canto of Baroque to Extended vocal techniques in the past 300 years.
\n\n\n\n
Program
\n\n1. "V'adoro, pupille" from "Giulio Cesare" (by G. F. Handel)
\n\n2. "Caro, Bella!" (duet) from "Giulio Cesare" (by G. F. Handel)
\n\n3. "I'll met by moonlight" (duet) from "A Midsummer Night's dream" (by B. Britten)
\n\n4. "I know a bank" from "Midsummer night's dream" (by B. Britten)
\n\n5. "Eccomi in lieta vesta" from "I Capuleti e I Montecchi" (by Bellini)
\n\n6. La Capinera
\n\n7. Recitation no 9 (by George Aperghis)
\n\n8. Metamorphosis II
\n\n\n\n
Creative and Production Team
\n\nSoprano|LIN Chien-chun
\n\nCountertenor, Theorbo|CHUANG Cheng-ying
\n\nPiano|CHEN Yi-an
\n\nElectronic music|LI I-chin
\n\n\n\n
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